Reviews of what you should be reading next.

Category: Historical Fiction (Page 1 of 3)

THE GLASSMAKER by Tracy Chevalier

From the bestselling historical novelist, a rich, transporting story that follows a family of glassmakers from the height of Renaissance-era Italy to present day.

It is 1486 and Venice is a wealthy, opulent center for trade. Orsola Rosso is the eldest daughter of a family of glassblowers in Murano, the island revered for the craft. As a woman, she is not meant to work with glass—but she has the hands for it, the heart, and a vision. When her father dies, she teaches herself to make beads in secret, and her work supports the Rosso family fortunes.

Skipping like a stone through the centuries, in a Venice where time moves as slowly as molten glass, we follow Orsola and her family as they live through creative triumph and heartbreaking loss, from a plague devastating Venice to Continental soldiers stripping its palazzos bare, from the domination of Murano and its maestros to the transformation of the city of trade into a city of tourists. In every era, the Rosso women ensure that their work, and their bonds, endure.

Chevalier is a master of her own craft, and The Glassmaker is as inventive as it is spellbinding: a mesmerizing portrait of a woman, a family, and a city that are as everlasting as their glass.

Thanks to NetGalley and the publisher Viking for this review copy!

Celebrated for her historical fiction, Tracy Chevalier delivers yet another rich and immersive narrative in THE GLASSMAKER. Set against the vibrant backdrop of early 17th-century Venice, Chevalier crafts a tale that seamlessly weaves together art, ambition, and the complex tapestry of human relationships. Known for her meticulous research and vivid storytelling, Chevalier explores the intricacies of the Venetian glassmaking world, capturing the shimmering beauty and perilous intrigues that define this unique craft.

THE GLASSMAKER follows the journey of Orsola Rosso, a young woman born into a prestigious glassmaking family on the island of Murano. From a tender age, Orsola is captivated by the alchemy of glass, an obsession that sets her apart in a society where women are rarely seen beyond the domestic sphere. The novel opens with Orsola as a child, enchanted by the furnace’s glow, and traces her evolution into a skilled glassmaker, despite the myriad societal barriers she faces.

Orsola’s world is upended when her father, a master glassmaker, mysteriously dies, leaving the family workshop in turmoil. As she battles to keep the family’s legacy alive, she encounters betrayal, love, and the ever-present threat of the Venetian authorities, who fiercely guard the secrets of glassmaking. Alongside her personal struggles, the narrative delves into the broader societal tensions and the political machinations of Renaissance Venice.

Chevalier’s characters are as intricate as the glassworks they create. At the heart of the story are the resourceful Rosso women. Each generation faces unique obstacles, but they all share a fierce determination and a deep connection to their family legacy. Orsola Rosso is a compelling protagonist, defined by her resilience and passion. Her growth from a curious girl into a determined and talented artisan is portrayed with depth and nuance. Isabella’s relationship with her brother, Marco, a gifted yet conflicted glassmaker, adds layers of familial loyalty and rivalry to the story. Each generation of Rosso women faces new challenges, navigating political turmoil, societal shifts, and the ever-changing art world.

The narrative unfolds across generations, with each descendant of Orsola inheriting not only the family business but also a fierce determination and artistic spirit. Chevalier expertly braids personal stories of love, loss, and family struggles with the larger historical context.

THE GLASSMAKER delves into themes of artistry and innovation, highlighting the delicate balance between tradition and progress. Chevalier explores the idea of glass as a metaphor for fragility and strength, reflecting Orsola’s own journey. The novel also tackles themes of gender roles and societal expectations, showcasing the challenges faced by women in a male-dominated world.

Chevalier’s portrayal of Venice as a character in itself is masterful. The city’s opulent beauty and underlying danger are vividly rendered, creating a backdrop that is both enchanting and foreboding. As the story progresses, we experience Venice’s transformation – the devastation of the plague, the rise and fall of empires, and the city’s evolution from a center of commerce to a tourist destination. From the bustling Renaissance to the decline under Austrian rule and the transformation into a tourist destination, the city comes alive with rich descriptions.

Another one of the author’s strengths lies in her ability to bring the world of Venetian glassblowing to life. She paints vivid descriptions of the furnaces, the molten glass, and the meticulous techniques employed by the artisans. Readers are transported to the heart of Murano, the island where glassmakers held an almost mythical status. However, the detailed descriptions of glassmaking, while fascinating, may occasionally slow the pacing for those less interested in the technical aspects.

Moreover, the novel jumps through time, following descendants of the original protagonist. Some readers might enjoy this dynamic view of history, while others might prefer a more linear narrative.  Additionally, the focus on the female characters, while empowering, can leave some aspects of the male characters underdeveloped.

Tracy Chevalier once again demonstrates her prowess as a storyteller who can illuminate the past with vivid clarity. The novel’s rich historical setting, complex characters, and exploration of timeless themes make it a compelling read. Chevalier’s portrayal of a woman’s struggle to forge her own path in a world that seeks to confine her is both inspiring and thought-provoking. THE GLASSMAKER is a captivating novel that will appeal to readers who enjoy historical fiction that explores the lives of artisans and craftspeople, or those that enjoy stories with strong female characters and a touch of family drama.

Want your own copy? You can pick it up here.

 

 

SPIT AND POLISH by D.A. Brown

Ruth was delighted when she was accepted into the nursing school at Kingston General Hospital. But she didn’t realize how challenging it would be. She quickly finds her skills aren’t up to snuff and is sent to build them up as an aide at the local tuberculosis sanitarium.
It’s 1946, and when Ruth arrives, she is immediately surrounded by crowds of wounded and infected soldiers, women, and children. 
Ruth must find her way among the dying, depressed, and too-friendly patients, managing demanding doctors and a jealous mentor, without being sent home or infected. Can she impress her seniors and be readmitted to the nursing program she so wants?

Thanks to LibraryThing ,  author DA Brown, and Somewhat Grumpy Press for this advanced reviewer’s copy!

SPIT AND POLISH is a captivating historical fiction novel that transports readers to Canada in 1946, where aspiring nurse Ruth dreams of escaping her small-town life and making a difference. Accepted into Kingston General Hospital’s nursing school, her initial excitement crumbles as she struggles with the demanding coursework. Sent to gain experience at a local tuberculosis sanatorium, Ruth is confronted with the harsh realities of illness, death, and prejudice. Surrounded by wounded soldiers, desperate families, and a complex medical environment, she must navigate challenges while honing her skills. Ruth needs to find her strength, compassion, and the resilience to succeed.

The sanatorium, teeming with wounded soldiers and civilians battling the debilitating disease, paints a stark picture of the era’s healthcare realities. The facility fairly overflows with wounded soldiers, women, and children battling the debilitating disease. Ruth grapples with the emotional and physical demands of caring for, and witnessing firsthand, the suffering and resilience of her patients. Ruth must also navigate navigate dormitory life, avoid flirting soldiers, and handle the draining emotional complexities of her family back home. The author skillfully portrays the harsh realities of the medical setting, balancing it with moments of tenderness and compassion. It is easy to empathize with Ruth’s internal struggles as she confronts her own limitations and prejudices. Her journey is one of personal and professional development, and it is satisfying to see her initial naiveté transform into empathy, strength, and self-assuredness as she faces challenges head-on.

Brown immerses the reader in the post-war atmosphere of Canada, capturing the social anxieties, medical advancements (and limitations), and evolving societal roles of women. The struggles of returning soldiers and the stigma surrounding tuberculosis are woven seamlessly into the narrative.

Ruth’s growth is relatable and engaging, and the supporting cast, from other nursing students to her domineering father, adds depth and nuance. The initial chapters do move a bit slowly as the setting and characters are established. I would have liked to see some of the secondary characters (such as Patricia, Mrs. Graham, and Mary) fleshed out some more. This information might have given some more backstory and understanding of their behavioral quirks and motivation.

One thing that was a bit jarring to me were the short paragraphs of medical notes that began each chapter. One was a quote from 1947, quite a few were from Florence Nightingale’s NOTES ON NURSING, and there was one from 2018 quite early on in the book. While I appreciated the “insider information”, I spent a few minutes trying to figure out if the quote was supposed to reflect the tone of the chapter or not. Some were relevant, while others seemed random to me. I did like the idea of headers to each chapter, but I think they would work a lot better if the words tied in with each chapter’s vignette. Another option would be to let the reader know that the paragraphs at the beginning of each chapter are taken from  either various authors who are sharing their thoughts on nursing, or excerpts from textbooks that will give the reader background on how TB was treated back then, etc. That would set an expectation for the reader, allowing them to absorb the information, then move seamlessly into the storyline.

SPIT AND POLISH offers a captivating journey through a unique historical setting. Brown’s well-researched narrative sheds light on the challenges and triumphs of mid-century healthcare, while Ruth’s personal growth resonates with themes of ambition and compassion. The novel delves into the emotional toll of caring for the sick and dying, yet the harsh realities of the sanatorium are balanced with moments of tenderness and hope, creating a nuanced portrayal of human resilience. Throughout the book, the importance of human connection in the face of adversity is underscored – a lesson we can all learn from in today’s world.

Readers interested in historical fiction with strong female protagonists and a touch of medical drama will find this book satisfying. One caveat: be aware of the potential for emotional intensity due to the setting and subject matter.

Want your own copy? You can pick it up here. 

THE LINDBERGH NANNY by Mariah Fredericks

When the most famous toddler in America, Charles Lindbergh, Jr., is kidnapped from his family home in New Jersey in 1932, the case makes international headlines. Already celebrated for his flight across the Atlantic, his father, Charles, Sr., is the country’s golden boy, with his wealthy, lovely wife, Anne Morrow Lindbergh, by his side. But there’s someone else in their household—Betty Gow, a formerly obscure young woman, now known around the world by another name: the Lindbergh Nanny. A Scottish immigrant deciphering the rules of her new homeland and its East Coast elite, Betty finds Colonel Lindbergh eccentric and often odd, Mrs. Lindbergh kind yet nervous, and Charlie simply a darling. Far from home and bruised from a love affair gone horribly wrong, Betty finds comfort in caring for the child, and warms to the attentions of handsome sailor Henrik, sometimes known as Red. Then, Charlie disappears. Suddenly a suspect in the eyes of both the media and the public, Betty must find the truth about what really happened that night, in order to clear her own name—and to find justice for the child she loves.

Thanks to NetGalley and St Martins Press for this review copy!

It’s always satisfying to read a well-written historical fiction book, especially when it’s about an event that is integral to American history (the Federal Kidnapping Act was created as a result of this heinous crime). I didn’t know that much about the Lindbergh kidnapping, only that the famous aviator lost his 1-year-old child Charlie, and the baby was never seen alive again. I also was reminded that this took place in central NJ, close to where I live. Learning as I read makes a book more appealing, and this novel did not disappoint.

This story is told in the first person of the nanny herself, Betty Gow. Her love for Lindbergh Jr. is greatly professed and makes the story all the more poignant. Lindbergh Sr. is described as a gruff, sometimes joyless man while his wife seems content to live in his shadow. Gow feels guilty because she thinks Charlie is bonded with her, stronger than with either of his parents. She takes her job seriously and blames herself for not being there for Charlie, preventing the kidnapping.

Gow is written as a sympathetic character, while the others in the Lindbergh’s circle of servants are all potentially unreliable narrators. Gow does her best to try to find the guilty party while being questioned by the police multiple times. She never gives up hope until she finally identifies his body at the morgue. Her emotions are what makes her character stand out; ironically enough, Lindbergh Sr. is written as a man who despises emotions. Gow sees him as somewhat of an automaton, more interested in engines and science rather than his human wife and child. Despite her misgivings, she tries to win his favor, both before and after Charlie is kidnapped.

All the Lindbergh servants start turning on each other, laying blame back and forth until I wasn’t sure who was telling the truth or not. I definitely think I enjoyed the book more by not knowing who, if any, of the servants were to blame. Each character is described well and their motivations for orchestrating the kidnapping seem accurate. The author creates suspense as she advances the plot and I was completely enthralled with how I developed emotions towards the characters, especially Violet. I thoroughly disliked her and was frustrated when Gow tried to sympathize with her. I believe she must have been suffering with depression or some other affliction, considering her actions towards the end of the book.

The author also did an excellent job of describing the inside of the houses as well as the surrounding landscape. I found it interesting that Hopewell NJ was noted as being far away from the beaten path, while now it’s quite populated.

As the story came to an end, I found chapter 31 to be one of my favorites. As Gow takes a final visit to the house in Hopewell, the desolation is apparent:

She uses her old keys to unlock the door. Inside the air is stale with dust and emptiness. Much of the furniture has been left behind. It’s been covered in cloth. The sofa, the coffee table, the grandfather clock – all bodies dressed for burial and eternal silence. Elsie and I part to explore the rooms we can bear. I step into the kitchen, which is empty, the cabinet doors all open for some reason. Peek into the servants’ sitting room, where there is only a chair and the card table. One lamp with its plug pulled out. There are memories to be conjured if I want to. I find I don’t want to. Better to leave these as blank, meaningless spaces. Like the sofa and the clock, cover the feelings in anesthetizing white cloth. And leave them behind.

This paragraph sums up Gow’s emptiness, a hole that cannot ever be filled, a chapter in her life best left alone lest the utter insanity of it take her over.

THE LINDBERGH NANNY examines this tragedy from another point of view, and Fredericks does an excellent job. Even if you are familiar with aspects of this story, you will enjoy this book.

Want to read it? You can pick up your copy here:

SAWBONES by Ed Kurtz


“I was to make myself a killer.” In 1865, a man calling himself Septimus Whitehall slashed, shot, and burned his way from New York to California in a frenzy of violence. This is his own story, told in his own words.
Seven names were on the doctor’s list. Seven men and women scattered all over the United States and its western territories. Seven souls judged guilty by a mysterious man with no past apart from the loss for which his enemies are blamed. The War Between the States is over, but Septimus Whitehall intends to wage a bloody war of his own and he is willing to cut down almost anyone who stands in his way. From New York City and Boston on the cusp of the Gilded Age to the war-ravaged ruins of Alabama and Arkansas, through the mythic American West and beyond, Whitehall will practice his violent vocation until everyone on that list meets the Sawbones.

Thanks to NetGalley and Crossroad Press for this review copy!

SAWBONES is quite the unusual read. The author creates a sympathetic character in Septimus Whitehall as he travels from New York City to the Dakota Territory, seeking to murder those who are on his “list” of victims. Whitehall is avenging the death of his only love by taking the lives of those who were involved in her death, either directly or indirectly. There is wonderful detail in the author’s descriptions of Five Points in the 1800’s, as well as the Civil War, and the unsettled West. As I read, I felt as if I were there, seeing, hearing and smelling the same things Septimus was.

Another curious and fascinating thing about SAWBONES is the author’s use of language. I consider myself to be quite familiar with the English language; yet there were many words that I needed to look up. As I read the definitions I felt as if I had struck gold. I became familiar with words such as effigial, pantophagy, and raillery. As I’ve said before, any book that makes me look up definitions is always a winner.

Septimus is at times a complete gentleman and then a murderer. He stalks his prey yet remains courteous to others. He is clearly an intelligent man with deep emotions but with a singular goal; eliminate those on his macabre list. During his journey he encounters many roadblocks, skirting his own death all the while. He is a solitary man with one purpose in life, and it is easy to cheer him on as he searches for his victims.

This is definitely a violent and gory read, but the balance of gore and period detail are perfectly blended. As I kept reading, I wondered when the book would draw to a close – it is actually quite long. However, the author kept me interested by throwing in some action just as the book bordered on dull/too much description. That being said, I totally loved SAWBONES. It’s a quirky, intelligent read that will stay with you long after you are done reading. I would love to see a sequel to see what Septimus is up to now.

You can get your copy here.

Rare Birds by Natalie Scott

 

 

The ultimate lockdown reading, Rare Birds creatively tells the story of Holloway Prison’s first 100 years through the re-imagined voices of prisoners, staff and others connected to its history. Meticulously researched, the collection brings to life well-known voices such as Ruth Ellis, Sylvia Pankhurst and Edith Thompson, plus a host of lesser-known names, to tell Holloway’s rich and gripping story.

 

 

Thanks to the author for this review copy!

Prison walls seem to talk in RARE BIRDS, a book of poetry about those sentenced to time inside the notorious Holloway Prison. A multitude of characters share their laments with a chorus of voices. These voices come from suffragettes and thieves, pickpockets and murderers, and the author makes nearly all of them sound sympathetic. Some voices are particularly poignant, like the 10 year old pickpocket who marvels at being taught to write his name for the first time (pg.33), or the woman staring through the “hope-sized window” contemplating freedom (pg. 62).

Reading these poems about women fighting hard for the right to vote made me realize how far we have come, for this book brings to life their difficult journey. These voices deserved to be heard in their time, and Scott memorializes their struggle in an imaginative and touching way.

The author truly captures the essence of the prison and its inhabitants in her poems. It is as if she was intimately acquainted with each prisoner and gathered her poem from conversations with each one. Scott did comprehensive work with original documents (you can see which ones, along with a bibliography at the end of the book) to bring the inmates to life. Despite their criminal background (and it’s true some are worse than others) they are all painted in a sympathetic light, as I mentioned before. It is easy to hope that freedom comes quickly for them – even the ones on Death Row. There is a section of poems (pp.124-133) that come from the voices of the executioner, his wife,  a prison officer, a juror, and finally the doomed prisoner herself, Ruth Ellis, who died by hanging on July 13th, 1955. Each voice is different, yet they all contribute to the bigger picture – a prisoner on Death Row who is about to hang. (Ellis was the last woman executed in the United Kingdom; you can read about her here.)

RARE BIRDS is just that – a book of ethereal yet grounded poetry that forces you to think about the prison system and those caught in it. Some are unjustly imprisoned, while others commit unspeakable acts. Whatever the crime, Holloway Prison enveloped its inhabitants in cold bricks and mortar. Scott uses her words here to uncage these birds and immortalize them forever.

You can pick up your copy here. 

 

Murder on Pleasant Avenue by Victoria Thompson

 

When Gino Donatelli is accused of a brutal murder, beloved sleuths Sarah and Frank Malloy have to catch a killer who is out to destroy their innocent friend’s life in the latest installment of the national bestselling Gaslight mysteries.

A victim is found, brutally murdered and the police are certain they’ve caught the killer. Their only suspect: Gino Donatelli.

Frank and Sarah know Gino is innocent but the police have a one-track mind. Once Frank struck it rich and left their ranks taking Gino with him, there has been a simmering resentment in the department. And now, someone has pulled out all the stops to make it look like Gino is the only one who could have committed the crime.

With the clock ticking and evidence mounting against their friend, Sarah and Frank will try to unravel a treacherous plot before Gino is sent up the river for good.

 

Thanks to NetGalley for this ARC!

Once again Sarah and Frank get mixed up in a murder case; in this one Gino is accused of killing a member of the Black Hand and they must clear his name. We see a lot of Maeve in this story, especially in the interactions with Gino. I enjoyed reading their dialogue and loved to picture them flirting with each other. I also got a kick out of Maeve sitting forlornly at her typewriter, practicing her typing while wishing all the while for an interruption.

One thing you can always count on is getting some history while hearing of Sarah and Frank’s adventures. The setting for this story is Italian Harlem, and the author paints a wonderful picture of how the inhabitants lived (and died). This is one of my favorite aspects of the Gaslight Mysteries: Thompson always makes me feel like I have been taken back in time and am living right alongside all her characters. One point of interest is that the author doesn’t censor the seedier parts of the period. We get to see the homeless, we hear about abortions, and we get to experience tenement life. Thompson does her best to make nearly everyone sympathetic, so this makes the story friendlier, and the book very readable as well.

Speaking of characters, some new ones are introduced in this book. We meet Teo, Gino’s sister-in-law, as well as the rest of Gino’s family. One of the funnier sequences in the book is when Maeve needs to go to Gino’s house; her family misunderstands her reason and want to get her out of the house. Thank goodness Maeve is able to straighten everyone out!

I was unable to figure out who dunnit, and that was a plus. It can get frustrating when you know who the bad guys are before the main characters do. My guess was between two characters, and I was surprised to finally learn who it was. As always, the story gets tied up neatly, with the last page a portent of what is to come in the next installment. I enjoyed this book very much and am looking forward to her next one. You can pick up your copy here. 

Old Bones (Nora Kelly #1) by Douglas Preston and Lincoln Child

 

The first in the groundbreaking Nora Kelly series from #1 bestselling authors Preston & Child blends the legend of the Donner party with a riveting suspense tale, taking the dynamic duo’s work to new heights.

Nora Kelly, a young but successful curator with a series of important excavations already under her belt, is approached by the handsome historian, Guy Porter, to lead an expedition unlike any other. Guy tells his story–one involving the ill-fated Donner Party, who became permanently lodged in the American consciousness in the winter of 1847, when the first skeletonized survivors of the party stumbled out of the California mountains, replete with tales of courage, resourcefulness, bad luck, murder, barbarism–and, finally, starvation and cannibalism.

Captivated by the Donner Party, Nora agrees and they venture into the Sierra Nevada in search of the camp. Quickly, they learn that the discovery of the missing starvation camp is just the tip of the iceberg–and that the real truth behind those long-dead pioneers is not only far more complex and surprising than they could have imagined…but it is one that puts them both in mortal danger from a very real, present-day threat in which the search for the lost party, and its fabled fortune in gold, are merely means to a horrifying end.

 

Thanks to NetGalley for this ARC!

OLD BONES is the first of the Nora Kelly series. As you may recall, Nora was the intrepid curator/archaeologist in some of the early Pendergast novels. The authors have decided to give Nora her own series, minus the usual Pendergast characters save one. Newly minted FBI agent Corrie Swanson is here also, investigating a murder.

Nora is on site excavating remains found of the famous Donner Party of 1847. What begins as a typical excavation turns into terror when members of their dig turn up dead. Corrie and the FBI are investigating these murders because they took place on Federal land, plus they tie in with another investigation involving grave robbing. Apparently, the robbed graves were descendants of a member of the Donner Party – but why the interest in them all of a sudden?

The premise sounds thrilling, but the telling of the tale is middling. Much of the action takes place on the dig and seems repetitive. Nora and Corrie butt heads during the course of the investigation and Corrie has to deal with the “good old boys” of law enforcement who mock her lack of experience.

The winning points of OLD BONES are the strong female characters – Nora, Corrie, and Nora’s boss Dr Fugit. It seems as though their characters are drawn well with good backstory, while the men are secondary. You won’t hear a complaint from me; I appreciate the authors giving Nora and Corrie their feisty personalities and strong work ethic.

Most of the book reads like a weak version of a Pendergast novel. I did keep expecting him to pop up somewhere to save the day. Final verdict – not the worst thing by far I’ve read, but just sort of dull. The best parts were the history, albeit gory, of the Donner Party and how they managed to survive.

Nora is a great character and I am looking forward to seeing her handle her next adventure. Perhaps the authors will hit their stride in the next book. Want your own copy? You can pick it up here.

 

The Ministry of Truth by Dorian Lynskey

An authoritative, wide-ranging and incredibly timely history of 1984 — its literary sources, its composition by Orwell, its deep and lasting effect on the Cold War, and its vast influence throughout world culture at every level, from high to pop.

Nineteen Eighty Four isn’t just a novel; it’s a key to understanding the modern world. George Orwell’s final work is a treasure chest of ideas and memes — Big Brother, the Thought Police, Doublethink, Newspeak, 2+2=5 — that gain potency with every year. Particularly in 2016, when the election of Donald Trump made it a bestseller (“Ministry of Alternative Facts,” anyone?). Its influence has morphed endlessly into novels (The Handmaid’s Tale), films (Brazil), television shows (V for Vendetta), rock albums (Diamond Dogs), commercials (Apple), even reality TV (Big Brother). The Ministry of Truth is the first book that fully examines the epochal and cultural event that is 1984 in all its aspects: its roots in the utopian and dystopian literature that preceded it; the personal experiences in wartime Great Britain that Orwell drew upon as he struggled to finish his masterpiece in his dying days; and the political and cultural phenomenon that the novel ignited at once upon publication and which far from subsiding, has only grown over the decades. It explains how fiction history informs fiction and how fiction explains history.

Thanks to NetGalley for this ARC!

Be advised – if you loved 1984 you will also love the many companion works cited in THE MINISTRY OF TRUTH. 1984 was well-known and influential, but it was just one among many dystopian/utopian works during Orwell’s life. The author has definitely done his research and it shows. The beginning is heavy with politics, then smooths out about 20% in with excellent compare and contrast of HG Wells, Orwell, and Aldous Huxley.

Orwell admired Brave New World, up to a point. He had fond memories of being taught by Huxley at Eton in 1918; a classmate claimed Huxley had given Orwell a “taste for words and their accurate and significant use”. However, [Orwell] was unconvinced by Brave New World’s tyranny of gratification. He notes that there was no “power-hunger, no sadism, no hardness of any kind. (E)veryone is happy in a vacuous way….it is difficult to believe that such a society could endure”.

The author goes on to note that 1984 and BNW overlap in one area: the status of the proles, then provides more compare/contrast dialogue. This is what makes the book shine – thoughtful and erudite treatment of multiple dystopian works and the ways they matter.

Other authors whose history is intermingled with Orwell’s are included in this book. We will learn more about Yevgeny Zamyatin (who Orwell was accused of plagiarizing), Ayn Rand, and Jimmy Burnham. The movie THX1138 and Animal Farm are also discussed at length. Each of these chapters add another layer explaining the genius of the tortured and driven Orwell. As the book progresses, the politics and descriptions of war-torn London do so as well. Finally,  as the tubercular Orwell languishes in bed, post-war London starts its progression forward.

The second portion of the book brings 1984 into pop culture, and how the book affected music, movies, stagflation, and politics. Author Anthony Burgess compares his own blockbuster novel, A Clockwork Orange, to 1984 and shares his thoughts about Orwell. Time moves forward into the ‘60’s, ‘70’s and ‘80’s, with politics continuing to be at the forefront. McCarthyism rears its ugly head, if only for a moment. It is amazing how the author is able to use 1984 as the center of everything – this novel was much more influential than anyone could guess.

Altogether, this book is layered with anecdotes, political views, comparison, and original thoughts. If you are a fan of Orwell, you will adore this book. I certainly gained a new view of both Animal Farm and 1984 and plan to go back to re-read both. You can pick up your copy of THE MINISTRY OF TRUTH here.

A PIECE OF THE WORLD by Christina Baker Kline

From the #1 New York Times bestselling author of the smash bestseller Orphan Train, a stunning and atmospheric novel of friendship, passion, and art, inspired by Andrew Wyeth’s mysterious and iconic painting Christina’s World.

“Later he told me that he’d been afraid to show me the painting. He thought I wouldn’t like the way he portrayed me: dragging myself across the field, fingers clutching dirt, my legs twisted behind. The arid moonscape of wheatgrass and timothy. That dilapidated house in the distance, looming up like a secret that won’t stay hidden.”

To Christina Olson, the entire world was her family’s remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than twenty years, she was host and inspiration for the artist Andrew Wyeth, and became the subject of one of the best known American paintings of the twentieth century.
As she did in her beloved smash bestseller Orphan Train, Christina Baker Kline interweaves fact and fiction in a powerful novel that illuminates a little-known part of America’s history. Bringing into focus the flesh-and-blood woman behind the portrait, she vividly imagines the life of a woman with a complicated relationship to her family and her past, and a special bond with one of our greatest modern artists.
Told in evocative and lucid prose, A Piece of the World is a story about the burdens and blessings of family history, and how artist and muse can come together to forge a new and timeless legacy.

I purchased this book on my own and so have no one to thank but myself 🙂

Who doesn’t love this iconic Wyeth painting? When I was growing up I had a print on my bedroom wall. There was a terrible beauty in the stark juxtaposition of the girl and the house; even without knowing that she had an affliction, I just knew that there was something wrong with her. Regardless, I wanted Christina in my life. I wanted to be her friend.

After reading A PIECE OF THE WORLD, I have changed my mind. I would not want to have the author’s Christina in my life. Despite the designation of “historical fiction”, my soul has been crushed by the portrayal of Christina as a mean spirited, stubborn, cold individual. Many times I wanted to grab her fictional neck and wring it! There is a lot to be said for staying the course and holding true to yourself, but there is also holding yourself back and making bad decisions. I’d love to know what impelled Kline to create this version of Christina. I have to hand it to her – she took an icon and tarnished it well, without fear of repercussion.

Kline brings us into Christina’s world bit by bit, making the years sadder and sadder, until we are numb. There are so many chances to make a change, and yet our heroine digs herself in stubbornly. In a way she is the sun around which various planets (Wyeth, her brother) revolve, and in other ways she is just a distant, minor, and fading star. Kline’s writing style is illuminative and evocative. She can make us cringe, gasp, or cheer appropriately. The Maine farming mentality is well illustrated (no electricity!) and helps us understand Christina’s reasons for living the way she does. The best thing about this book is that you will continue to wrestle with the characters for a while after you are done reading. What motivated Christina? Why did Al make the choice to stay with her? I wondered if I truly hated Christina or if I felt sorry for her after all she had been through. I also wished she had been written differently – but then the book wouldn’t have made the impact that it did. This is the crowning moment of what it means to be a writer…having readers continue to discuss the plot and characters long after the book is done. Regardless of whether I liked the fictional Christina, I was impressed with the author’s ability to stoke my emotions.

Whether you are a fan of Wyeth or just want to read some provoking historical fiction, grab this. You won’t be sorry. You can pick up your copy [easyazon_link identifier=”0062356267″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

 

 

 

GIDEON: THE BOER BLOOD by Malcolm Colley

By 1902 the war was over. It has taken three years and 330,000 soldiers to hammer 30,000 Boer men and boys into submission. The British employed a scorched earth policy and removed the women and children on the farms to stop the Boer Commandoes from obtaining supplies. Also with ammunition in short supply the Boers signed the Treaty of Peace of Vereeninging on May 31 1902. The Boers were forced to surrender their arms and sign a declaration of allegiance to the Queen.
Paul Kruger, the Boer leader, left the country but prior to him leaving he attempted to negotiate a deal with Holland and Germany for arms and ammunition in exchange for gold. The arms and ammunition reached the port of Lorenco Marques but the gold, sent by Kruger, went missing. It never reached the port so the ships sailed for home.
Into this chaos of the aftermath of the war with men, woman and children trying to make it back to the farms, Gideon Barron, an Irishman born in South Africa is accused of helping to steal the gold and hunted by his fellow Boers for treason. With the help of what becomes his friends, he attempts to prove his innocence. Travelling across, what was then, the Transvaal Republic they follow the path of the robbers
Meanwhile the true robbers manage to get away with most of the gold, some travelling into the Portuguese Protectorate of Mozambique and some beyond but some gold is left behind due to a misunderstanding.
This is just one of the many stories about the disappearance of the gold. According to many stories the gold never left South Africa. Some say the gold was worth £500,000 in the value of that time. Some say that there was no gold, that the boxes were filled with ammunition destined for the Boer Commandoes fighting on the front.

THE AUTHOR:

The author was born in South Africa in1942 and spent his teens of the 1950’s on a small farm just outside Naboomspruit in the Northern Province of South Africa, during which time he came to love the sounds, smells and sights of the bush. He did his basic training with 1st Special Service Battalion in Bloemfontein and has happy memories of army life in the bush. He also spent twenty-five years training in the martial arts.

During his work in a steel mill and underground in a diamond mine, he yearned to be back in the bush.

THE BOOK:

By 1902 the British war against South Africa, the so called “Boer War” was over. Paul Kruger, attempted to negotiate a deal with Holland and Germany for arms and ammunition in exchange for gold. The arms and ammunition reached the port of Lorenco Marques but the gold, sent by Kruger, went missing.

Into this chaos of the aftermath of the war, with men, woman and children trying to make it back to the farms, Gideon Barron, an Irishman born in South Africa is accused of helping to steal the gold. Wounded, he escapes but is followed and hunted by his fellow Boers for treason.

INSPIRATION FOR THE BOOK:

The disappearance of Kruger’s gold has always intrigued me. There are many stories, myths and legends about the whereabouts of this treasure. In this work of fiction adventure, I have put forward one possibility. I grew up in this area amongst these people whose stories to their grandchildren in the lamplight around the kitchen table, tell of the gold that may have changed the course of the war, told with the bitterness against the English.

WANT YOUR OWN COPY:

You can pick it up [easyazon_link identifier=”B01KLUA09Y” locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

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