Category: Author Interview (Page 2 of 2)

The Poet’s Secret – Q&A with author Kenneth Zak

October 11, 2015 / Kyle Wendy Skultety / 0 Comments

Elia Aloundra, a young lit student, sees a reclusive poet, Cameron Beck, recite a poem at a campus pub before he vanishes. Ten years earlier, Beck had published a popular collection of ninety-nine odes to one anonymous muse before dropping from the public eye, leaving behind a decade of speculation over his disappearance and the identity of the muse. Elia always found sanctuary within the pages of great books and raised Beck’s work into that pantheon, memorizing every verse by heart.

But her love life pales in comparison to the great romances of literature, and she sets off in search of Beck hoping to finally leap from the page and unveil the secret to love incarnate. What she doesn’t know is that as her quest begins, Beck is perched atop a cliff on a remote Caribbean island and about to attempt suicide. Decades earlier a Spanish shipwreck entombing mystical Aztec relics was found off that same island. Elia must win her way through Beck’s protective circle: Isabella, a robust island matriarch with heavy voodoo juju, Paco, a local fisherman and cantina owner, and Fatty, a burnt out, transplanted New Orleans crawdad of a doc. What Elia cannot fathom is that Beck’s secret will change both their lives forever.

This fascinating Q&A was brought to you by Kenneth Zak and PR By The Book!

Watch the book trailer here:

What inspired you to write The Poet’s Secret?

At the time I wrote The Poet’s Secret, I was on a personal pilgrimage. I essentially took a threeyear sabbatical, sort of an adult “time out,” and embarked on a new path. I dedicated myself to explore the meaning of life and love and particularly the arc of passion. I became consumed by the idea of living in the present, honoring the “now” as the only real moment in time, the only authentic eternity, which allowed me to both disconnect and connect like never before and let go of the constructs of past and future as fictions created by the mind. I gained a new appreciation for relatively brief moments and encounters as having potentially profound effects. I was living abroad, reading, writing, surfing and slowing down my existence.

The tale that became The Poet’s Secret was conceived in a hovel perched atop a onetable taverna in the hillside village of Avdou, just a scooter ride from the blue waters of the Aegean Sea on the island of Crete. I was sequestered alone, halfway around the world from my home, and recovering from a life, and a relationship, that had left me hollow, or at least I thought at the time. But it turned out words kept flowing out of me, first in raw, chunky verse that faintly resembled poetry and then in images and scenes that bore an even fainter resemblance to a novel. For months I wrote, swam in healing waters and disappeared into this remote, antiquated Greek village. I had never done anything like that before, but at the time it was the only existence that made any sense.

So many miracles happened during those months. I experienced a cleansing, a healing and an awakening, and I began to perceive light and water and imagery and words and the souls around me like never before. I eventually returned to California, and then traveled to Bali, Mexico, Costa Rica, Thailand, Cambodia and South America, following the sea and surf with laptop in hand and continuing to write. The backstory to writing The Poet’s Secret is a story in itself.

How did you select the locations for the novel?

It was tempting to set the bulk of the novel in Greece, a country I adore. However, as the story evolved the compass for the island setting spun toward the West Indies, and the story’s life raft washed ashore on the fictional island of Mataki. I was fortunate to spend a good part of my sabbatical on tropical islands and coastal villages that certainly informed the setting. As for the early campus setting, I based it on a fictionalized version of my beloved alma mater, The Ohio State University.

What was your particular process in terms of plot, outlining and character?

I essentially began the novel with two scenes that were haunting me. First, I had a reclusive poet on a remote island cliff about to attempt suicide. Second, I had a bookish young woman captured within the confines of the great romances of literature. I really had no idea about their connection, if any, but those two images would not let go of me. As I began to write, the concept of the woman yearning for what nearly kills the poet began to take hold.

The process was fairly organic. I let the characters breathe and lead me into the story. I wasn’t even sure whose story it was until shortly after the first draft. Once the closing scene appeared to me I realized that it was really Elia’s story. I then just had to navigate getting there. While I did not develop any formal outline, I downloaded scenes as they appeared, stockpiled them and later wove them in when they seemed to make sense. It was a bit like swimming across a sea, not sure which direction land might be but hoping that if I kept going I would eventually find my way.

Stumbling, a bit blindly, through this creative process was both exasperating and exhilarating. As I was working on revisions, I attended several writers’ conferences that stressed the necessity of thorough plotting, which made me feel a tad vulnerable. I later read an interview about Michael Ondaatje’s process in writing The English Patient and realized I was in good company.

The novel is filled with excerpts of poetry, which came first, the poetry or the narrative arc?

Most of the poetry was written before any narrative took form. The poetry came in often painful and soul searching flourishes, and then was revised over time. There is a line in The Poet’s Secret where Dean Baltutis refers to the poet’s inspiration being “survival.” That is precisely how it felt at times. I also wanted to combine both poetry and prose into one novel and attempt to slow down the reader a bit at the beginning of each chapter to contemplate and absorb the poetry, to be in that moment so to speak, before continuing on the narrative journey.

What in particular surprised you about the process of writing The Poet’s Secret?

I didn’t want to force plot twists or preconceived outcomes. I let the characters find the story. I let go of expectations and trusted the story to evolve. Tapping into this creative process was freeing, exhilarating and challenging, sort of like jumping off a cliff into the sea for the first time. I had never done anything quite like it, but this particular process for me felt authentic. I certainly was surprised how well the early drafts of the poetry and manuscript were received, which bolstered my confidence to pursue the project through publication.

Water imagery is abundant throughout the novel, what is the particular connection for you with water and particularly with respect to this novel?

I was thrown onto a swim team at age 8 even before I passed beginners swim lessons (I was terrible at the back float). But water soon became my life and in many ways my salvation. Throughout my youth I swam, played water polo, lifeguarded and hung around Lake Erie in northeastern Ohio. Somehow, I didn’t even see an ocean until I was 18. But I recall climbing out of the backseat of a Datsun 210 hatchback (or what they claimed to be a backseat) after driving for 22 hours to Ft. Lauderdale for spring break and telling my college buddies to just pick me up in a few hours. I was mesmerized. I sprinted into the Atlantic Ocean and swam and bodysurfed until dark. Today, I surf or swim almost every day. I feel like I am about eighty percent water, the remaining twenty percent made up mostly of curiosity and mischief.

Much of the water in the universe is said to be a byproduct of star formation. I’m no scientist, but I like the way that sounds. Because when I look up at the night stars it feels a lot like gazing west an hour before the sun dips into the sea, at least at my secret little spot by the water. Flickering diamonds scatter everywhere along the surface, and if I squint just right, I forget the sea is even there. Instead, it looks like a galaxy of stars shimmering right into me, washing across my heart, reflecting off my smile and filling me with the belief that I can just float away into the universe. So I often do.

Spiritually, water often represents purification and healing. To me, water represents so many things, perhaps most importantly love and life and the sacred feminine. I once nearly died underwater while surfing in Uluwatu, a place few have ever heard of and even fewer have visited. But I know on so many occasions water has saved me, water has healed me, and water has reset my compass when I have been spinning in some uncontrollable vortex. So for me, my life and my love seem to be tied to returning to the great aquatic source, again and again, maybe just to fill the chasm that still exists in me, and maybe to some degree still exists in all of us.

I have been fortunate to swim with sea turtles and dolphins in the wild on many occasions. When I stare into the eyes of a sea turtle or a dolphin I cannot help but believe that they understand this great aquatic connection, a connection beyond humanity, beyond species, beyond even the stars. So when I am writing about passion, heartbreak, healing, life and love, it is only natural for me to write in a particularly aquatic language and style.

Where is your favorite place to write?

My favorite place to write is on that squeaky metal spring cot in that hovel above Mihalis’ taverna in Avdou, Crete. After that, any place as long as I have my noise cancellation headphones. I’ve written and revised all over from kitchen tables to airplanes.

How long have you been writing?

I’ve been writing over thirty years now in one form or another. I wrote a bit of poetry in high school and then did a bunch of required writing in my legal profession. It was sometime after law school that I penned my first novel (unpublished), and then about ten years ago when the idea for The Poet’s Secret first took flight. I also have some published short fiction and poetry.

Who are some of your favorite authors?

Pablo Neruda, Gabriel Garcia Marquez, Haruki Murakami, Carlos Ruiz Zafon, Paulo Coehlo, Milan Kundera, John Steinbeck, Michael Ondaatje, Jorge Luis Borges, Rumi, A.S. Byatt, Carl Safina, Tom Spanbauer and so many more.

How did those authors influence your work?

My favorite authors inspire, entertain, challenge and provoke me. I don’t try to write or emulate any particular style. But when I read the opening of Cannery Row time stops.

How did you become affiliated with the Romance Writers of America?

Someone recommended I send an early draft of The Poet’s Secret to the RWA. While The Poet’s Secret is by no means a traditional genre romance, it was selected an RWA Golden Heart Finalist in romantic suspense. I was the only male nominated that year (attending the national conference and award ceremony is another story altogether). When my face went up on the Jumbotron in front of thousands of mostly female authors at the award ceremony it was a bit unnerving. Writing anything can be fraught with selfdoubt. The RWA could not have been more welcoming and supportive and certainly gave me a bolt of confidence to continue writing and revising, as did the nominee class from that year, the appropriately named Unsinkables.

How did your professional career as an attorney influence your writing and how do you balance the two careers?

I think practicing law actually spurred my interest in creative writing. While I was in private practice, I felt constrained by the form restrictions requisite within the legal profession. I also felt a lot of legal writing often served more to obfuscate than illuminate and writing poetry and fiction allowed me the freedom to explore and express myself in a different medium. The Poet’s Secret is not “another lawyer’s courtroom thriller” in any respect, nor am I particularly drawn to that genre since I’ve lived it. Nonetheless, my legal career (now as General Counsel for a large private brokerage company) is both fascinating and challenging. I draw some inspiration from the poet Wallace Stevens who for years continued his vibrant writing career while an executive for an insurance company. As far as balance goes, my evenings and weekends are spent around the keyboard as much as possible.

Tell us about your involvement with 1% for the Planet and The Surfrider Foundation.

Perhaps only a poet would give away money before it is even earned, but that is what I felt compelled to do given my love of the ocean and conservation causes. In addition to ocean swimming, free diving and water polo, I have been an avid surfer for nearly two decades and have surfed around the world. Subtle conservation themes are laced through The Poet’s Secret, but my love of the ocean and our planet is anything but subtle. I hope to leave this world and particularly our oceans better than I found them. Penju Publishing’s membership with 1% For the Planet and my pledged donations to The Surfrider Foundation are an effort to spread awareness, give back and pay it forward.

BLOG TOUR! Resist by Tracy Lawson with Q&A

August 28, 2015 / Kyle Wendy Skultety / 0 Comments

When injustice becomes law, resistance becomes duty.

After their plan to rescue a group of dissenters imprisoned by the OCSD spins out of control, Tommy and Careen are on the run, dodging the quadrant marshals in a headlong dash for the remote mountain headquarters of the Resistance. Their budding relationship is tested when an attempt to spark a revolution goes awry, and the pair move toward an inevitable confrontation with the forces that terrorize the nation.

Will their differing viewpoints drive a wedge between them? And where does love fit in when you’re trying to overthrow the government?

I’m happy to be part of the official blog tour for RESIST! Tracy Lawson scored a hit with her first book in the Resistance Series, and the much awaited Book 2 just came out August 4th. Here is an exclusive Q&A with the author:

Can you give us a brief summary of your first two books?

QUICK SUMMARY OF COUNTERACT:

The Resistance Series takes place in a near-future version of the United States. The powerful Office of Civilian Safety and Defense has enacted a long list of Civilian Restrictions designed to keep the people safe from frequent terrorist attacks, but it hasn’t worked: as the story opens, the threat of a chemical weapons attack is literally hanging over everyone’s heads.

Careen takes the OCSD’s offered antidote, but the side effects cause her to hallucinate. Her erratic behavior attracts the attention of a young law enforcement officer, who mistakenly pegs her as a dissident. Careen doesn’t realize the antidote is causing her confusion…until she runs out on the day of the anticipated attack.

Tommy, recuperating from injuries sustained in a recent auto accident, is unaware that there’s a link between that accident, which killed his parents, and the chemical weapons attack that threatens him now. When he discovers that working out before he takes his dose of the antidote helps him feel more like himself, he defies the rules to regain his strength and his sanity. On the day of the attack, he meets Careen, who just might be the girl of his dreams, and tries to save her by sharing his last dose of the antidote, even though doing so could potentially hasten his own death.

What Careen and Tommy learn about the true nature of the terrorist threat spurs them to take action; their decisions lead them to run afoul of local law enforcement, team up with an underground resistance group, and ultimately take their quest for the truth to the highest reaches of the United States government.

QUICK SUMMARY OF RESIST:

In Resist, the second volume in the Resistance Series, Tommy and Careen are no longer naïve, frightened teenagers who believe the Office of Civilian Safety and Defense can protect them from terrorist attacks. They’ve discovered the OCSD’s miracle antidote’s true purpose: to create a population bereft of free will, incapable of defying the tyrannical OCSD. They join the Resistance, but on their first mission, things spin out of control and soon they’re on the run, dodging the quadrant marshals in a headlong dash for the Resistance’s secret headquarters.

Being part of the Resistance presents them with new challenges. Not everyone working for change will prove trustworthy, and plans to spark revolution go awry with consequences greater than they could’ve imagined. Tommy and Careen’s relationship is tested when their philosophical differences and the pressures of interpersonal rivalries and jealousy put a strain on their romance. Can they make time for each other while trying to start a revolution?

What was the inspiration behind The Resistance Series?

I was mentoring a friend of my daughter’s when the initial idea for Counteract came about. Chase is a pretty sharp guy and an excellent writer—and when he was in high school I had a lot of fun working with him and editing some of his short stories. We had finished working on a story about baseball, a broken nose, and a broken heart, and were ready to start something new, when he suggested we write scenes in response to the prompt: “What if everyone were on LSD and all thoughts were communal?” It was certainly thought provoking! Chase created the characters Tommy and Eduardo, I created Careen, and right away, we knew we were onto something. Obviously, the story morphed and changed a lot before it became the finished version of Counteract—but that was how it all began.

Did you always plan to write another book in the series?

I let my husband read the first draft of Counteract when I was about a third of the way through the original outline. He was enthusiastic and supportive and suggested developing a story line that could be carried forward if I chose to make Counteract the first in a series.

I liked the idea of doing more than one book about Tommy and Careen, and as I wrote the rest of the first draft, I pinpointed elements of the story I’d need to develop and expand to pave the way for a series.

How do the characters of Tommy and Careen develop in Resist?

Tommy and Careen are law-abiding citizens until they accidentally discover that the Office of Civilian Safety and Defense lied about the terrorist attack and why it mandated the use of the Counteractive System of Defense drug. They go from being accepting and compliant to impulsively joining a rebel group that’s working to overthrow the oppressive government agency, without having a chance to think about what they’re doing and why.

They’ve only known each other for a week, and their relationship has progressed far too quickly—they became a team, then a couple, without really getting to know each other, and soon they realize they don’t have much in common.

Tommy’s all for the physical aspects of revolution, and is eager to learn about guns and explosives. Careen finds kindred spirits among the older leaders of the group, who are committed to sway the public’s allegiance away from the OCSD by waging a war of information. Her pacifistic approach clashes with his need to prove himself on the field of battle, and further complicates their partnership.

What do you enjoy about this series that cannot be found in any of your other books?

The Resistance Series is my first published fiction. My other book, Fips, Bots, Doggeries, and More, is based on a journal kept by my great-great-great grandfather during his family’s 1838 horse and wagon trip from Cincinnati to New York City.

I did a ton of research before writing that book, and amassed two filing cabinet drawers full of information related to the 22-page journal! During the publication process, I nearly went crazy double-checking all my facts and citations, and by the time the book went to print, I never wanted to see another footnote. Fiction? Yes, please!

Now that I’ve had a little break from footnotes, I’m enjoying writing another nonfiction history book. I’m planning to merge my two favorite genres and write some YA historical fiction sometime after I finish the Resistance Series.

The main characters in The Resistance Series are Tommy and Careen. Where did you find your inspiration for them?

My characters are a little bit of me, and little bits of people around me, but as I spend time with them in the context of the story, they become less like people in the real world; I don’t stop developing them until they are individuals: unique and unlike anyone else.

Chase created Tommy, and at first I wasn’t as close to him as I was Careen. That changed as I wrote more scenes for Tommy—especially the scene when he and Careen meet. His reactions and his choices came from inside me; before long, he was unique and independent of any outside influence.

How does the Office of Civilian Safety and Defense (OCSD) differ from other dystopian governments in young adult series like The Hunger Games and Divergent?

In the Resistance Series, there has been no rebellion, no cataclysmic event. The dystopian world in which they live has been created by fear, engineered by an enemy masquerading as a protector.
The Office of Civilian Safety and Defense was created to protect against the rampant terrorism that has affected the nation for the better part of the twenty-first century. Little by little, the OCSD usurped power from the traditional three branches of the US government.

The OCSD’s long list of Civilian Restrictions was designed to maximize safety and security. Most people don’t consider themselves oppressed or fettered by their lack of freedom. Teenagers like Tommy and Careen don’t know things were ever different. They can’t remember a time when teenagers learned how to drive and went on dates to malls and movie theaters.

What elements test the relationship between Tommy and Careen in Resist?

Tommy and Careen had only each other to rely on in Counteract, and their relationship progressed quickly—perhaps a little too quickly.

Now they’ve joined the Resistance, and they’re part of a community for the first time. They have a hard time adjusting to the constant scrutiny, and Tommy laments about how their relationship seemed a lot less complicated when they were alone.

Their philosophical differences about how to fight the OCSD drive a wedge between them, and interpersonal rivalries and jealousy test their budding relationship.

What do you hope readers take away from this book?

First and foremost, I want readers enjoy the story! I hope they relate to Tommy and Careen, and look forward to reading the next installment in the series.

Books for young adults often reflect the reader’s need to question authority and rebel against the rules set down by older generations; the Resistance Series looks at what can happen when people surrender our civil liberties in exchange for the promise of safety and security.

I hope readers understand that protagonists in dystopian books are often branded as outcasts or rebels because they question the restrictive rules of their societies—and that individuals who change the world rarely do so by going along with the herd.

What kind of research did you do for the series?

Please don’t call the police if you see what’s in my browser history! I’ve Googled the effects of various controlled substances, different types of explosives, and interrogation techniques.

I learned to shoot a handgun so that my characters’ first experiences with weapons would be authentic. At first it was scary, but now I enjoy going to the target range. I’m no Annie Oakley yet, but I’m at least as good as Scarlett O’Hara, who once saucily told Rhett Butler, “I can shoot straight, if I don’t have to shoot too far.”

What made you want to write books for young readers?

I love reading YA, and I taught dance classes for twenty years before I got serious about writing. I spent a lot of time around my students, my daughter, and her friends, so it seemed natural to write for a teen audience.

How long did it take you to write Resist?

I wrote Resist in a little over a year. It went a lot faster than Counteract (which took almost three years) because I knew the characters well and had planned ways to continue the story into the second book.

Do you have any interesting writing quirks?

I like to write with pen and paper—preferably outside. I sit quietly until one of the characters starts to speak, and then I write down what they say. Some days I’ll scribble for pages and pages, and when I look at the clock I’ll be surprised how much time has flown by! I usually let those pages sit for at least a few hours, sometimes a few days, before I transcribe them into the computer, and that’s where the scenes really begin to take shape.

As far as writing snacks go, I’m partial to sunflower seeds and Diet Dr Pepper!

What does your family think of your writing?

My family has been very supportive. My husband knows how to urge me on when I get discouraged, and my daughter says I’m a better choreographer now that I’ve become an author. I guess writing helped me refine how to advance a story through dance.

I haven’t shared much about what happens in Resist with my family. My five teenaged nieces can’t wait to read it, and I can’t wait to hear what they think!

Tell us where we can find your book and more information about you.

My books are available on Amazon.com (click [easyazon_link identifier=”B00Y7848C2″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link]) in paperback and Kindle, and on Barnes & Noble’s online store. If you live near Columbus, Ohio, you can buy signed copies of my books at three independent stores: The Book Loft of German Village, Mary B’s, and Urban Emporium.

You can get the behind-the-scenes scoop on all things Resistance Series, see book trailers, and check out my blog at http://counteractbook.com. You can also find me on Twitter @TracySLawson and on Instagram as TracyLawsonAuthor.

Breaking the Silence – Guest Post by author Maria Nieto

August 20, 2015 / Kyle Wendy Skultety / 1 Comment

On a sweltering summer day, the streets of Old Madrid that once resonated with the laughter of children playing are empty and silent. But inside the apartment buildings there is life as families faithfully wait for updates about an army uprising in Spanish Morocco. Before long, their greatest fears come true. As rebel troops storm Madrid and chaos fills the streets, six-year-old Mari wonders why she cannot go outside to play. Unfortunately, she has no idea she is about to be trapped inside the abyss of what is rapidly becoming a ruthless civil war. Already emotionally wounded by the absence of her mother, Mari attempts to go about her fear-filled days living with her father’s family, which includes a grandfather who lovingly teaches her about the history leading up to the conflict. As she embarks on a coming-of-age journey submerged in the darkness of war, Mari somehow stays alive despite the decisions of an intimidating, ruthless dictator, starvation, and brainwashing by the new Fascist regime. But when circumstances lead her to inadvertently commit the ultimate betrayal, Mari must face the horrifying consequences of her actions. Breaking the Silence shares the compelling tale of a little girl’s experiences as she attempts to survive amid the horror and death surrounding the Spanish Civil War.

Gimmethatbook had the privilege of communicating with author Maria Nieto and discussing her book BREAKING THE SILENCE. We are proud to present her guest post, as she discusses why she wrote the book and the meaning it holds for her. If you are interested in having your own copy, you can get it [easyazon_link identifier=”1491761016″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

My name is Maria Nieto, and people have been questioning why, at the age of 85, I wrote a book called Breaking the Silence.

It is a book describing the pain and the horrifying days of a small girl´s life during and after the Spanish Civil War. There are moments of humor in the book, but mostly it deals the devastating effects that war creates for children. The book goes a little further into Spain´s post war years under the yoke of a fascist dictatorship using ruthless mind altering techniques on children in order to assure their total loyalty to the new order. Mari, the child in the book, ends with the terrible decision she must make to atone for an act of treason she innocently committed.

The book is written as a novel, a work of fiction, but fiction is often impregnated with truth.

Why did I write the book, and how did I write the book?

Please allow me to go back in time just a little.

I was born in New York City in the middle of the Great Depression. Just a year later, the laws that rule the universes (I do not believe in coincidences), transported me to Madrid, Spain. Two years later, the same universal laws took my mother away from me . I do not remember the days after she disappeared, but I do remember that even though I forgot how to speak English, at stressful times the sound of strange sounds would almost sing inside of my mind. Sounds like “mommy”, “daddy”, “Teddy the bear”, and sometimes I could hear the soft voice of a woman whisper something that sounded like, ”you are my princess”. Nothing more.

Three years passed and I suddenly found myself in the middle of falling bombs, crashing buildings and the passing of marching tanks in the night making cracking noises on the street cobble stones as they passed by the house.

Spain was at war. A war of brother against brother, and father against son: The Spanish Civil War. I lost most of my childhood friends who died torn to pieces under the explosions of bombs, the fire of machine guns, or the falling of mortar shells. I survived day after day holding on to the image of a dark haired woman who held me in her arms in times of danger.

After the war, Spain fell under the tyrannical fascist dictatorship of Francisco Franco, the Spanish Army officer who initiated the revolt against the Spanish Republic.

People were imprisoned and killed by the thousands. All freedoms were forbidden. Children marched in the streets dressed in Nazi-like uniforms with extended arms in a Nazi salute singing fascist songs to the beating of drums and the waving of flags. Soon I too became one of those children.

Some years passed and during my early teens, I was found reading a Reader’s Digest (in Spanish). That type of reading was forbidden. Nothing foreign was to be read in Spain, and no listening to radio stations from other countries was allowed. Because I was an American Citizen, I did not go to jail . Instead, my father was ordered to have me out of the country within three days. An uncle in New York who had converted into Judaism arranged for a Jewish organization helping children out of Nazi Germany, to look over me in Portugal as I waited for a ship to take me to the United States.

Franco died and Spain’s new monarchy passed a law of silence, “a pact of silence”, as it was called. The people of Spain were not to talk or act on any issues that incurred during the war or during the dictatorship after the war. Franco’s murderers never went to trial for their crimes and continued to flourish and continued to use their money to hold on to power. After that, when I visited Spain, neither my family nor my friends would talk about or mention the terrible years. During a visit to my grandmother’s village, I came upon a group of older women in the town’s plaza seated in a circle noisily and happily talking as they did their sewing. I introduced myself and told them that my grandmother was born in the village. They recognized her name, but when I told them that I had lived in the village for a short time during the war, the women looked at me, and one of them clipping her words almost yelled, “ Ah, that was a long time ago.” All the other women went back to their sewing in silence.

That was the beginning of the heavy weight in my chest that made me write Breaking the Silence.

After four years in the Navy, the GI Bill helped me to finish nursing school and after graduation I was able to work during the day and go to school at night. It was years before I finally gathered enough diplomas to teach me how to help emotionally wounded persons identify their pain, and hopefully resolve it.

When my working days ended, the heavy weight in my chest returned, and strange rumblings again woke me at night. As time passed, the weight got worse, the rumblings got louder.

Finally, it became clear to me what was happening: I was choking on Spain’s silence denying me of my childhood, as well as my childhood friends not being recognized and remembered.

That is why, very slowly and in silence, I began to write Breaking the Silence and no one, friends or family, knew about the book until it was published. My family in Spain received it well, and now the rumblings and the weight in my chest are gone, and I can again sleep through the nights.

I hope people will read it. I hope that in some way it may help people throughout the world and the United States reject any further war suggestions from their leaders.

I started another book. Maybe I can finish it before the laws of the universes take me away from this planet and I begin to use my experiences on earth elsewhere.

EXCLUSIVE interview with Carol Cassella (Gemini)

February 17, 2015 / Kyle Wendy Skultety / 1 Comment

I had the pleasure of interviewing author Carol Cassella after I read her bestseller GEMINI, and it was a wonderful experience. Here is our Q&A session:

GTB: Which character did you have the easiest time writing? Who was the hardest?

CC: Although she might seem to be quite different than myself, Raney was the easiest character to visualize and write. I distinctly heard her voice with a rural accent, akin to the Texas drawl I grew up with. No, Raney has certainly never been to Texas, (and I hope I successfully turned her voice into a rural Pacific Northwest accent), but I spent a lot of time riding horses as a young girl and that meant I spent a lot of time outside the city with kids who’d grown up in smaller towns. And, in ways, Raney reminds me of many of my patients: people who live in much more strained circumstances than my own peer group. One of the greatest privileges of being a doctor is that you get the chance to witness, sometimes intimately, the daily hurdles that millions of Americans who live below the poverty line have to overcome. I’ve taken care of a lot of people whose talents and intelligence might have generated good incomes and stable homes if they had had better examples and opportunities growing up. But I so love Raney’s spunk and independence, and her artistic view of the natural world. We enjoyed being together on the page during the long days of writing the book.

David was probably the most difficult character to bring fully to life. He was the most “evil” of GEMINI’s players, a borderline personality disorder type who could lie not only to others but also to himself; a man with a very poorly developed moral conscience. On the other hand, who among us is purely good or evil? No one, in my experience of the world. We are all born with certain traits and inclinations, but are then much shaped and influenced by the kindnesses and cruelties we experience growing up. I had to make David callous enough to abandon Raney on the highway, but big-hearted enough that she could be willing to marry him, even if it was in many ways a marriage of necessity. I intentionally kept his role in Raney’s accident uncertain; because the police were not able to confirm enough evidence to get a search warrant or prosecute him, I wanted readers to walk that line as well—to suspect David but be unsure how far he would go in a fit of anger. Writing such an ambiguous character is challenging, but also more fascinating than creating someone who could be described as one dimensional.

GTB: Do you do an outline of the story, or do you just write for hours and let the plot unfold as it will? Do you let the characters create their own voice as you go?

CC: I have approached each of my three novels differently so far and discovered that outlines do not work for me. I wrote the first draft of HEALER after creating an extensive outline, and ended up with a book that felt forced, the characters driven into actions to match the plot outline rather than motivated by their own personalities as they developed through the writing process. I took another year dismantling and rewriting HEALER so that it worked as a whole. Maybe this is what we are really describing when we talk about “character driven” stories—stories where the plot builds as a consequence of each character’s choices. As I draft scenes I fill in details about each character that often seem to appear out of nowhere—small background conflicts or hobbies or pet peeves that spring onto the page from my imagination and, over time, create a unique individual who might or might not want to follow the plot line I’ve planned. That is when writing gets fun—when you see the characters developing in such a rich and complicated way they begin to dictate their own choices. At that point they do start to speak to me in their own voice, but I have to invest many hours filling blank pages, often discarded, before that spark of life catches fire.

Certainly, though, plot outlines work very well for many writers, and I have friends who depend on them. I think any tool can be used if the writer understands how their own mind approaches story. I begin each novel with a general idea of major plot elements. The central conflict and topic are chosen because I find them interesting questions to research and ponder for the two or three years I’ll spend writing. Then I spend each writing session by starting with a scene I think I’ll need—two characters in a conversation, or some pivotal event that will turn the action. The scenes might be completely unrelated in the novel’s arc, and many of them will end up thrown away, but after a few months I can begin to see what matters—which scenes will form the core of both the plot and the characters’ motivations. I always start the novel thinking I know how it will end, but I am always surprised that things turn out differently than I’d predicted.

GTB: Is there a possibility in the future to see another book with any of the characters from Oxygen or Gemini? I’d love to see Jake’s story unfold.

CC: I, too, would love to see Jake’s story unfold. And Marie’s and Joe’s (if he’s alive!). So far, though, I don’t have any plans for a sequel to any of my books. I’m well into the fourth novel now, and don’t yet have a clue about what will follow that. I find that when I’m deeply engaged in writing one novel and one set of characters, I am almost incapable of imagining any other project to follow.

GTB: Charlotte (and subsequently, the reader) viewed the ethics board and the CPG as “the enemy”. This also served to create tension and make the reader aware of time running out for Raney. What are your thoughts, as a medical professional, on those who decide the fate of comatose patients and deal with ethics, rather than medicine?

CC: If I have one goal for readers of GEMINI, it is to spark discussions about their own beliefs and personal hopes for the end of life. We are not very good about talking about that tangled, uncertain but inevitable future, either as doctors or as patients. For millennia no one had to ponder such questions except in the most theoretical sense: what an ideal death might look like—quickly felled by infection, or being eaten by a tiger? But in the past few decades, thanks to remarkable advances in medical care, most of us will be offered choices as we grow old and ill. Pacemakers, bypass surgery, dialysis, insulin, stroke prevention, antibiotics, cancer treatment—all of these and hundreds more are giving us many more productive and hopefully happy years before age or disease finally outruns the options available. But the quality of those final months or, sometimes, years, can be very poor. Should more time always be our number one goal? What makes your life worth living?

Given that we must all eventually die, shouldn’t physicians also be helping us approach that end nobly and in keeping with our personal values? Interestingly, hospice care has been proven to extend both the quality and quantity of life in terminally ill patients, and yet access to hospice care is usually offered far too late and too infrequently. I don’t try to give readers answers to any of these questions—they are too personal for any outsider to dictate—but we should all be considering them and discussing our wishes and beliefs with our family members and close friends, who might have to make these difficult decisions for us in our last days. You are quite right, though; I used the ethics board and CPG to impart a sense of urgency and loss of individual (Raney’s in this case) control at the end. While the situation of being an unidentified Jane Doe is unlikely, many, many of us end life without having made it clear what our final wishes are to those who will be caring for us.

GTB: Who do you think had the happier, most satisfying life, Charlotte or Raney?

CC: Raney had such a free spirit and innate joy for living, a capacity to be happy in the present, I think she had the most important traits for a satisfying life. But economics and the randomness of fate delivered her into a broken family living in hard circumstances. Thank heavens for Grandpa, who gave her love and stability and backbone despite his gruff demeanor. Sadly, in the end, I think poverty and lack of opportunity and education derailed Raney’s chances for a life as happy and fulfilled as Charlotte’s.

Currently half of all school aged children in the U.S. are poor enough to qualify for subsidized lunches. One quarter of our children don’t have enough food to eat. Raney may seem like an outlier, but her life represents a very large number of people who are our neighbors, just a few doors or miles down the road.

Carol Cassella is a practicing physician, speaker, and the national bestselling author of three novels, Gemini (2014), Healer (2010), Oxygen (2008), each published by Simon & Schuster and translated into multiple foreign languages. All three novels were Indie Next Picks.

Carol majored in English Literature at Duke University and attended Baylor College of Medicine. She is board certified in both internal medicine and anesthesiology, and practiced primary care with a focus on cross cultural and underserved populations before becoming an anesthesiologist. Prior to writing fiction Carol wrote for the Global Health division of the Bill & Melinda Gates Foundation, covering their grant projects throughout the developing world. She has been a contributor to the Wall Street Journal as an Expert Panelist in Healthcare, and edits a literary section in Anesthesiology, the journal of the American Society of Anesthesiology. She is a founding member of Seattle7Writers, a non-profit supporting literacy and reading in the Pacific Northwest, and also serves on medical organizations working in Nicaragua and Bhutan. Carol lives on Bainbridge Island, Washington with her husband and two sets of twins. She is currently working on her fourth novel.

“There Will Be Blood, Dust, and Love.” An Interview with Jerome Brown

December 16, 2014 / Kyle Wendy Skultety / 1 Comment

Q: Calves in the Mud Room is full of authentic detail; the smells, the sounds, the struggle of cattle farming. How did you come to be so familiar with that little slice of Wade’s life?

A: Mostly from observation. I didn’t grow up on a farm or a ranch but I grew up around all of that. My grandparents were farmers and ranchers. A barn that it is a home to horses has always been one of my favorite places. I even like the smells. That bittersweet mixture of mud, manure, urine, horsehide, hay and leather. As for the calving sequences, l learned a lot on a photo assignment I did for a magazine. I also did quite a bit of research on calving as well. The rest is just a hard wired memory of winter in snow country. And all the hardship, heartbreak, beauty, and bliss it brings.

Q: Almost everyone in your book is an unsympathetic character. Which one was the hardest to write? Who was the easiest? Why?

A: Gosh, I hope they weren’t all that unsympathetic. I’m not sure about how to answer this one. They were each difficult in some respect but easy in others. The one that took the most work was probably Wade. I wanted him to be authentic. To despite all the crap that surrounds him, to at least try to do the right thing. There were times that I was unsure of his path. I also wanted his relationship with his mom to be honest. Glory was hard in that I didn’t want her to be totally one dimensional or cartoonish, but still be a self absorbed, spoiled brat. The easiest to write was Rochelle. Or at least the most fun. We’ve all encountered someone who is outrageous, flamboyant, rowdy and rebellious just for the sake of being so. You just never know what’s going to come out of her mouth. The grandfather was also a pure joy to render.

Q: Your author bio says after college you tried writing the Great American Novel, but couldn’t get past the Great American First Sentence. What was that book about, and how far did you actually get?

A: I started so many things but I just didn’t have much of a story to tell. Or wouldn’t work at it long enough to uncover one. I did finish a play and a screenplay but couldn’t get them produced. They were flawed. But great practice nonetheless.

Q: What would you like to think happened to Wade after the story ended?

A: I like to think that Wade keeps on keepin’ on. That he doesn’t regress. Goes on to college and grows into wherever that takes him.

Q: What’s your next project?

A: I’ve been messing with something I started a few years ago. It’s set in the early 1990’s. The working title is Wild Horses. It’s about Shepard Moon, a Vietnam vet and possibly a former independent contractor for the CIA who is now putting in time as a US Marshall. He’s been sent to central Wyoming, where he coincidently grew up, to find out who’s killing the wild horses. There will be blood, dust, lust and love.

I hope you enjoyed our interview! Be sure to support great independent authors like Jerome, and pick up or download a copy of Calves in the Mud Room here!

Calves in the Mud Room by Jerome O. Brown (plus INTERVIEW and GIVEAWAY!)

December 16, 2014 / Kyle Wendy Skultety / 0 Comments

[easyazon_image add_to_cart=”yes” align=”left” asin=”0615967507″ cloaking=”default” height=”500″ localization=”yes” locale=”US” nofollow=”default” new_window=”default” src=”http://ecx.images-amazon.com/images/I/31tDIS3QK4L.jpg” tag=”gimmethatbook-20″ width=”312″]

Many thanks to author Jerry Brown for gifting me these copies in exchange for this honest review.

Calves in the Mud Room is a study in contrasts; hard working teens and irresponsible adults, the haves and the have-nots, dreams and responsibility. Cows become angels, a boy becomes a man, and all the while, the winter wind howls and snow falls relentlessly.

Wade Summers is trying to borrow his mom’s car and finish his chores so he can get cleaned up for a date with Glory Schoonover. He’s done nothing but dream about her, and when she asks him to the Valentine’s Day dance at their high school, he can’t believe his good fortune. This may be the only chance he gets with Glory, she of the “juicy fruit lips, dark chocolate eyes, honey streaked corn silk hair with the chamomile-lavender scent“.

As Wade is finishing up the evening feeding he sees a heifer off by herself, not interested in food, restless. His joyous anticpation of the evening quickly turns to despair when he discovers his stepfather’s cows are calving early, in the middle of a ferocious blizzard:

Not tonight, no, not tonight, please.

He finishes feeding and swings the truck back around. The snow etches an opaque curtain and he loses the isolated heifer.

A black cow pie in the headlights sprouts a pair of legs and tries to rise. Wade hits the brake hard. The engine croaks.

Snowflakes eat at the newborn. There’s no story of birth in the snow. No fluids, no hoof prints, no imprint. The mother could be twenty feet away but all he sees are shreds of snow.

Wade’s stepfather is mean and useless, Glory’s moneyed family is condescending, and Wade is a teenager with raging hormones. Nothing but adversity surrounds him, and Brown’s lyrical, flowing prose shows Midwestern hardscrabble life in a terribly beautiful way. Almost every page illustrates the despair of farm life lived just on the brink of bankruptcy, made tolerable by alcohol and dreams of a way out. Brown creates unsympathetic characters with ease, giving the reader authentic dialogue and spot on introspection. Don’t let the simple plot (boy wants girl, simple things conspire against him) fool you—it’s told in a new light. The undercurrents of the subplots are telling and poignant also, and there are some unforgettable characters I’d like to know more about.

Is Wade forced to do the right thing because of the specter of his grandfather and the desire to rise above the bleakness? Or is Wade a good person deep down, regardless of his environment and dead end life? His character is revealed slowly, carefully, with information right in front of you, and plenty to see in between the lines.

What makes this book sing is the rolling, lyrical prose. Simple things like cows in a field, or detritus in a pickup truck take on a new light as Brown paints a picture on every page. Calves in the Mud Room must be read at least twice; once to see how things happen, and the second time to savor the words slowly, like a gourmet dish with its flavors perfectly blended.

This novella is truly a hidden gem that is a quick and lovely read. I loved it.

The author has generously donated a softcover copy of his book for a giveaway! He also agreed to be interviewed by us. Click here to read the interview. Use the box below to enter the giveaway!

[raw] a Rafflecopter giveaway[/raw]
Don’t want to wait for the contest to be over? You can get your own copy [easyazon_link asin=”0615967507″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]here.[/easyazon_link]

EXCLUSIVE interview with Lincoln Child and Douglas Preston

November 8, 2014 / Kyle Wendy Skultety / 0 Comments

Recently I had the pleasure of doing an interview with these renowned authors via email. Many thanks to Sonya at Grand Central Publishing for making this possible, and unlimited thanks to the authors for taking the time to answer these questions! We’re still giving away two copies of Blue Labyrinth, but only until midnight! Enter while you still can!

Lincoln Child, answering for both himself and Doug Preston:

gimmethatbook: As always, Blue Labyrinth has unusual weaponry and a most unique location to further the story. How did you decide to use the Salton Sea? Have either of you been there, or did you visit there to get better background, and see what the place was like for yourself?

Lincoln Child: I have an aunt that lives in Borrego Springs, not far from the Salton Sea. I have visited the place and found it both evocative and eerie. Doug and I prefer to situate our books in places that one or the other of us knows, so in that way we were lucky not to have tapped the Salton Sea before.

GTB: Your characters are diverse, and each of them have their own special “voice”. As a writer, you have to become your characters. Is there a character whose mind is difficult for you to consistently penetrate?

LC: I think both of us have trouble penetrating Agent Pendergast’s thought processes. That’s not necessarily a bad thing, though, because we prefer to write him from a distance, as it were. It seems to work better when neither the reader nor ourselves know too much about what he’s thinking.

GTB: Many authors have a Twitter page to connect with readers. You have a FaceBook but not Twitter. Any particular reason for this?

LC: We just haven’t had a chance to get into it. That’s nothing against the service–it just shows we’re a bit behind the times in that particular way.

GTB: Finally, what is the one question you wish interviewers would ask you, but never do?

LC: How’s this for an answer: the very question you have just put before us!

Interview with Ellie DeFarr (author of the Hera Hunter mystery series)

October 23, 2014 / Kyle Wendy Skultety / 0 Comments

Ellie DeFarr is the author of two books in the Hera Hunter Mystery series: [easyazon_link asin=”1491009195″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]Haunting Memories from a Troubled Past[/easyazon_link] and [easyazon_link asin=”1500835463″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]Melancholy Manor[/easyazon_link], which was just released September 6th. She is currently at work on her third novel, which you can read more about in this exclusive interview. Please visit her website at elliedefarr.com.

Your author bio states you have a Master’s in a scientific field. Tell me more about how you started writing.

From the time I learned to read, there has always been a book waiting for me on the bedside table. Like so many avid readers, I dreamed of writing a book that would bring enjoyment to others, as so many books have done for me. That dream began to unfold with the embrace of the internet.

Instead of calling long-distance friends, I emailed them. Soon, I started each letter with a short story, usually an anecdote about some wild animal that had crossed my path. Eventually a good friend encouraged me to write a book, repeatedly. I tended to ignore his advice. Occasionally I sat down to write an outline of a tale that piqued my imagination, but I soon bored with the outline and abandoned it.

Still, the encouragement continued. Then one day I began typing on my computer without any previous thought for the story that was instantly unfolding. I realized then that this unfettered approach was more natural and rewarding for me. From that moment on I never stopped writing. And I never wrote another outline.

Describe your writing routine. What is a typical day in your life?

I write in the afternoon, when most of the day’s demands are met and my home and neighborhood are at their quietest. I am content when I write. But putting together a story does not come easy for me. I have to work at it. I turn on soothing music, so low that it cannot be heard outside the room. And I like a cup of coffee, sometimes a glass of wine, at my fingertips. I suppose these familiar comforts calm me and ready my mind to enter the story.

I write six days a week, allowing a day off for my mind to rest and engender new story ideas. Each day I write a scene, which will end up as six to eight single-spaced pages in the final book. Once the scene is written, I start at the beginning and carefully edit it. Each sentence must consist of the fewest words necessary to express its idea. And all words must be the most commonly used. I check for sufficient detail throughout the scene to plant pictures in the mind of the reader. I’m not talking here about page after page of description, but a couple sentences or a short paragraph to make the reader see what my character is seeing, and in that way make the reader feel they’re in the midst of the action.

I am finished for the day when the scene is clear, fast paced, and moves forward smoothly, while adding to the story. If there’s still time left in the afternoon, I grab a good book and let someone else entertain me, even if it’s for just fifteen minutes.

Did you intend the Hera Hunter character to be a continuing story, like the Nancy Drew mysteries you used to read as a child?

I love a good whodunit. I grew up reading them. And a mystery series featuring the same interesting characters is even better. Also, book series seem to be popular with readers. So yes, from the very start I wanted to write a continuing story.

However, I intend that each book can be read as a standalone story. The murder mystery is unique in each book. But each book will also continue one or two subplots that were seeded in the previous book. I think that the experience will be richer if the series is read in proper sequence, since it will provide a fuller background for each story. But reading the books in order isn’t necessary.

The inclusion of Lucky is so unusual. Not many authors give a dog a supporting role in a novel. Is there a real dog that you draw inspiration from? How did you choose his character?

I can’t imagine life without a dog. They need attention and affection, so I’ve always spent considerable time with my pets. It seemed only natural that my leading character, Hera Hunter, should have a pet and pamper it, too. I’ve witnessed with my own dogs most of the situations that involve Lucky. So, I’m drawing inspiration from all of my past and present pets. Also, dogs are so entertaining that they’re a useful means for adding humor to a tale.

My characters tend to come from the fringes of society. They are flawed. Lucky should be, too. He has to be small, so as not to be physically cumbersome to Hera, since he’s always with her. She can’t carry an eighty-pound dog while she climbs to a second-story balcony. And since he prefers to hide when danger is at hand, there must be plenty of places in his surroundings for him to squeeze into, not so easy for a larger dog.

But although he is timid, he is not a coward. In the first book, Hera is strangled from behind by a hired assassin who’s dragging her backward, denying her any purchase to fight back. Lucky attacks the man’s ankles, distracting him and giving Hera just enough opening to change the outcome of the assault.

This little dog will always come through for Hera whenever she needs him to.

What is next for Hera & Co? I can’t wait to read the next installment!

The third book of the series should be available around August of next year. In it a young runaway named Paperback Rose falls to her death. The police deem it a suicide. But Calamity Jane, another street child, claims she saw someone with Rose when she fell. Hera isn’t sure she should believe Jane, since Jane’s a known thief, pickpocket, liar, and peeping Tom. But when Rose’s mother hires Hera to find out what happened to her daughter, it falls to Hera to discover what evil is brewing in her town that would give reason for throwing a child off the top of a three-story building.

Interview with Tara Ellis–author of Bloodline and Heritage

September 28, 2014 / Kyle Wendy Skultety / 3 Comments

Tara Ellis is the author of the Forgotten Origins trilogy, consisting of [easyazon_link asin=”1492169676″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”default” cloaking=”default” localization=”yes” popups=”yes”]Bloodline[/easyazon_link], [easyazon_link asin=”1494390701″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”default” cloaking=”default” localization=”yes” popups=”yes”]Heritage[/easyazon_link], and [easyazon_link asin=”1502757214″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”default” cloaking=”default” localization=”yes” popups=”yes”]Descent[/easyazon_link]. Books 1 and 2 are out already; #3, Descent, will be published September 30th. You can follow her on Twitter @taraellisblood.

I had the pleasure of interviewing Ms Ellis the other day; she was kind enough to take time from her busy day to answer a few of my questions. Enjoy!

Where did you get the idea for your trilogy?

You know, I’ve been asked this question several times now after someone finishes the story, and I still haven’t come up with a good way to answer it. I think that it’s been brewing and tumbling around in my head for a very long time.

When I finally had the time to commit to writing a full-length novel, I had recently finished the Hunger Games. Until then, I really hadn’t given much thought to writing in the first-person POV, but I was intrigued by it. So that was the first step.

I’ve always been a huge Sci-fi/invasion/plague fan, so that was a natural plot concept. My daughter was fourteen when I started so it was important for me to produce something that she and her friends could read which is why it’s such a clean read. That’s hard to find any more in the YA genre.

I LOVE a good conspiracy theory, and I even wrote ATS (Above Top Secret), a real conspiracy message board website, into the book. I used them as a resource for some of my research…and there was a lot of research. I spent hours upon hours looking things up and trying to come up with ways to tie them all together. It becomes more apparent in the second and third book, but I weave quite a large web of plot lines and it took a whole lot of planning.

The story itself…it just happened, as I tied all of my plot ideas together and then imagined my character, Alex, and how she would handle it. I daydreamed, dreamed, outlined, and thought about it for a couple of months. It evolved and grew as I wrote it and at one point, it seemed to take over and I was just along for the ride.

There is a theme of faith, Christian faith, throughout the books. Tell me about it.

Yes. I took a chance with this. It’s always risky to introduce any sort of religious undertone, because some readers can be put off by it.

One of my major goals with Bloodline was to make believable, relatable characters. While Chris is deeply involved in his local church, preparing for a mission trip, Alex is alienated from it. She questions faith and God. I think that a lot of us, especially teens, are in that boat.

Without giving too much away, it was necessary to introduce some scripture from the Bible, because it is a key element in explaining whom they are dealing with later on. BUT…I wasn’t exclusive to the Christian faith. I also used Sumerian script, ancient Egyptian culture, and Native American legends to tie it all together.

Bloodline, Heritage and certainly not Descent are preachy in any way. Although I believe in God, I don’t believe in trying to force one’s faith on anyone. I think it’s more important to realize that we’re all connected…perhaps more than we realize which is where I went.

I find it fascinating, that you can look through various ancient text taken from different locales and eras, and find certain similarities. THIS is what I focused on in The Forgotten Origins Trilogy. EVERY ancient story, scripture, and legend that I present in my trilogy is real. How I connected them though, was purely my imagination at work.

Later in the trilogy, while Alex continues to struggle with what it is she believes about God or a creator, it is a mild theme, but I think a believable one. Other characters also have their beliefs tested and my hope is that the reader can relate to their confusion and internal debate and come to their own conclusions.

The Egyptian heritage of Alex is not your average background for a YA heroine; was that just to make it easier to move the plot forward?

No. I didn’t actually figure out how that all tied into things, until later in my story development. My first goal when outlining Bloodline was to make it unique.

I have some pet peeves. Being a science fiction fan, it is extremely important to me, that a story NOT be predictable or generic. I wanted Alex to be a character that the reader would remember after they put the book down. Yes, she’s relatable, but I think that as a writer, to achieve that connection with the reader, she has to be different.

So while her heritage becomes a major factor in the plot, my desire originally was to have something fresh and not done before. This was my motivation. Egyptian culture, at least to me, is still something I’m not familiar with. Because of the pyramids and all of the mystery and legend and history surrounding them, it was a natural choice for me as a writer, to be pulled in that direction.

SO…I made Alex half Egyptian and gave her the dark, mysterious features to go along with it. THEN, I started the long journey of using that as my starting point for her story.

Describe your typical writing routine; how does your day go? How long did it take for you to write each book?

I found that I write best in the morning hours. In the summer, I would settle down to write before everyone was up, and during the school year, after the kids left for school.

I normally turn on some quiet, relaxation music (without words) and light a nice smelling candle. I have to write EVERY day, or else I lose my momentum. I also have very poor short-term memory, so I’ll actually forget what I wrote and have to go back and read it, if I don’t write consistently.

Bloodline took the shortest amount of time. The outline took around two months and I wrote the book itself in just under one month. The edit process was a bit scattered though and I didn’t

complete the final edit until after it had already been published, because as a new writer…I had a lot to learn!

Heritage took another two months on the outline and closer to two months to write. It is 20,000 words longer than Bloodline and much more intricate. I learned a lot about character building, and I feel like I grew as a writer.

Descent, (release date September 30^th) was a huge undertaking. I still had SO much story to tell, and it was really important to me to do it right. I’ve come to love these characters and their story.

My other pet peeve is believability. You know when you’re reading a story or watching a movie and you go…”Oh come one! They would never do that!” Yeah. I can’t stand that. If anyone has a moment like that with any of my books…please tell me!

With Descent being the last book, it was critical that I tie everything in together in a believable way and do the story justice. So I took a lot of time. At least three, maybe four months on the outline. When I say outline, I mean over fifty pages of it.

I would have done it all faster, but I was in a car accident on the freeway. I was hit from behind and got pretty severe whiplash, so I wasn’t able to sit up at my computer long enough to write. But you know what? This forced me to take even more time on the outline, which resulted in a better story. I honestly believe that.

Writing it took about three months. It’s 95,000 words and I poured myself into every one of them. I hope that you like Descent as much as I do.

What is next on your agenda? Are you working on anything right now?

I literally JUST completed the final edit on Descent…but yes, I already have another project underway!

I’ve decided to narrate and produce my own audiobooks. I’m starting with my MG story: The Mystery of Hollow Inn. This is another love of mine. I have a whole series planned out, much like the Nancy Drew Mystery Series or the Boxcar Children.

It’s a small story, so won’t take me long to record. I figure I’ll learn the ropes and work out any bugs in the production end of it, so I’ll be ready to go for the Forgotten Origins Trilogy.

I am actually very excited about it. I have been involved in drama for most of my life, but still, I was going to have someone else narrate it until I was encouraged by a couple of people that I sound just as good as the professional narrators. To be honest with you, I think there is a lot of truth in the belief that no one can tell the story better than the writer can, when it comes to how you portray the characters.

So be on the lookout for the audio versions. It shouldn’t take me long to produce them. And then who knows? I might not be able to stay away from the world I created in Forgotten Origins for too long.