Reviews of what you should be reading next.

Category: NetGalley (Page 2 of 11)

WHAT THE NEIGHBORS SAW by Melissa Adelman

Desperate Housewives meets The Couple Next Door in a chilling story of murder and intrigue set in a well-to-do DC suburb.

Sometimes the darkest acts occur in the most beautiful houses… When Alexis and her husband Sam buy a neglected Cape Cod house in an exclusive DC suburb, they are ecstatic. Sam is on the cusp of making partner at his law firm, Alexis is pregnant with their second child, and their glamorous neighbors welcome the couple with open arms. Things are looking up, and Alexis believes she can finally leave her troubled past behind. But the neighborhood’s picture-perfect image is shattered when their neighbor Teddy – a handsome, successful father of three – is found dead on the steep banks of the Potomac River. The community is shaken, and as the police struggle to identify and apprehend the killer, tension in the neighborhood mounts and long-buried secrets start to emerge. In the midst of the turmoil, Alexis takes comfort in her budding friendship with Teddy’s beautiful and charismatic widow, Blair. But as the women grow closer, the neighborhood only becomes more divided. And when the unthinkable truth behind Teddy’s murder is finally uncovered, both Blair and Alexis must reexamine their friendship and decide how far they are willing to go to preserve the lives they have so carefully constructed.

Thanks to NetGalley and St Martins Press for this review copy!

WHAT THE NEIGHBORS SAW is a domestic suspense novel that explores the complex relationships and secrets that exist within a seemingly idyllic suburban community. The book is set in a well-to-do DC suburb and tells the story of Alexis Crawford, a young woman who moves into the neighborhood with her husband Sam and their young son. Alexis is immediately drawn to her glamorous neighbor Blair, who seems to have it all. But when Teddy, Blair’s husband, is found dead, Alexis begins to suspect that there is more to Blair than meets the eye.

The novel is told from the alternating points of view of two women: Alexis, the new neighbor, and Blair, the widow of the victim. The other residents of the neighborhood are also interesting characters. There is the nosy neighbor who always seems to know everyone’s business, the couple who is always fighting, and the young family who is trying to make it in the suburbs.

The author does a decent job of creating a sense of unease and suspicion in the reader. The characters are complex and believable, and the plot is full of twists and turns.

One of the things I enjoyed most about WHAT THE NEIGHBORS SAW was the way Adelman explored the theme of secrets. Everyone in the neighborhood seems to be hiding something, and as the novel progresses, the secrets start to come out. This creates a sense of tension and suspense that keeps the reader hooked until the very end. Unfortunately, I felt the ending was a bit too predictable.

I also appreciated the way Adelman developed the characters, albeit in a stereotypical manner. Alexis is a sympathetic character, and I found myself rooting for her even when she made mistakes. Blair is a more enigmatic character, but Adelman does a good job of slowly peeling back the layers and revealing her true nature.

Overall, I thought this book was a fairly good read.

Want your own copy? You can pick it up here.

WOMB by Leah Hazard

A groundbreaking, triumphant investigation of the uterus—from birth to death, in sickness and in health, throughout history and into our possible future—from midwife and acclaimed writer Leah Hazard

The size of a clenched fist and the shape of a light bulb—with no less power and potential. Every person on Earth began inside a uterus, but how much do we really understand about the womb? Bringing together medical history, scientific discoveries, and journalistic exploration, Leah Hazard embarks on a journey in search of answers about the body’s most miraculous and contentious organ. We meet the people who have shaped our relationship with the uterus: doctors and doulas, yoni steamers and fibroid-tea hawkers, legislators who would regulate the organ’s very existence, and boundary-breaking researchers on the frontiers of the field. With a midwife’s warmth and humor, Hazard tackles pressing questions: Is the womb connected to the brain? Can cervical crypts store sperm? Do hysterectomies affect sexual pleasure? How can smart tampons help health care? Why does endometriosis take so long to be diagnosed? Will external gestation be possible in our lifetime? A clear-eyed examination of the cultural prejudices and assumptions that have made the uterus so poorly understood for centuries, Womb takes a fresh look at an organ that brings us pain and pleasure—a small part of our bodies that has a larger impact than we ever thought possible.

Thanks to NetGalley and Ecco for this review copy!

Every woman has one, but do they understand what the womb really does? Once you read this informative book you will be so happy the author wrote it.

When I saw that a midwife authored this book, I knew that it would be relevant, detailed, and female friendly. The womb is regulated by the government, dismissed by some physicians, and disparaged by men. It is also a misunderstood organ, considered to be simply the place where the fetus lives. That could not be farther from the truth! The uterus has far -reaching effects upon a woman, more than just the cause of mood swings each month during menstruation.

Each chapter discusses a different subject, such as endometriosis, hysterectomies, transplants (yes, you can put a uterus into a woman just like a heart transplant) hormones, and the various stages of the womb from first menses to menopause. The final chapters are reminiscent of BRAVE NEW WORLD, as the author discusses the possibility of an external uterus (called a biobag) and ways that a woman could be pregnant even without a womb.

There are stories in each chapter that make you realize just how much this organ is ignored and how men have used and abused it, from Josef Mengele’s experiments to the eugenics movement in the United States. Some of the details are cringeworthy, such as the woman who tried to remove her own uterus, or the story of the doctor at the Irwin County Detention Center whom they called the “uterus collector”.

Since Roe v. Wade has been overturned, women’s reproductive rights have been at the forefront of a great deal of news cycles. It seems unreal how the government, especially male politicians, have the final say on whether a woman can end her pregnancy or not. Regardless of your convictions (pro-choice or pro-life), it is unfathomable that a woman has no control over her own organs.

This book should be required reading for anyone that has a uterus. There are so many amazing facts and thought-provoking ideas – it’s almost guaranteed that you will learn something as you read WOMB. The author’s writing style is easy to understand, as she explains the science and history of this wonderful organ in a way that will make you want to keep reading.

Want your own copy? You can pick it up here.

THE CABINET OF DR LENG by Preston and Child

Preston & Child continue their #1 bestselling series featuring FBI Special Agent Pendergast and Constance Greene, as they cross paths with New York’s deadliest serial killer: Pendergast’s own ancestor…and now his greatest foe. AN INCREDIBLE JOURNEY: Astoundingly, Constance has found a way back to the place of her origins, New York City in the late 1800s, leaping at the chance, although it means leaving the present forever. A DESPERATE OPPORTUNITY: Constance sets off on a quest to prevent the events that lead to the deaths of her sister and brother. But along the road to redemption, Manhattan’s most infamous serial killer, Dr. Enoch Leng, lies in wait, ready to strike at the slightest provocation. UNIMAGINABLE ODDS: Meanwhile, in contemporary New York, Pendergast feverishly searches for a way to reunite with Constance—but will he discover a way back to her before it’s too late?

Thanks to NetGalley and Grand Central Publishing for this review copy!

DR LENG is number 21 in the Aloysius Pendergast series and one of the best ones, in my opinion. Constance has managed to get herself back to New York City in the 1800’s so she can change history. Pendergast is distraught and seems to be giving up on his life. Agent Coldmoon is away from Pendergast (to his relief) and is investigating a murder on the Rez in South Dakota. Commander D’agosta is looking into a mysterious death at the Museum of Natural History. Are all these murders connected? As the characters cross paths, the suspense ratchets up and the book is truly unputdownable.

The biggest source of enjoyment for me was the description of 1800’s NYC. Every sight, smell, and sound were described in such a way that I felt as if I were there alongside Constance. Along with the gruesome Dr Leng, there are other baddies that grab your attention and encourage you to “love to hate” them.

Constance is a divisive character in the Pendergast series; either you love her or find her terribly annoying. She is the main character in DR LENG, so if you are not a fan, you may want to pass this by. However, I will say that the other characters are involved enough to ensure that Constance’s presence isn’t too annoying. That being said, I feel that Constance elevated herself to a new level as an intelligent, driven, strong female character.

I’m a fan of all the characters and I was very happy to see everyone involved in this story. Pendergast seems a lot more human as he struggles his way through each day without his beloved ward. It seemed to me that everyone was quite emotional (except for Proctor, of course!) and it endeared them to me even more.

DR LENG flows smoothly, seamlessly moving from one character/plotline to another. Classic Preston & Child. However: the ending. No spoilers here, only that I did not see it coming. Other reviews are mixed; either the ending is genius or total bull****. My reaction was “WHAT?!? Seriously?!. Needless to say, I’m looking forward to the next book in this series.

Thoughts? Want your own copy? You can pick it up here.

THE LINDBERGH NANNY by Mariah Fredericks

When the most famous toddler in America, Charles Lindbergh, Jr., is kidnapped from his family home in New Jersey in 1932, the case makes international headlines. Already celebrated for his flight across the Atlantic, his father, Charles, Sr., is the country’s golden boy, with his wealthy, lovely wife, Anne Morrow Lindbergh, by his side. But there’s someone else in their household—Betty Gow, a formerly obscure young woman, now known around the world by another name: the Lindbergh Nanny. A Scottish immigrant deciphering the rules of her new homeland and its East Coast elite, Betty finds Colonel Lindbergh eccentric and often odd, Mrs. Lindbergh kind yet nervous, and Charlie simply a darling. Far from home and bruised from a love affair gone horribly wrong, Betty finds comfort in caring for the child, and warms to the attentions of handsome sailor Henrik, sometimes known as Red. Then, Charlie disappears. Suddenly a suspect in the eyes of both the media and the public, Betty must find the truth about what really happened that night, in order to clear her own name—and to find justice for the child she loves.

Thanks to NetGalley and St Martins Press for this review copy!

It’s always satisfying to read a well-written historical fiction book, especially when it’s about an event that is integral to American history (the Federal Kidnapping Act was created as a result of this heinous crime). I didn’t know that much about the Lindbergh kidnapping, only that the famous aviator lost his 1-year-old child Charlie, and the baby was never seen alive again. I also was reminded that this took place in central NJ, close to where I live. Learning as I read makes a book more appealing, and this novel did not disappoint.

This story is told in the first person of the nanny herself, Betty Gow. Her love for Lindbergh Jr. is greatly professed and makes the story all the more poignant. Lindbergh Sr. is described as a gruff, sometimes joyless man while his wife seems content to live in his shadow. Gow feels guilty because she thinks Charlie is bonded with her, stronger than with either of his parents. She takes her job seriously and blames herself for not being there for Charlie, preventing the kidnapping.

Gow is written as a sympathetic character, while the others in the Lindbergh’s circle of servants are all potentially unreliable narrators. Gow does her best to try to find the guilty party while being questioned by the police multiple times. She never gives up hope until she finally identifies his body at the morgue. Her emotions are what makes her character stand out; ironically enough, Lindbergh Sr. is written as a man who despises emotions. Gow sees him as somewhat of an automaton, more interested in engines and science rather than his human wife and child. Despite her misgivings, she tries to win his favor, both before and after Charlie is kidnapped.

All the Lindbergh servants start turning on each other, laying blame back and forth until I wasn’t sure who was telling the truth or not. I definitely think I enjoyed the book more by not knowing who, if any, of the servants were to blame. Each character is described well and their motivations for orchestrating the kidnapping seem accurate. The author creates suspense as she advances the plot and I was completely enthralled with how I developed emotions towards the characters, especially Violet. I thoroughly disliked her and was frustrated when Gow tried to sympathize with her. I believe she must have been suffering with depression or some other affliction, considering her actions towards the end of the book.

The author also did an excellent job of describing the inside of the houses as well as the surrounding landscape. I found it interesting that Hopewell NJ was noted as being far away from the beaten path, while now it’s quite populated.

As the story came to an end, I found chapter 31 to be one of my favorites. As Gow takes a final visit to the house in Hopewell, the desolation is apparent:

She uses her old keys to unlock the door. Inside the air is stale with dust and emptiness. Much of the furniture has been left behind. It’s been covered in cloth. The sofa, the coffee table, the grandfather clock – all bodies dressed for burial and eternal silence. Elsie and I part to explore the rooms we can bear. I step into the kitchen, which is empty, the cabinet doors all open for some reason. Peek into the servants’ sitting room, where there is only a chair and the card table. One lamp with its plug pulled out. There are memories to be conjured if I want to. I find I don’t want to. Better to leave these as blank, meaningless spaces. Like the sofa and the clock, cover the feelings in anesthetizing white cloth. And leave them behind.

This paragraph sums up Gow’s emptiness, a hole that cannot ever be filled, a chapter in her life best left alone lest the utter insanity of it take her over.

THE LINDBERGH NANNY examines this tragedy from another point of view, and Fredericks does an excellent job. Even if you are familiar with aspects of this story, you will enjoy this book.

Want to read it? You can pick up your copy here:

MEN OF 18 IN 1918 by Frederick James Hodges

In the spring of 1918 German forces broke through Allied lines in a last-ditch attempt to overcome their enemies. To hold back this tide young, inexperienced men from France, Britain, the United States, Australia and Canada were sent into war against battle-hardened and desperate German soldiers. What was it like to be an eighteen-year-old and sent to the frontlines in the First World War? Frederick James Hodges was one of these young men and his book, Men of 18 in 1918, provides insight into the ordeals of an ordinary soldier who left Britain as a teenager but returned as a man having witnessed the full horrors of war. Hodges charts his progress through the conflict from his short period of training to being thrown into defending Allied lines against the onslaught before being ordered, as part of Britain’s prime assault troops, into a ninety-five-day non-stop attack which only ended with the armistice of November 1918.

Thanks to NetGalley and Sapere Books for this review copy!

The author tells a terrifying and true story of his experience in one of the most brutal wars known to man.

His memories of names, places, and battles is amazing – a good part of the book is recollections of the men he knew and their fate. At times I did find it tedious to read name after name, but I understand that the author wanted to ensure that they weren’t forgotten over time. The descriptions of life in the trenches are full of detail and heartbreaking to read. Boys that turned eighteen were eligible to enlist for battle, and by the time they turned nineteen they were hardened men, inured to death and destruction.

The story follows Hodges as he enlists, trains, and eventually is called up to the Western Front. Even though he is only involved in the war for a brief time, he experiences an immense amount of physical and mental struggles. Despite these hardships, Hodges continually writes that his experience in the war is exhilarating and fascinating. He and his fellow soldiers try to make the best of their days as they bond and support each other.

One thing I enjoyed about this book is how the author described his surroundings as a juxtaposition to the horrors around him. He mentions singing birds, fields of poppies, and bright blue skies, and makes sure to note that he is able to appreciate the world around him as nature continues to thrive despite the horrors of war and the bloody casualties.

The author includes many anecdotes about how the soldiers pass the time by talking about life back home and making lighthearted jokes. Each soldier is doing his best to fight the Germans (known as “Jerry” among the men) and maintain their hold on the Western Front. There are also stories about the tedious tasks that must be done: polishing their weapons, digging out trenches, and repairing the miles of barbed wire that provided a barrier to No Mans Land.

This story is poignant and gripping at the same time. I enjoyed the author’s insights on his harrowing experience as well as the opinions he shared about the war. His writing style is easy to read, and you will learn about life in the trenches firsthand.  The more I read about WW1, the more I respect the men that gave their lives for this pointless conflict. I highly recommend this book.

You can pick up your copy here.

DEATH INTERRUPTED by Blair Bigham, MD

In Death Interrupted, ICU doctor Blair Bigham shares his first-hand experiences of how medicine has complicated the way we die and offers a road map for dying in the modern era. Doctors today can call on previously unimaginable technologies to help keep our bodies alive. In this new era, most organs can be kept from dying almost indefinitely by machines. But this unprecedented shift in end-of-life care has created a major crisis. In the widening grey zone between life and death, doctors fight with doctors, families feel pressured to make tough decisions about their loved ones, and lawyers are left to argue life-and-death cases in the courts. Meanwhile, intensive care patients are caught in purgatory, attached to machines and unable to speak for themselves. In Death Interrupted, Dr. Blair Bigham seeks to help readers understand the options facing them at the end of their lives. Through conversations with end-of-life professionals — including ethicists, social workers, and nurses and doctors who practice palliative care — and observations from his own time working in ambulances, emergency rooms, and the ICU, Bigham exposes the tensions inherent in this new era of dying and answers the tough questions facing us all. Because now, for the first time in human history, we may be able to choose how our own story ends.

Many thanks to NetGalley and House of Anansi Press for this review copy!

This book will make you think long and hard about your final wishes. The author explains why death and dying is such a taboo subject, how technology is making us think that we should live forever, and continually reminds us that “mors vincit omnia” (which means death conquers all in Latin). Bigham shows his compassion in every chapter, as he explores the new frontiers of end-of-life care and human euthanasia.

Years ago, our life expectancy was a lot shorter than it is now. Families were used to each other dying at home in their own beds. As they were forced to confront their mortality in a very tangible way, there were no taboos surrounding death. It was, quite literally, a major part of their lives. Since our life expectancy has increased, and there is so much innovative technology such as ventilators and ECMO machines that can prolong life, we are determined to avoid death for as long as we can. Every medical show on TV shows doctors snatching patients out of the jaws of death via “code blue” situations and miracles. The author describes this equation: technology X (resuscitation glorification + death denialism) = FALSE HOPE.  We come to a hospital armed with the belief that recovery is imminent, therefore there is no reason to consider end-of-life planning or care.

Despite the leaps and bounds made by new medical technology, doctors hesitate to rely on machines sometimes. Airline pilots are taught to trust their instruments completely; after all, when they can’t see out of the plane’s window, they fly using the altimeter, directional gyro, and other instruments that let them know how fast and high they are going. In the medical world, things are different. A patient on a respirator is not guaranteed to wake up and resume his normal life. Transplanted organs may be rejected. And thereby lies the “death dilemma”. When is it time to pull the plug? Who decides to sentence their loved ones to the Great Beyond? Why don’t doctors talk honestly about death and dying, or palliative care? We all want the kitchen sink thrown at our mom or brother, in hopes that they will be with us longer, having cheated death.

But that is not always possible, or even desired. Those who stipulate “no feeding tube” or choose to be a DNR are choosing control over their own death, relieving the family countless hours of arguing, or wondering what Dad would really want done in case of mortal injuries or sickness. The author discusses ethics, communication, and myths surrounding death, to enlighten us and understand the predicament our doctors are in. There is a chapter on euthanasia and on cryogenics. There are conversations with scientists and ethicists who find the death dilemma fascinating. There are stories about real patients who lived against all odds, and others who died despite hours long codes and hundreds of pints of blood pumped into their bodies. Bigham provokes the reader to truly confront their own fears about death, suffering, and not being able to go peacefully, on their own terms.

I find the death dilemma very fascinating and have read extensively on this subject (as I have mentioned multiple times in my reviews, I wanted to be a mortician when I was deciding my path through life). DEATH INTERRUPTED is one of the best books I have read on this subject. The author shows his human side through his compassion and quest to make every one of his patients have the best death possible. His writing is not too technical or difficult to understand, and he tries to show the pros and cons of prolonging life for distinct reasons. I am happy to report that I also learned some new things, such as the various “types” of death (brain-dead, suspension to keep organs alive for donation, and dead-dead) and the problems doctors face before they are able to declare one dead.

(On a similar note – this article appeared in the New York Times and I found it quite appropriate to add to this review.)

If you are wondering why you would need to make a living will or are putting off thinking about a morbid subject like your own death, please read this book. You will be shocked, saddened, scared, and motivated to consider your own end-of-life wishes. Many thanks to Blair Bigham for bringing this subject to the forefront in a new and stimulating way.

Want your own copy? You can pick it up here.

RIGHTEOUS PREY by John Sandford

Beloved heroes Lucas Davenport and Virgil Flowers are up against a powerful vigilante group with an eye on vengeance in a stunning new novel from #1 New York Times bestselling author John Sandford. “We’re going to murder people who need to be murdered.” So begins a press release from a mysterious group known only as “The Five,” shortly after a vicious predator is murdered in San Francisco. The Five is believed to be made up of vigilante killers who are very bored…and very rich. They target the worst of society—rapists, murderers, and thieves—and then use their unlimited resources to offset the damage done by those who they’ve killed, donating untraceable Bitcoin to charities and victims via the dark net. The Five soon become the most popular figures on social media, a modern-day Batman…though their motives may not be entirely pure.

After a woman is murdered in the Twin Cities, Virgil Flowers and Lucas Davenport are sent in to investigate. And they soon have their hands full–the killings are smart and carefully choreographed, and with no apparent direct connection to the victims, The Five are virtually untraceable. But if anyone can destroy this group, it will be the dynamic team of Davenport and Flowers.

Thanks to NetGalley and Penguin Group Putnam for this review copy!

RIGHTEOUS PREY is the 32nd Prey book by John Sandford, and this is one of the better ones. Both Lucas Davenport and Virgil Flowers are in this, working together to solve a murder spree. A group calling themselves “The Five” are slaughtering people that they (and many others) consider detrimental to society. The victims are considered to be a**holes and consist of rapists, thugs, etc. This twist makes The Five sympathetic characters, despite their murderous impulses.

It seemed there was slightly more Virgil content than Lucas. The banter between the two is as good as it ever was, with lots of ribbing about Lucas’ clothes and Virgil’s burgeoning career as an author. The characters are aging, yes, but also growing, and adding layers to both of their career paths. I hope they continue in law enforcement, because I feel that a lot of their appeal would be lost if Virgil were a full-time author and Lucas decided to retire (the horror!).

There is a new character introduced in the novel; her name is Jasmine Green and she is a cop assigned to help the duo out once they reach a certain point in the investigation. She starts out as a character that I wasn’t sure I was going to like, but as the plot progressed, I was happy she was added to the novel. Sandford does tend to drop new characters in here and there, and I hope we see Green again in the future.

Sandford’s ability to create a gripping plot is legendary. He never runs out of new ideas, and he puts his own special twist out there so you never know how things are going to end. I read through this book quickly and slowly at the same time (is this even possible?) because I wanted to find out what was going to happen to The Five, yet I didn’t want the book to end. Sandford takes too much time between books, if you ask me. This sentiment among his immense following proves what a fantastic writer he is.

I felt that there were no slow portions of the book. As each member of The Five is introduced to the reader, they emerge as intelligent, sardonic, and Type-A people. We get a brief background on them and learn their motivation, which turns out to be a good reason for the murder spree. The reader is invited to think about whether this murky “reasoning” is a good or a bad thing. Not that murder should be condoned – but we have all pictured someone famous and thought Gee, the world would be much better off without him”. This unique spin is another detail that made RIGHTEOUS PREY a bonafide thriller.

Sandford fans should be raving about this book! Lucas and Virgil are beloved characters, and this latest installation is a sure winner. I cannot choose what I liked best about this book – the always funny conversation between the two, or the fast-paced plot that gripped my interest from the first page.  Which did you like best?

Want your own copy? You can pick it up here.

THE FACEMAKER by Lindsey Fitzharris

The poignant story of the visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.
From the moment the first machine gun rang out over the Western Front, one thing was clear: mankind’s military technology had wildly surpassed its medical capabilities. The war’s new weaponry, from tanks to shrapnel, enabled slaughter on an industrial scale, and given the nature of trench warfare, thousands of soldiers sustained facial injuries. Medical advances meant that more survived their wounds than ever before, yet disfigured soldiers did not receive the hero’s welcome they deserved.

In The Facemaker, award-winning historian Lindsey Fitzharris tells the astonishing story of the pioneering plastic surgeon Harold Gillies, who dedicated himself to restoring the faces – and the identities – of a brutalized generation. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction in Sidcup, south-east England. There, Gillies assembled a unique group of doctors, nurses, and artists whose task was to recreate what had been torn apart. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits. Meticulously researched and grippingly told, The Facemaker places Gillies’s ingenious surgical innovations alongside the poignant stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine and art can merge, and of what courage and imagination can accomplish in the presence of relentless horror.

Thanks to NetGalley and Farrar, Straus and Giroux for this review copy!

THE FACEMAKER is an impressive, intense, and fact-packed book, not only about the development of plastic surgery, but also an insight into World War One and its devastating effects. I admit my understanding of the war was negligible prior to reading this, but now I have learned enough to have my interest piqued and I want to learn more. I have just requested a review copy of MEN OF 18 IN 1918 by Frederick James Hodges, a book that I would have certainly passed over if I had not read THE FACEMAKER.

Dr Harold Gillies is the titular surgeon who is constantly creating new ways to help disfigured soldiers (warning! Link leads to extremely graphic photos that may be disturbing) live normal lives. It is noted that those who had lost limbs were celebrated as heroes fighting for their country, while those who sustained facial injuries were shunned and considered freaks. The reasoning behind this is: faces and their ability to create expressions are what makes us “human”, and any deviation of what is considered “normal” creates discomfort. A face without a nose, or with a shattered jaw is difficult to look at, and so those poor soldiers were hidden away from the general public. The wards where those men were kept contained no mirrors, lest they catch a glimpse of themselves and lose the will to live.

Gillies is not the only doctor mentioned in this book; many other courageous surgeons contributed to the effort to repair these poor soldiers. The book is interspersed with descriptions of action on the Western Front, excerpts from diary entries from the soldiers that were lucky enough to have their journals survive (even if they didn’t), and accounts of how collaboration among the doctors furthered their knowledge and experience.

What fascinated me the most was hearing about the soldier’s activity on the battlefield, how he came to be injured, then his ordeal with Dr Gillies, enduring multiple operations while new techniques were tried time and time again. The book does contain a lot of graphic detail, so if you are squeamish, be aware.

I learned about artwork bringing attention to the soldier’s plight – one of the more poignant ones is the painting by John Singer Sargent entitled Gassed. The human cost of war is depicted in this 21-foot-long epic work. Other paintings and drawings are noted throughout the book, explaining how these methods helped the physicians rebuild faces. Sculpture was also used; multiple casts were made as the recreation and correction of each visage progressed.

The epilogue of THE FACEMAKER notes how plastic surgery evolved from a necessity to a luxury; rhinoplasty, facelifts, and the like were performed by Gillies long after the war was over. He continued to help others feel better about themselves until he died in 1960. He was a true visionary whose work ethic and kindness made the world a better place for many, many others.

Want your own copy? You can pick it up here.

TYPECAST by Andrea J. Stein

Callie Dressler thought she’d put her past where it belonged—behind her. But when her ex-boyfriend brings their breakup to the big screen, she can no longer deny that their history has been looming over her all along.

At thirty-one, Callie Dressler is finally comfortable in her own skin. She loves her job as a preschool teacher, and although living in her vacant childhood home isn’t necessarily what dreams are made of, the space is something she never could have afforded if she’d stayed in New York City. She knows her well-ordered life will be upended when her type A, pregnant sister, Nina; adorable four-year-old niece; and workaholic brother-in-law move in, but how could she say no when they needed a place to crash during their remodel? As Nina pointed out, it’s still their parents’ house, even if their mom and dad have relocated. As if adjusting to this new living situation isn’t enough, the universe sends Callie another wrinkle: her college boyfriend—who Callie dumped ten years earlier for reasons known only to her—has a film coming out, and the screenplay is based on their real-life breakup. While the movie consumes her thoughts, Callie can’t help wondering if Nina and her friends are right that she hasn’t moved on. When a complication with Nina’s pregnancy brings Callie in close contact with Nina’s smart and funny architect, Callie realizes she’d better figure out whether she wants to open the door to the past—or risk missing out on her future.

Thanks to NetGalley and the author for this review copy!

TYPECAST is a sweet, endearing read about a girl who is wondering if her college love should be back in her life. I’m sure we have all wondered if we made the right decision back in the day, and this book explores those feelings so well.

Our heroine Callie is 31 years old and unattached. Her family and friends are encouraging her to get out in the world and explore new relationships, however, Callie is reluctant to let go of the feelings she has for her college love, Ethan. It is noted early in the book that she broke up with him abruptly, and the author kept me interested by not explaining Callie’s reasons for doing so. The book switches points of view from “before”, which is told in first person perspective during Callie and Ethan’s college years, then “after”, which takes place many years after graduation and is told in third person perspective. I enjoyed reading Callie’s inner thoughts, which adds depth to the “after” narrative. I was unsure as to root for Callie and Ethan to get back together, or to hope that she hits it off with Ben, an architect that she meets later in the book.

All the characters feel real: Callie’s Type-A pregnant sister, her overbearing mother, and Callie’s many girlfriends. The dialogue between Callie and her girlfriends are spot-on – the gossip, encouragement, and bonding are all written well and made me smile.

Callie is a preschool teacher, who shows her nurturing side and makes her more appealing to the reader. She has a wonderful relationship with her young niece throughout the book, and some of the things that came out of her 4-year-old mouth were hilarious!

As the story progresses, the reader can see how Callie is maturing from the “before” days when she was joined at the hip with Ethan. The plot progresses with a will-she-or-won’t-she story arc about plans to meet up with her ex, which should hold the reader’s interest and keep those pages turning quickly. As I eagerly tore through the book, I had no idea who Callie would choose to be with, nor was I sure who would be the best match for her: would she choose to rekindle old, sweet memories with Ethan or take the chance to make new memories with Ben. This, to me, is the appeal of TYPECAST. The author did her best to encourage the reader to make their own opinion about the men in Callie’s life, while making the reader eager to see what choice she made.

TYPECAST is an excellent first novel! I could totally see this in movie form, now that I am writing this review.  It would surely be a standout rom-com that everyone would love.

Want your own copy? You can pick it up here.

TORNADO OF LIFE by Jay Baruch

Stories from the ER: a doctor shows how empathy, creativity, and imagination are the cornerstones of clinical care.

To be an emergency room doctor is to be a professional listener to stories. Each patient presents a story; finding the heart of that story is the doctor’s most critical task. More technology, more tests, and more data won’t work if doctors get the story wrong. Empathy, creativity, and imagination are the cornerstones of clinical care. In Tornado of Life, ER physician Jay Baruch offers a series of short, powerful, and affecting essays that capture the stories of ER patients in all their complexity and messiness.

Patients come to the ER with lives troubled by scales of misfortune that have little to do with disease or injury. ER doctors must be problem-finders before they are problem-solvers. Cheryl, for example, whose story is a chaos narrative of “and this happened, and then that happened, and then, and then and then and then,” tells Baruch she is “stuck in a tornado of life.” What will help her, and what will help Mr. K., who seems like a textbook case of post-combat PTSD but turns out not to be? Baruch describes, among other things, the emergency of loneliness (invoking Chekhov, another doctor-writer); his own (frightening) experience as a patient; the patient who demanded a hug; and emergency medicine during COVID-19. These stories often end without closure or solutions. The patients are discharged into the world. But if they’re lucky, the doctor has listened to their stories as well as treated them.

Thanks to NetGalley and MIT Press for this review copy!

TORNADO OF LIFE is a quick read, filled with short stories about patients presenting to the emergency room and how they provoke the doctor’s thoughts and actions. For example, one of the first patients the author sees (as a brand-new doctor) is a woman, presenting with vague symptoms, but appearing well. It turns out that she may have been abused by her husband, and just needed someone to talk to, and perhaps have someone suggest a course of action for her. Baruch regrets not seeing the patient’s true needs and says that case stayed in his mind for a while. He attributes his lack of communication to his inexperience and explains to the reader why it is important to consider the whole patient, not just what they are telling you. He also says an ER doctor should not judge a patient on how they look when they show up to the ER. Sometimes the most disheveled need the least care, and vice versa.

He tells the story of a patient asking for pain meds; and is unsure if he should prescribe them. He discusses the dilemma of drug-seeking patients and how pain is unmeasurable, unlike a temperature or a heart rate. Baruch says that “do no harm” is a doctor’s first tenet, but when it comes to pain, you may be damned if you do or damned if you don’t. If someone is in real pain, he is obligated to help them. But if a patient is looking for drugs to feed his habit, then prescribing them could harm them as Baruch encourages them to continue their addiction.

Each chapter holds a new patient’s story and the lesson the ER doctor learned from the case. Communication and empathy are a recurring theme, which makes sense. An ER visit is fraught with anxiety, and it can be comforting if a caring physician examines you. Often the doctor has only a few minutes to connect with the patient, which makes getting through the layers of each person’s needs exceedingly difficult. The chapters are stand-alone stories, making the book easy to read in small bites.

Baruch touches on each of those layers in depth, ruminating on how he could have helped some patients better, how some patients helped him learn more about himself, and detailing the psychic struggle that doctors experience daily. Baruch comes across as an extremely caring and empathetic person; I would appreciate his care should I ever need to visit his ER.

The only thing that frustrated me about TORNADO OF LIFE was that I never got closure on any of the patient’s ailments. The author states that in the beginning of the book – there will only be a few details about the ER visit and then the rest of the chapter will be introspection. I found myself wanting to know more about each patient, what their diagnosis was and how they were addressed before they were discharged. I learned to put my dismay aside as I got through each chapter, understanding that the point of each story was Baruch’s rumination and a lesson learned.

This is an unusual book, as the doctor’s thoughts are shared front and center. Most books written by those in the medical field will give a great deal of detail on their patients with a bit of introspection added. TORNADO OF LIFE is the opposite, and the reader needs to take time to digest the deep thoughts Baruch shares. Reading this will give you new respect for ER doctors and all that they handle on a daily basis.  

Want to read this book? You can pick up your copy here.

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