Reviews of what you should be reading next.

Category: Library Thing

AN ARTIST AMONG THE WIND HORSES OF MONGOLIA by Erika Connor

An artist visits Hustai National Park in Mongolia and takes part in the reintroduction project of the wild Przewalski horses, or Wind Horses as they are known by Mongolians. A reflection on the story of humans and horses in the wilderness, illustrated with 36 original colour paintings. Searching for her place in the world, she finds company with wild horses and explores the interplay between the herd and the lone wolf.
“I slipped across the grasses, becoming one with the trees and rocks. Sometimes, they passed so close I could have reached out my hand to skim their hides, the ribs, the last of their tattered winter coats.”
“It was natural then that I’d made my way here, having been affected and altered by horses throughout my life.”
An excerpt of this work was published in Travelers’ The Best Travel Writing 2009, under the title, “In a Place of Wind”.

 

Thanks to Library Thing and Petra Books for this review copy!

Erika Connor’s “An Artist Among the Wind Horses of Mongolia” is more than just a travelogue; it’s a captivating immersion into the Mongolian wilderness and the cultural reverence for the wild Przewalski horse. The “Wind Horses,” as they are called by the locals, are the focus of both Connor’s artistic journey and the reintroduction project she participates in at Hustai National Park.

The Wind Horse is a Buddhist concept depicting the soul. A winged horse with a flaming jewel on its back is seen on Tibetan prayer flags flying in the wind from the highest mountain tops. It is also portrayed on the Mongolian coat of arms. The Mongolians have a word, khiimori. that is difficult to translate, but it is said to represent the Wind Horse and embodies the human soul, a life force.

The book follows Connor’s firsthand experience volunteering with the Wind Horses in Hustai National Park. Connor’s narrative is rich with vivid descriptions, transporting the reader to the vast grasslands and under the boundless Mongolian sky. You’ll feel the wind whipping through your hair, sense the sun warming your skin, and smell the earthy scent of the steppe as you journey alongside her. Readers with a passion for art will find Connor’s experience particularly engaging. She details her artistic process as she attempts to capture the essence of the wild horses and the nomadic culture surrounding them.

I had been here on the edge of unknown for three days now, on the shoreline of fifty thousand hectares of steppeland.

…a raven swooped by on my right, so close I could see the gloss of his blue-black feathers and the glint of his eye. What came back to me again and again was the gaze of animals. In that gaze was the wordless kinship with the original life source. It seemed observer and observed were the same.

The winds yanked the handle of the painted door out of my hands and I stumbled out of my ger, hitting my head on the doorframe. I wondered if there was a Mongolian saying about starting your day like this.

There was always the feeling of odyssey before getting on a horse, a suspension of time and certainty, lifting the feet, leaving the earth.

 

Through vivid descriptions and evocative storytelling, readers are introduced to a diverse cast of characters—from nomadic herders to skilled artisans—each contributing to the tapestry of Mongolia’s cultural landscape. This adds another layer to the story, creating a well-rounded picture of the region and its people.

One of the book’s most striking aspects is its exploration of the symbiotic relationship between art and nature. As the author delves deeper into the Mongolian wilderness, she finds inspiration in the untamed beauty of the landscape, channeling its energy into their own creative pursuits. Whether painting the sweeping vistas of the Gobi Desert or capturing the spirit of the wild horses that roam the steppe, the author’s passion for her craft shines through on every page.

But Connor’s true strength lies in capturing the essence of the human-horse connection so deeply ingrained in Mongolian culture. She weaves together personal anecdotes with insights into the nomadic way of life, where horses are not just companions, but vital partners in survival.

Moreover, “An Artist Among the Wind Horses of Mongolia” offers profound insights into the enduring spirit of the Mongolian people. Through encounters with local communities and intimate conversations with herders, the author uncovers the resilience and resourcefulness that define Mongolian culture. From the warmth of traditional hospitality to the profound reverence for nature, readers gain a deeper appreciation for the values that unite this ancient civilization.

The book is beautifully complemented by Connor’s original paintings (36 in total), which bring the landscape and the wild horses to life. These illustrations aren’t mere decorations; they serve as an extension of the narrative, offering a visual window into the soul of the Mongolian wilderness.

Thoughts:

While not explicitly mentioned, it seems the book would be best enjoyed by those with an interest in conservation efforts. Connor’s involvement in the Przewalski horse reintroduction project adds a layer of purpose to the narrative. However, the book is heavily weighted towards the artistic side of the project, with detailed descriptions of the landscape and the horses themselves. Readers seeking a more scientific approach to the reintroduction project might want to look elsewhere.

Since the book includes illustrations, it might be more enjoyable in a physical format to fully appreciate the artwork alongside the text.

“An Artist Among the Wind Horses of Mongolia” is a perfect read for anyone who loves a good travelogue, has a passion for horses, or simply appreciates a well-written story about nature and cultural connection. It’s a testament to the power of art to bridge cultures and inspire a deeper appreciation for the natural world.

Want your own copy? You can pick it up here. 

 

SPIT AND POLISH by D.A. Brown

Ruth was delighted when she was accepted into the nursing school at Kingston General Hospital. But she didn’t realize how challenging it would be. She quickly finds her skills aren’t up to snuff and is sent to build them up as an aide at the local tuberculosis sanitarium.
It’s 1946, and when Ruth arrives, she is immediately surrounded by crowds of wounded and infected soldiers, women, and children. 
Ruth must find her way among the dying, depressed, and too-friendly patients, managing demanding doctors and a jealous mentor, without being sent home or infected. Can she impress her seniors and be readmitted to the nursing program she so wants?

Thanks to LibraryThing ,  author DA Brown, and Somewhat Grumpy Press for this advanced reviewer’s copy!

SPIT AND POLISH is a captivating historical fiction novel that transports readers to Canada in 1946, where aspiring nurse Ruth dreams of escaping her small-town life and making a difference. Accepted into Kingston General Hospital’s nursing school, her initial excitement crumbles as she struggles with the demanding coursework. Sent to gain experience at a local tuberculosis sanatorium, Ruth is confronted with the harsh realities of illness, death, and prejudice. Surrounded by wounded soldiers, desperate families, and a complex medical environment, she must navigate challenges while honing her skills. Ruth needs to find her strength, compassion, and the resilience to succeed.

The sanatorium, teeming with wounded soldiers and civilians battling the debilitating disease, paints a stark picture of the era’s healthcare realities. The facility fairly overflows with wounded soldiers, women, and children battling the debilitating disease. Ruth grapples with the emotional and physical demands of caring for, and witnessing firsthand, the suffering and resilience of her patients. Ruth must also navigate navigate dormitory life, avoid flirting soldiers, and handle the draining emotional complexities of her family back home. The author skillfully portrays the harsh realities of the medical setting, balancing it with moments of tenderness and compassion. It is easy to empathize with Ruth’s internal struggles as she confronts her own limitations and prejudices. Her journey is one of personal and professional development, and it is satisfying to see her initial naiveté transform into empathy, strength, and self-assuredness as she faces challenges head-on.

Brown immerses the reader in the post-war atmosphere of Canada, capturing the social anxieties, medical advancements (and limitations), and evolving societal roles of women. The struggles of returning soldiers and the stigma surrounding tuberculosis are woven seamlessly into the narrative.

Ruth’s growth is relatable and engaging, and the supporting cast, from other nursing students to her domineering father, adds depth and nuance. The initial chapters do move a bit slowly as the setting and characters are established. I would have liked to see some of the secondary characters (such as Patricia, Mrs. Graham, and Mary) fleshed out some more. This information might have given some more backstory and understanding of their behavioral quirks and motivation.

One thing that was a bit jarring to me were the short paragraphs of medical notes that began each chapter. One was a quote from 1947, quite a few were from Florence Nightingale’s NOTES ON NURSING, and there was one from 2018 quite early on in the book. While I appreciated the “insider information”, I spent a few minutes trying to figure out if the quote was supposed to reflect the tone of the chapter or not. Some were relevant, while others seemed random to me. I did like the idea of headers to each chapter, but I think they would work a lot better if the words tied in with each chapter’s vignette. Another option would be to let the reader know that the paragraphs at the beginning of each chapter are taken from  either various authors who are sharing their thoughts on nursing, or excerpts from textbooks that will give the reader background on how TB was treated back then, etc. That would set an expectation for the reader, allowing them to absorb the information, then move seamlessly into the storyline.

SPIT AND POLISH offers a captivating journey through a unique historical setting. Brown’s well-researched narrative sheds light on the challenges and triumphs of mid-century healthcare, while Ruth’s personal growth resonates with themes of ambition and compassion. The novel delves into the emotional toll of caring for the sick and dying, yet the harsh realities of the sanatorium are balanced with moments of tenderness and hope, creating a nuanced portrayal of human resilience. Throughout the book, the importance of human connection in the face of adversity is underscored – a lesson we can all learn from in today’s world.

Readers interested in historical fiction with strong female protagonists and a touch of medical drama will find this book satisfying. One caveat: be aware of the potential for emotional intensity due to the setting and subject matter.

Want your own copy? You can pick it up here. 

SEVERED ROOTS by Nego Huzcotoq

IT’S A WORLD RULED BY WOMEN. MEN ARE ALL BUT EXTRANEOUS AND VIOLENT CRIME IS ALMOST ERADICATED. WHAT COULD BE BETTER?

Severed Roots (recipient of Literary Titan Gold Book Award) depicts a future where family, long considered a patriarchal construct, has finally been outlawed. Children are birthed by select female “manufacturers” and raised in Children’s Centers, where girls are groomed for leadership and boys are taught subservience. Male adolescents willingly receive mandatory chemical injections to prevent sexual hunger–although some opt for gender reassignment surgery instead, which is laudable. The goal? To prevent all forms of patriarchy and usher in an unprecedented age of world peace.

The result? A world ruled by women, where men are all but extraneous and violent crime is almost eradicated. However, not everyone buys into this New World Order. This is a domain of rallies, revolts, and self-immolation by women who suffer from being denied a chance at motherhood. In the middle of the action is Nick Wong, a gentle, rule-following Canadian whose inquisitiveness and desire to do the right thing spur him on a perilous quest for Truth –about marriage, family, and the need to connect with who we are.

Thanks to Library Thing and the author for this advance reviewer’s copy!

SEVERED ROOTS is a dystopian novel by Nego Huzcotoq that explores the themes of gender, power, and family in a matriarchal society where women have taken control. The story is set in a future where men have been stripped of their power and are now considered second-class citizens. The government, known as the New World Order, has outlawed the concept of family, and children are now raised in government-run facilities. Men are given a choice of either taking a chemical injection that will suppress their sexual urges or undergoing gender reassignment surgery.

The protagonist of the story is naïve and sheltered Nick Wong, a 30-something gig musician who is struggling to come to terms with the new world order. He has never known a world without the New World Order, and he is initially hesitant to question its authority. He is not comfortable with the way men are treated, but he also doesn’t believe in the extremist views of the Hardinians, a group of men who are fighting to overthrow the New World Order. He is drawn to a group of rebels known as the Progressives, who believe in the importance of family and equality for all.

Nick also befriends Beatrice, a woman who is desperate to have her own child. She asks Nick to help her find a way to Island House, a safe haven for women who want to raise their children outside of the New World Order. Nick agrees to help Beatrice, and along the way, he learns more about the dark secrets of the New World Order. He also begins to question his own beliefs about gender, family, and power.

In the world of SEVERED ROOTS, the traditional family unit has been disbanded. Children are raised by the state, and men are not allowed to have any contact with their offspring. This raises some interesting questions about the nature of family and the importance of biological ties.

The author spends a good deal of time describing how family is essential to human connection and well-being. Even in a world where family is outlawed, people still crave the love and support of a family unit. This serves as a reminder that family is more than just a biological relationship – it is a bond of love and support that can help us to survive even in the most difficult of times.

The world-building is mostly believable. Huzcotoq does a respectable job of creating a dystopian society that feels both familiar and alien. The book is full of interesting details about the New World Order, such as the way it controls the population through chemical injections and propaganda. However, I would have loved to see more background on how the world came to be this way. Did society become that way suddenly, due to an occurrence of war or a nuclear disaster? Or was it a slowly moving development, due to an illness caused by men that killed most of their population? Did women rise to power in government and caused the pendulum to swing their way? As you can see, there could be so many reasons for this dystopian world.

I will say that this novel does a decent job of exploring the diverse ways in which a matriarchal society could function. Huzcotoq presents a variety of perspectives on the issue, from the radical views of the Hardinians to the more moderate views of the Progressives. This allows the reader to see the issue from all sides and to come to their own conclusions about what a matriarchal society would look like.

Some things I liked about SEVERED ROOTS:

  • The themes of gender equality, violence, and family are thought-provoking and relevant to our own world.
  • The novel does not shy away from showing the dark side of both the matriarchal and patriarchal societies, and the consequences of their extremes. The novel also raises some interesting questions about the nature of human connection and the role of family in society.
  • The plot is an excellent manifestation of a dystopian world. There are elements of George Orwell’s 1984, Aldous Huxley’s BRAVE NEW WORLD, and Anthony Burgess’ THE WANTING SEED. These are three of my favorite books, and I was happy to feel reminded of them as I got through the book.

Some things I did not like:

  • The pacing of the book is a bit slow at times. The first half of the book is mostly setup, and it takes a while for the plot to really get going.
  • The ending of the book is a bit anticlimactic. I was expecting a more satisfying conclusion to the story, and I felt there were many questions left unanswered. (That being said, I believe the author is working on a sequel, in which case the ending could be forgiven.)
  • The novel relies heavily on stereotypes and generalizations about men and women and seems to favor a conservative and traditional view of family and marriage, without considering other forms of relationships and lifestyles.

 

SEVERED ROOTS is ultimately a story about hope. Despite the challenges that Nick and Beatrice face, they never give up on their dream of creating a better world. They believe that it is possible to find a balance between the old world and the new, and they are determined to fight for a future where everyone is treated with respect and dignity.

Overall, this book is a thought-provoking novel that is sure to spark a conversation about the nature of gender, power, and violence. I recommend it to anyone who enjoys dystopian fiction or who is interested in exploring the future of gender relations.

 

Want your own copy? You can pick it up here.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

© 2024 gimmethatbook

Theme by Anders NorenUp ↑