Ten years after her mother’s death, Eliza Levinger never imagined she’d hear from her again. But then The Letter arrived. Eliza’s world broke apart when she was sixteen and her mom died of cancer. Now, years later, she has rebuilt her life to include a director-of-development job at a nonprofit, a Manhattan apartment, and an easy-on-the-eyes bedroom buddy—just the kind of no-strings relationship she wants, even if it’s less than her best friend, Mo, thinks she deserves. But when Eliza’s dad dies unexpectedly, her beloved aunt Claude arrives at the shiva with a letter from her mom—to be opened only after her father’s death. Inside the letter? A bombshell. Suddenly, all of Eliza’s relationships are upended. Her brother is angry, her stepmother is threatening to disinherit her, and Mo—who has always been her rock—doesn’t seem to understand what she’s going through. But as Eliza struggles to cope with the shocking news, she finds an unexpected ally—her brother’s best friend, Josh—her high school crush, whom she’s tried hard to forget. It’s not in Eliza’s nature to trust . . . but maybe it’s time for that to change. Perfect for fans of Emily Giffin, Katherine Center, and Jennifer Weiner, Dear Eliza explores the meaning of family, the complexities of grief, and the beauty in finding your way again.
Eliza Levinger’s life is quietly going along well, until her father’s sudden death. Both of her parents are gone now, and she is suffering through a paroxysm of grief. Eliza is still actively mourning Laura, her mother, who passed after a battle with cancer when Eliza was at the tender age of 16. Suddenly, the discovery of a letter from her deceased mother that was intended to be opened only after her father’s passing, sends her world into a tailspin. The revelation that she is not her father’s biological daughter forces Eliza to confront a lifetime of unspoken questions and shattered assumptions. She embarks on a journey full of discovery: learning more about her beloved mom, her biological father, and herself.
The novel explores the intricate dynamics of the Levinger family. Eliza’s brother, Scott, is consumed by anger and withdraws into himself, while her stepmother Carol, is portrayed as the thorn in Eliza’s side. Their reactions to the titular letter highlight the destructive power of family secrets.
As Eliza embarks on a journey to locate her “real” father, Ross Sawyer, she is forced to consider difficult questions about her identity, sense of belonging, and her place within the family. The author expertly describes the impact of genetic inheritance on one’s sense of self, and what the true definition of family really is.
Eliza’s complicated relationship with the only father she has ever known takes on a new dimension, as she starts to compare him with her yet-to-be-discovered biological parent. Her Aunt Claude, who was holding Laura’s letter, tries to support Eliza as best as she can. I found Claude to be a delightful and steadying character. While the rest of Eliza’s family are rigid, Claude is a free thinker and stands firmly in Eliza’s corner.
Another character in her corner is Eliza’s BFF, Mo. She is a sounding board and therapist, urging Eliza to dismiss her fears and actively pursue Ross to get to know him. Mo is a bright and happy woman and serves as comic relief at times. Regardless of how Mo encourages Eliza to get out of her comfort zone, she is content to create her own ideas of who Ross is, as she is still unmoored by the revelation.
Eliza and her brother Scott, have a wonderfully supportive relationship….until the contents of the letter are revealed. Scott and his wife distance themselves from Eliza, confusing and hurting her. Further complicating things, Scott’s best friend Josh, reaches out to Eliza to offer help. Eliza has known Josh seemingly forever and is harboring some bewildering emotions about him. Eliza’s “love life” consists of a strikingly handsome but shallow boy toy. He is not supportive to Eliza at all and seems to think that sex is the answer to everything. Josh is the other side of the coin, challenging Eliza’s perspectives and helping her see the big picture.
Eliza is a unique and sympathetic character. Her pretty smile hides a hurting soul, a girl who is deeply scarred by the loss of her mother just when the bond between them is supposed to become stronger. She hides her heart deeply below her sleeve despite wishing for a meaningful relationship, and is a superstar at her job, a nonprofit called Nourish Our Youth. NOY (as it is colloquially called) was founded to pull kids out of poverty, dealing with food insecurity and education. The more you learn about Eliza, you will understand why this is the perfect job for her!
Most women have a little bit of Eliza inside them; multifaceted and strong, yet vulnerable and subject to self-doubt and panic attacks. The author has created in Eliza a figure that is effortless for the reader to love and cheer on, as she struggles through her grief and tries to rebuild her splintered world.
I would not characterize this book as a “rom-com”, as there are minimal light, silly moments. This is tailor-made for a book club discussion, as there are a lot of varying viewpoints with some family drama mixed in. I can visualize women of all ages chattering eagerly about their experience with DEAR ELIZA. I say “experience”, because this is a book that will make you think about how you would react if you were in Eliza’s shoes. Some books are made to be consumed (such as suspense or mysteries) and some books encourage interaction on another level. This is one of those books. Stein makes it effortless to have all the feels for Eliza, and to cheer her on through her emotional ups and downs.
The writing is never syrupy or sentimental despite the weighty themes. Instead, Stein strikes a balance between sorrow and hope, leaving readers with a sense of closure and the possibility of healing. The pacing of the novel is deliberate, allowing the emotional weight of the story to resonate with the reader long after the final page is turned. DEAR ELIZA is a beautifully written novel that demonstrates the enduring power of love, healing, and the possibility of new beginnings.
New York Times bestseller David Arnold returns with a poignant love story about two teens whose souls come together time and again through the ages—for fans of Nina LaCour and Matt Haig.
Evan Taft has plans. Take a gap year in Alaska, make sure his little brother and single mother are taken care of, and continue therapy to process his father’s departure. But after his mom’s unexpected diagnosis, as Evan’s plans begin to fade, he hears something: a song no one else can hear, the voice of a mysterious singer . . .
Shosh Bell has dreams. A high school theater legend, she’s headed to performing arts college in LA, a star on the rise. But when a drunk driver takes her sister’s life, that star fades to black. All that remains is a void—and a soft voice singing in her ear . . .
Over it all, transcending time and space, a celestial bird brings strangers together: from an escaped murderer in 19th century Paris, to a Norwegian kosmonaut in low-earth orbit, something is happening that began long ago, and will long outlast Evan and Shosh. With lyrical prose and original songs (written and recorded by the author), I LOVED YOU IN ANOTHER LIFE explores the history of love, and how some souls are meant for each other—yesterday, today, forever.
I LOVED YOU IN ANOTHER LIFE is a beautiful and heartbreaking novel that explores the concept of soulmates and reincarnation. The story follows Evan and Shosh, two teenagers who are struggling to cope with loss and grief. Evan’s mother is dying of cancer, and Shosh’s sister was killed in a car accident. As they try to find their way through their pain, they begin to hear a mysterious song that only they can hear. The song leads them to each other, and they soon discover that they have met and loved each other in different lives, from an escaped murderer and a nun in 19th century Paris, to a Norwegian astronaut and a radio host in the near future. As they try to cope with their own tragedies and traumas, they also must face the cosmic forces that keep bringing them together and tearing them apart.
The author encourages the reader to consider whether or not love can transcend time and space. His writing is lyrical and beautiful, and he creates a rich and immersive world for his characters to inhabit. The book is full of memorable moments, from the first time Evan and Shosh meet to the final, heartbreaking scene.
Arnold is a master of magical prose and original songs, which he wrote and recorded for this book. The songs add an extra layer of emotion and depth to the story, as they reflect the characters’ feelings and personalities. As the days go by for Shosh and Evan, they do their best to recall the words and write them down, slowly building an extra layer to their story.
Some of the things I loved about the book are:
The writing is poignant and beautiful. I intend to read it again and highlight the special sentences or passages that pierced my heart.
Arnold creates a rich and immersive world for his characters to inhabit. His descriptions of simple things like weather, or someone’s hair style are ethereal and consistently accurate. His characters are complex and well-developed; he is spot-on with the language of teen text messaging. I loved his usage of capital letters and inside jokes contained in Evan’s and Shosh’s texts to each other, and their friends. I really connected with these teens, and I was invested in what would happen to them.
It’s a story about loss and grief, but it’s also a story about hope and love. The book explores the idea of reincarnation in a way that is both believable and thought-provoking.
This book will make you wonder if you have ever loved someone in another life, or if you will ever meet them again. It was easy for me to imagine myself loving a special person again and again as we traveled through time.
However, the book can be quite emotionally draining at times. The author does a wonderful job of capturing the emotions of his characters in picturesque language that pierced me to my core. At times, I needed to put the book down to process what the characters were feeling, and how it made me grieve. The ending is bittersweet, and I had to tell myself that this is indeed a story about hope, love, and reincarnation. The author doesn’t shy away from the pain and loss that can be a part of love, but he also shows us the beauty and hope that it can bring. He also explores the implications of reincarnation on our relationships with each other and with the world around us.
Overall, I LOVED YOU IN ANOTHER LIFE is a beautiful and moving story about love, loss, and the power of the human spirit. It is a book that will stay with you long after you finish reading it. I would recommend it to fans of YA romance, fantasy, and historical fiction.
Callie Dressler thought she’d put her past where it belonged—behind her. But when her ex-boyfriend brings their breakup to the big screen, she can no longer deny that their history has been looming over her all along.
At thirty-one, Callie Dressler is finally comfortable in her own skin. She loves her job as a preschool teacher, and although living in her vacant childhood home isn’t necessarily what dreams are made of, the space is something she never could have afforded if she’d stayed in New York City. She knows her well-ordered life will be upended when her type A, pregnant sister, Nina; adorable four-year-old niece; and workaholic brother-in-law move in, but how could she say no when they needed a place to crash during their remodel? As Nina pointed out, it’s still their parents’ house, even if their mom and dad have relocated. As if adjusting to this new living situation isn’t enough, the universe sends Callie another wrinkle: her college boyfriend—who Callie dumped ten years earlier for reasons known only to her—has a film coming out, and the screenplay is based on their real-life breakup. While the movie consumes her thoughts, Callie can’t help wondering if Nina and her friends are right that she hasn’t moved on. When a complication with Nina’s pregnancy brings Callie in close contact with Nina’s smart and funny architect, Callie realizes she’d better figure out whether she wants to open the door to the past—or risk missing out on her future.
TYPECAST is a sweet, endearing read about a girl who is
wondering if her college love should be back in her life. I’m sure we have all
wondered if we made the right decision back in the day, and this book explores
those feelings so well.
Our heroine Callie is 31 years old and unattached. Her family and friends are encouraging her to get out in the world and explore new relationships, however, Callie is reluctant to let go of the feelings she has for her college love, Ethan. It is noted early in the book that she broke up with him abruptly, and the author kept me interested by not explaining Callie’s reasons for doing so. The book switches points of view from “before”, which is told in first person perspective during Callie and Ethan’s college years, then “after”, which takes place many years after graduation and is told in third person perspective. I enjoyed reading Callie’s inner thoughts, which adds depth to the “after” narrative. I was unsure as to root for Callie and Ethan to get back together, or to hope that she hits it off with Ben, an architect that she meets later in the book.
All the characters feel real: Callie’s Type-A pregnant
sister, her overbearing mother, and Callie’s many girlfriends. The dialogue
between Callie and her girlfriends are spot-on – the gossip, encouragement, and
bonding are all written well and made me smile.
Callie is a preschool teacher, who shows her nurturing side
and makes her more appealing to the reader. She has a wonderful relationship
with her young niece throughout the book, and some of the things that came out
of her 4-year-old mouth were hilarious!
As the story progresses, the reader can see how Callie is maturing from the “before” days when she was joined at the hip with Ethan. The plot progresses with a will-she-or-won’t-she story arc about plans to meet up with her ex, which should hold the reader’s interest and keep those pages turning quickly. As I eagerly tore through the book, I had no idea who Callie would choose to be with, nor was I sure who would be the best match for her: would she choose to rekindle old, sweet memories with Ethan or take the chance to make new memories with Ben. This, to me, is the appeal of TYPECAST. The author did her best to encourage the reader to make their own opinion about the men in Callie’s life, while making the reader eager to see what choice she made.
TYPECAST is an excellent first novel! I could totally see
this in movie form, now that I am writing this review. It would surely be a standout rom-com that
everyone would love.
What do you do when your best friend marries someone who isn’t you?
Romy Belkin—28, unrepentant English major, a Michelangelo in the kitchen—is the culinary genius behind viral YouTube channel A Dash of Paprika. Its star is the fabulous Pia Zimble, Romy’s dearest friend. But one day, a fan of the show materializes—a man Romy has to admit is perfect for Pia—and sweeps her friend out of their kitchen and into a whole new life.
Bereft but trying not to be, Romy throws herself into navigating her new landscape. But the stakes of her explorations are higher than she thinks. If she’s not careful, Romy could lose herself along the way—as well as the chance to love and be loved by a soulmate of her own.
A witty and warm-hearted comic love story, Soup to Nuts is a novel about deep and enduring friendship, love in its many varieties, and truly spectacular food.
SOUP TO NUTS is a sweet romantic comedy about Pia and Romy, two besties who work on a food blog together, happily ever after clearly in sight…. until Pia finds the love of her life. Romy needs to learn to live her life without being joined at the hip with Pia.
Told in Romy’s voice, SOUP TO NUTS takes us through Romy’s journey post-Pia. At first, she is in a type of mourning, as she misses Pia and also laments her own lack of male prospects. A friend of hers helps Romy find some blind dates that are fun, but short-lived. No one is clicking for her, and she keeps looking, even though there already is someone in her life that would be perfect for her. Will Romy realize this in time and open her heart, before he finds someone else?
The author hits the perfect blend of romantic and comedy – not too heavy on either side, which is perfect for me. Both Pia and Romy are developed well, and I was able to feel their emotions clearly, whether it was raucous girl fun or a quick flare of anger. The descriptions of Romy’s relatives, especially her mother, are to die for. The author creates the perfect Jewish mother with both love and laughter.
“What on earth are you doing with that silly man?” Ma asked.
“You mean Chip?” said Romy.
“Chip,” Ma said scornfully. “Chip Scott. Never trust a man with two first names.”
“You’re prejudiced. If his name was Chip Rabinowitz, you’d be calling the caterers.”
At times the dialogue is laugh-out-loud funny, other times it turns poignant. I truly felt as if I knew the girls well, and thus became invested in their future. Romy is a cook, and so the book is filled with descriptions of food, sumptuous and hunger-inducing. She turns to her kitchen in times of need, so there is a lot of cooking after Pia gets married and moves out. Her recipes are therapeutic, and we get to experience them one ingredient at a time. The author is skilled at creating images while stimulating the senses, and this is part of what makes SOUP TO NUTS so enthralling. There is so much delight in this little book that you must experience it for yourself. You will fall in love with these characters during the short period you are with them. Hurry – you can pick up your copy here.
There’s everyone else in the world. And then there is you.
World-class heart surgeon Dr. Peter Sutter runs his life with the instinctive precision of a master of the universe. But when he leaves the operating room, the only living thing waiting for him is a golden retriever. Then a chance encounter with an enigmatic woman changes everything.
Exploring the depths of Rosalind’s intoxicating body and captivating spirit, Peter quickly falls under her spell. Miraculously, the feeling is mutual. But fate is waiting just around the corner. And it might be carrying a lead pipe.
Rosalind is a sensual, witty, moving story about the joy of real love, the surprise and delight of unexpected passion, and the transcendent power of human connection.
ROSALIND is a short, sweet story about emotions and life. The relationship between the main characters is heady and absorbing without being overly saccharine. I enjoyed reading about Peter and Rosalind so much that the ending really shocked me and made me think what I would do if I were in that position. The way the author presented the twist made it so much more anguishing than if she had done a great deal of foreshadowing. The book is so short that there isn’t much room for a lengthy buildup, but that is one of the more endearing qualities of ROSALIND.
The only fault I found with the book, necessary though it was to keep the plot captivating, was the fact that both Peter and Rosalind were two gorgeous, rich people with no care in the world. There were never any money issues, or instances of self-doubt (save in the beginning when Peter looks at himself with a critical eye as Rosalind goes off to the gym). The perfection was almost too perfect. However, perhaps that is what the author intended, to make the ending hit harder. If the characters had other struggles in their life, I may have thought the plot twist was par for the course. However, this could be a way of saying that despite money and looks, you never know what life is going to throw at you.
ROSALIND is a quick read with likeable characters and a thought-provoking ending. You can get your copy here.
“The Japanese invasion of Singapore sets the backdrop for this World War II saga of loyalty, love, and the promise of liberation. Under the Pong Pong Tree by Hal Levey delves into the brutality of foreign occupation from a woman’s perspective, allowing a candid portrayal of a war victim to emerge from the pages of this gritty chronicle. . . .The prose is sensitive, knowledgeable, and empathetic, covering intriguing topics across an extensive time line.” -Clarion Review 5 stars
“This utterly compelling historical novel revolves around several characters whose lives have been irrevocably changed and, for the most part, damaged, by the WWII Japanese invasion of Singapore. . .The plot moves quickly with continuing storylines of many characters, and the writing and editing is flawless. Under the Pong Pong Tree will be enjoyed by a wide readership, particularly those who appreciate a fast-paced, realistic tale of war, survival and, ultimately, redemption.” -Blue Ink Starred Review
Love and the brutality of war are woven together in a beautiful, heart-wrenching tapestry in Under the Pong Pong Tree.
Thanks to Publishing Push and the author for helping me create this guest post! UNDER THE PONG PONG TREE is a wonderful, character-driven novel about love and war. Here, author Hal Levey tells us how everything came to be:
Under the Pong Pong Tree was incubated long ago during a year spent as China Medical Board Visiting Professor on the medical faculty of the National University of Singapore. The eponymous pong pong tree of Southeast Asia also is called the suicide tree. It is intended as a metaphor for the cruelty suffered by the Chinese residents of Singapore under the heel of the Japanese during World War II. I kept a journal that became a background resource. I also met many colleagues who suffered under Japanese brutality. Nevertheless, the year in Singapore was an exhilarating experience. I did a certain amount of recreational jungle bashing upcountry in Malaysia, and befriended the RAF contingent at the Seletar Air Base in Singapore. I became close friends with Squadron Leader Darrol Stinton, MBE, and joined him and the RAF Seletar Sub-Aqua Club on an expedition to Pulau Perhentian (Perhentian Island) in the South China Sea. The purpose was to develop sea rescue capabilities for airmen lost at sea. The job previously was done by the Royal Navy, but, for some reason, they terminated such operations and the RAF was obliged to create their own system.
The airmen made me Honorary Member No. 1 of the club, but harbored the faint suspicion that I was a CIA plant. Darrol died in 2012 from a hospital-borne infection at a military hospital in London. He was there for surgical replacement of titanium rods that supported his spine, stress-fractured from his years as a test pilot for the RAF. I brought him back to life in my book as Squadron Leader Darrol Stanton. I also borrowed Chinese and Malay names of individuals I had met as characters in my book. I did this to avoid inventing ethnic names that might inadvertently have had a lewd context.
The novel started to come to life when I spent a summer month in the Caribbean, lecturing to pre-med students at St. Georges University on the island of Granada. This was a pleasant diversion, and St. Georges relied on visiting faculty, mainly from Australia, India, and the USA. Part of my stipend was a room at a first-class hotel perched on a glittering white sandy beach. I delivered lectures in the morning, and spent the afternoons sipping rum punch at a tiki bar next to the hotel. Sitting on a bar stool with time on my hands, I started to scribble an outline in pencil on a yellow legal pad. I started with the setting and then populated it with my characters. Eventually they wrote their own stories and I merely transcribed them. After much picking up and putting down of the manuscript over several years, it ultimately emerged as Under the Pong PongTree. The first draft ran to about 185,000 words, but I chopped it down to 78,000 words in the final version.
It is a gripping story that also bears elements of a cautionary tale. In the book, the Japanese are portrayed as brutal and pitiless in their treatment of the Chinese residents of Singapore. They executed thousands and practiced decapitation almost as an art form. Today we view the Japanese as a tidy little people, hard-working, and steeped in their quaint cultural traditions. The other naughty nation, Germany, has emerged from the horrors of Nazism to become an economic powerhouse. One might wonder what the future holds for brutal regimes of the present day?
I am unaware of literary influences that have helped me along the way – although there must be some. I tend to write from the omniscient viewpoint, with little interest in the machine-gun conversational style of the contemporary best-seller. Nor do I have an affinity for the current obsession with zombies or mutated mosquitoes the size of Greyhound busses. I lost interest in fairy tales when I was about eight years old. Although, now that I think about it, I have toyed with the idea of writing a story about a hemophobic vampire. If I have a favorite author, it might be Archy, the poet reincarnated as a large cockroach, who held frequent conversations with Mehitabel, a morally ambiguous cat who claimed to be the reincarnation of Cleopatra. Mehitabel maintained her zest for life, proclaiming “there’s a dance or two in the old dame yet.” Archy typed messages to his boss, Don Marquis, by diving headfirst onto the keys. The messages understandably all were in lower case and lacked apostrophes. That did not disturb the editors of the New York Sun, who were happy to publish Archy’s messages in their daily edition.
As to the future: I might follow up with a prequel to Under the Pong Pong Tree, but only if a readership emerges from the underbrush. Otherwise, I shall move in another direction – yet to be determined.
I am currently involved in the puzzling procedure called marketing. I won’t bore you with the details, but, if you write a book, you want it read. Of course, I also might call your attention to Boswell’s quote from Samuel Johnson: “No man but a blockhead ever wrote, except for money.” Undiscovered authors are advised to refrain from such flippancies until THEY beg you to sign a major contract. Until then, we must be content to write because we are unable to not write.
Here are excerpts of excellent reviews of my book, by Clarion and Blue Ink:
“The Japanese invasion of Singapore sets the backdrop for this World War II saga of loyalty, love, and the promise of liberation. Under the Pong Pong Tree by Hal Levey delves into the brutality of foreign occupation from a woman’s perspective, allowing a candid portrayal of a war victim to emerge from the pages of this gritty chronicle. …The prose is sensitive, knowledgeable, and empathetic, covering intriguing topics across an extensive time line.” —Clarion Review 5 stars
“This utterly compelling historical novel revolves around several characters whose lives have been irrevocably changed and, for the most part, damaged, by the WWII Japanese invasion of Singapore….The plot moves quickly with continuing storylines of many characters, and the writing and editing is flawless. Under the Pong Pong Tree will be enjoyed by a wide readership, particularly those who appreciate a fast-paced, realistic tale of war, survival and, ultimately, redemption.” —Blue Ink Starred Review
Running a massively successful relationship counseling practice should guarantee smooth sailing in a girl’s own love life…
Breakup Doctor Brook Ogden has spent the last year sifting through the fallout from the disastrous decision that led to her unconscious uncoupling with boyfriend Ben Garrett. Despite advising her clients you can’t be friends with an ex, she and Ben have somehow begun to stitch together a friendship—one Brook hopes is slowly turning into more. That is, until Ben introduces his new girlfriend, Perfect Pamela, a paragon of womanly virtues who is everything Brook is not.
While Brook navigates her newly volatile emotional life, an unwelcome surprise shows up on her doorstep: the ex-fiancé who broke her heart two years ago—one month before their wedding. Between her ex’s desire to rekindle their attachment, her best friend Sasha’s unexpected crisis, and her own unsquelchable feelings for Ben, Brook finds herself questioning the personal progress she’s made in the last two years—and threatened with the highest-stakes Breakup Doctor failures she’s ever faced.
HEART CONDITIONS is the 3rd book in the Breakup Doctor series. Each book can be read as a standalone or in order, so I had no trepidation about reading this one as a single.
The Breakup Doctor is a relationship therapist who is having a hard time taking her own advice when it comes to her ex boyfriends. She still has feelings for one, and the other, who broke her heart, still has feelings for her. So there is a very tame triangle going on here, which should delight chick lit lovers everywhere.
In fact, this book is like a “how to” of chick lit: there is a strong yet vulnerable heroine, plus darkly handsome (and sometimes reticent) ex boyfriends, a best friend with a personal crisis, and drama on the job front. So many things to resolve before the book ends, plus gorgeous descriptions of clothing, clubs, and restaurants!
Brook is a likeable character, quick to solve other’s problems but totally unsure what to do with her personal life. She learns a startling truth about herself in the latter half of the book, thereby creating an explanation for some of her strange antics, such as bringing her pregnant friend to a BDSM club simply to get the pregnant one “more comfortable” dealing with babies. (The club caters to all sorts of BDSM situations, and there were people whose fetish was dressing up as a baby – diaper and all.) There is no explicit sex in the book, which was enjoyable. Some writers feel they have to insert a sex scene here and there to offset the saccharine romance, but if the romance is done right, as in HEART CONDITIONS, you don’t need sweaty gropes and moans.
The romantic tension was spot on, as Brook struggled to cope with her ex and his new girlfriend, who has looks, brains, and poise. Her internal monologues described exactly what every woman has gone through when encountering a still-fresh wound. Brook’s problems are real and eminently solvable, yet the answers don’t come easy. She must do some soul searching to discover what she wants, and most importantly, why.
This book was a pleasant and sometimes funny read. The chemistry between Brook and Sasha was authentic, even if Brook was occasionally not on the same page as her BFF. Almost all the problems were solved by the end of the book, plus new things are on the horizon for our Breakup Doctor that should prove to be interesting. Fans of author Phoebe Fox will be anxiously awaiting the next book in the series.
Want your own copy? You can pick it up [easyazon_link identifier=”B017WNIUI6″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].
Nina never was one who felt comfortable in this world. As she struggles to cope with the pain of her present and past, the young girl’s life is changed through the beauty of art. When Nina grows up and winds up in over her head in a dark place, she finds herself somehow transported to another time when nothing is quite what it seems. She must fight the horrors of her past all over again. Along the way, she faces greater challenges than she imagined. This is a character-driven novel with a heroine who faces life, love, and overcoming suicidal depression on her own terms.
Many thanks to the author for providing me with this review copy!
NEXT STOP: NINA is a book that will touch your emotions and send you into high and low places. I cringed when I read about Nina’s childhood and how innocent she was, always trying to forgive her abusive father. She feels she is never good enough, pretty enough, or strong enough to continue living, and considers suicide.
As she prepares to leave this world forever, something happens, and she finds herself back at home, talking to her beloved brother. Nina’s mental age and her physical age and appearance are very different. Has she gone back in time? Is this a hallucination or a dream?
The story continues with Nina trying to change the events of her past (and more depressing details about her life are revealed). She realizes that some events are always meant to be, and while this is heart wrenching to her, she understands she can grow and become a better person. She turns to philanthropic gestures, trying to help others by volunteering her time and seeing the light within herself grow.
Her first sense of true happiness occurs when she befriends a girl in school that no one ever talked to, in her “past life”. They become best friends and share many years together, bringing Nina more happiness and confidence.
One of Nina’s lifelong dreams was to meet an artist whose painting made an impact on her during her darkest times. To her endless surprise, once she finally does meet him at an event, they hit it off and eventually fall in love. She self-sabotages the relationship and they break up. At this point I became frustrated with Nina, because her lack of confidence and poor communication was really the issue.
All of a sudden, we find Nina as a young girl again, realizing she has to live her life over yet again, experiencing all the tragedy and loss. Her interactions with others are different and things don’t go as they did during her first reincarnation. As she repeats things she develops a kind of Groundhog Day attitude towards herself, learning to accept things, and learning to change for the better.
Her interaction with Leonard (the artist) develops again in a slightly different way; and we can see the shift in each of the characters as more layers are added to the story. This is the main takeaway of NEXT STOP: NINA — growth and acceptance. Nina still shows lack of communication skills at times, which I suppose was integral in showing just how deeply depressed her character was; but the scenes where all was good between Nina and Leonard were tender and sweet.
As I mulled over the story I wondered if the “back in time” was really just a hallucination or something more sci-fi. There is a sort of explanation towards the 75% mark, but it is vague and unsatisfying, coming from a mostly undeveloped character that seems to be out of place. I wasn’t sure what to do with that part of the story, and eventually I shrugged and kept on reading to see how the latest incarnation of Nina and Len would turn out.
It is easy for the reader to feel the heartbreak of Nina’s world; as author Robin Raven illustrates that beautifully. Reading about the tragedy in her life the first time was awful, and reading about it again, even though you knew how it would turn out, was no less horrifying the second or third time.
This was a book with an unusual premise and a positive message. Read it for yourself to discover if love truly saves the day for Nina. You can get your own copy [easyazon_link identifier=”0692406298″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].
Clutch is the laugh-out-loud, chick lit story that chronicles the dating misadventures of Caroline Johnson, a single purse designer, who goes through a series of unsuccessful romantic relationships she compares to various styles of handbags – the “Hobo” starving artist, the “Diaper Bag” single dad, the “Briefcase” intense businessman, etc. With her best friend, bar owner Mike by her side, the overly-accommodating Caroline drinks Chardonnay, puts her heart on the line, endures her share of unworthy suitors and finds the courage to stand up for the handbag style that embodies what she ultimately wants – the “Clutch” or someone to hold onto.
We are proud to present this Q&A with author Lisa Becker. The idea of “men as handbags” is a really funny and unique one, and I’m sure we can all identify with it one way or another! Enjoy this post, then go out and buy her book – click [easyazon_link identifier=”0692489894″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link] to purchase it.
1) Could you tell us a bit about yourself?
I’m fortunate to have had a series of wonderful careers outside of writing including being a wife, mom, PR professional, college professor and community volunteer. CLUTCH: A NOVEL is my 4th book. The book actually started out as a screenplay that was optioned by a production company housed at one of the major movie studios summer 2014. Unfortunately, it fell out of development. I was eager to have this fun story with some of my favorite characters told, so I turned it into a short novel earlier this year.
2) What inspired you to write CLUTCH?
When I was writing the Click Trilogy, (Click: An Online Love Story, Double Click, Right Click) I was obsessed with NCIS reruns and would have the show on in the background as I wrote. There was an episode when one of the characters mentioned that men were like purses – something useless to hang on a woman’s arm. I started thinking about how men are like handbags and the idea grew from there.
3) What advice do you have for women in search of their clutch?
In the modern classic film, “The Shawshank Redemption,” Tim Robbins’ character, Andy Dufresne, says to Morgan Freeman’s Red, “Get busy living or get busy dying.” That quote comes to mind when I think about searching for the clutch. If you feel like it’s not going to happen, then just give up. You heard me. GIVE UP! Just surrender to that notion that you’ll end up alone. If that is truly the case, do you want to spend the next 30, 40 or even 50+ years wallowing in misery? Sitting around and lamenting your singleness? Or are you going to get busy living? Buy your own home! Travel to all of the places you want to visit! Adopt a child! Write that novel! Engage in hobbies and activities that bring you joy!
Chances are, when you start focusing on what will make you happy – not who will make you happy – you WILL be happy. Happiness is evident and infectious. Happiness makes you more interesting and more attractive to someone else. And when that happens, you are more likely to meet the right person who is going to complement the amazing life you’ve created for yourself.
4) What are your plans for the future?
In addition to promoting the new book, I’m looking into making connections within the motion picture industry to try and get a movie version made. I’m eager to see if there’s interest from someone else on bringing this fun and quirky story to the big screen. So if you happen to be a well-to-do movie producer looking to make a new romantic comedy, please get in touch!
Elia Aloundra, a young lit student, sees a reclusive poet, Cameron Beck, recite a poem at a campus pub before he vanishes. Ten years earlier, Beck had published a popular collection of ninety-nine odes to one anonymous muse before dropping from the public eye, leaving behind a decade of speculation over his disappearance and the identity of the muse. Elia always found sanctuary within the pages of great books and raised Beck’s work into that pantheon, memorizing every verse by heart.
But her love life pales in comparison to the great romances of literature, and she sets off in search of Beck hoping to finally leap from the page and unveil the secret to love incarnate. What she doesn’t know is that as her quest begins, Beck is perched atop a cliff on a remote Caribbean island and about to attempt suicide. Decades earlier a Spanish shipwreck entombing mystical Aztec relics was found off that same island. Elia must win her way through Beck’s protective circle: Isabella, a robust island matriarch with heavy voodoo juju, Paco, a local fisherman and cantina owner, and Fatty, a burnt out, transplanted New Orleans crawdad of a doc. What Elia cannot fathom is that Beck’s secret will change both their lives forever.
At the time I wrote The Poet’s Secret, I was on a personal pilgrimage. I essentially took a threeyear sabbatical, sort of an adult “time out,” and embarked on a new path. I dedicated myself to explore the meaning of life and love and particularly the arc of passion. I became consumed by the idea of living in the present, honoring the “now” as the only real moment in time, the only authentic eternity, which allowed me to both disconnect and connect like never before and let go of the constructs of past and future as fictions created by the mind. I gained a new appreciation for relatively brief moments and encounters as having potentially profound effects. I was living abroad, reading, writing, surfing and slowing down my existence.
The tale that became The Poet’s Secret was conceived in a hovel perched atop a onetable taverna in the hillside village of Avdou, just a scooter ride from the blue waters of the Aegean Sea on the island of Crete. I was sequestered alone, halfway around the world from my home, and recovering from a life, and a relationship, that had left me hollow, or at least I thought at the time. But it turned out words kept flowing out of me, first in raw, chunky verse that faintly resembled poetry and then in images and scenes that bore an even fainter resemblance to a novel. For months I wrote, swam in healing waters and disappeared into this remote, antiquated Greek village. I had never done anything like that before, but at the time it was the only existence that made any sense.
So many miracles happened during those months. I experienced a cleansing, a healing and an awakening, and I began to perceive light and water and imagery and words and the souls around me like never before. I eventually returned to California, and then traveled to Bali, Mexico, Costa Rica, Thailand, Cambodia and South America, following the sea and surf with laptop in hand and continuing to write. The backstory to writing The Poet’s Secret is a story in itself.
How did you select the locations for the novel?
It was tempting to set the bulk of the novel in Greece, a country I adore. However, as the story evolved the compass for the island setting spun toward the West Indies, and the story’s life raft washed ashore on the fictional island of Mataki. I was fortunate to spend a good part of my sabbatical on tropical islands and coastal villages that certainly informed the setting. As for the early campus setting, I based it on a fictionalized version of my beloved alma mater, The Ohio State University.
What was your particular process in terms of plot, outlining and character?
I essentially began the novel with two scenes that were haunting me. First, I had a reclusive poet on a remote island cliff about to attempt suicide. Second, I had a bookish young woman captured within the confines of the great romances of literature. I really had no idea about their connection, if any, but those two images would not let go of me. As I began to write, the concept of the woman yearning for what nearly kills the poet began to take hold.
The process was fairly organic. I let the characters breathe and lead me into the story. I wasn’t even sure whose story it was until shortly after the first draft. Once the closing scene appeared to me I realized that it was really Elia’s story. I then just had to navigate getting there. While I did not develop any formal outline, I downloaded scenes as they appeared, stockpiled them and later wove them in when they seemed to make sense. It was a bit like swimming across a sea, not sure which direction land might be but hoping that if I kept going I would eventually find my way.
Stumbling, a bit blindly, through this creative process was both exasperating and exhilarating. As I was working on revisions, I attended several writers’ conferences that stressed the necessity of thorough plotting, which made me feel a tad vulnerable. I later read an interview about Michael Ondaatje’s process in writing The English Patient and realized I was in good company.
The novel is filled with excerpts of poetry, which came first, the poetry or the narrative arc?
Most of the poetry was written before any narrative took form. The poetry came in often painful and soul searching flourishes, and then was revised over time. There is a line in The Poet’s Secret where Dean Baltutis refers to the poet’s inspiration being “survival.” That is precisely how it felt at times. I also wanted to combine both poetry and prose into one novel and attempt to slow down the reader a bit at the beginning of each chapter to contemplate and absorb the poetry, to be in that moment so to speak, before continuing on the narrative journey.
What in particular surprised you about the process of writing The Poet’s Secret?
I didn’t want to force plot twists or preconceived outcomes. I let the characters find the story. I let go of expectations and trusted the story to evolve. Tapping into this creative process was freeing, exhilarating and challenging, sort of like jumping off a cliff into the sea for the first time. I had never done anything quite like it, but this particular process for me felt authentic. I certainly was surprised how well the early drafts of the poetry and manuscript were received, which bolstered my confidence to pursue the project through publication.
Water imagery is abundant throughout the novel, what is the particular connection for you with water and particularly with respect to this novel?
I was thrown onto a swim team at age 8 even before I passed beginners swim lessons (I was terrible at the back float). But water soon became my life and in many ways my salvation. Throughout my youth I swam, played water polo, lifeguarded and hung around Lake Erie in northeastern Ohio. Somehow, I didn’t even see an ocean until I was 18. But I recall climbing out of the backseat of a Datsun 210 hatchback (or what they claimed to be a backseat) after driving for 22 hours to Ft. Lauderdale for spring break and telling my college buddies to just pick me up in a few hours. I was mesmerized. I sprinted into the Atlantic Ocean and swam and bodysurfed until dark. Today, I surf or swim almost every day. I feel like I am about eighty percent water, the remaining twenty percent made up mostly of curiosity and mischief.
Much of the water in the universe is said to be a byproduct of star formation. I’m no scientist, but I like the way that sounds. Because when I look up at the night stars it feels a lot like gazing west an hour before the sun dips into the sea, at least at my secret little spot by the water. Flickering diamonds scatter everywhere along the surface, and if I squint just right, I forget the sea is even there. Instead, it looks like a galaxy of stars shimmering right into me, washing across my heart, reflecting off my smile and filling me with the belief that I can just float away into the universe. So I often do.
Spiritually, water often represents purification and healing. To me, water represents so many things, perhaps most importantly love and life and the sacred feminine. I once nearly died underwater while surfing in Uluwatu, a place few have ever heard of and even fewer have visited. But I know on so many occasions water has saved me, water has healed me, and water has reset my compass when I have been spinning in some uncontrollable vortex. So for me, my life and my love seem to be tied to returning to the great aquatic source, again and again, maybe just to fill the chasm that still exists in me, and maybe to some degree still exists in all of us.
I have been fortunate to swim with sea turtles and dolphins in the wild on many occasions. When I stare into the eyes of a sea turtle or a dolphin I cannot help but believe that they understand this great aquatic connection, a connection beyond humanity, beyond species, beyond even the stars. So when I am writing about passion, heartbreak, healing, life and love, it is only natural for me to write in a particularly aquatic language and style.
Where is your favorite place to write?
My favorite place to write is on that squeaky metal spring cot in that hovel above Mihalis’ taverna in Avdou, Crete. After that, any place as long as I have my noise cancellation headphones. I’ve written and revised all over from kitchen tables to airplanes.
How long have you been writing?
I’ve been writing over thirty years now in one form or another. I wrote a bit of poetry in high school and then did a bunch of required writing in my legal profession. It was sometime after law school that I penned my first novel (unpublished), and then about ten years ago when the idea for The Poet’s Secret first took flight. I also have some published short fiction and poetry.
Who are some of your favorite authors?
Pablo Neruda, Gabriel Garcia Marquez, Haruki Murakami, Carlos Ruiz Zafon, Paulo Coehlo, Milan Kundera, John Steinbeck, Michael Ondaatje, Jorge Luis Borges, Rumi, A.S. Byatt, Carl Safina, Tom Spanbauer and so many more.
How did those authors influence your work?
My favorite authors inspire, entertain, challenge and provoke me. I don’t try to write or emulate any particular style. But when I read the opening of Cannery Row time stops.
How did you become affiliated with the Romance Writers of America?
Someone recommended I send an early draft of The Poet’s Secret to the RWA. While The Poet’s Secret is by no means a traditional genre romance, it was selected an RWA Golden Heart Finalist in romantic suspense. I was the only male nominated that year (attending the national conference and award ceremony is another story altogether). When my face went up on the Jumbotron in front of thousands of mostly female authors at the award ceremony it was a bit unnerving. Writing anything can be fraught with selfdoubt. The RWA could not have been more welcoming and supportive and certainly gave me a bolt of confidence to continue writing and revising, as did the nominee class from that year, the appropriately named Unsinkables.
How did your professional career as an attorney influence your writing and how do you balance the two careers?
I think practicing law actually spurred my interest in creative writing. While I was in private practice, I felt constrained by the form restrictions requisite within the legal profession. I also felt a lot of legal writing often served more to obfuscate than illuminate and writing poetry and fiction allowed me the freedom to explore and express myself in a different medium. The Poet’s Secret is not “another lawyer’s courtroom thriller” in any respect, nor am I particularly drawn to that genre since I’ve lived it. Nonetheless, my legal career (now as General Counsel for a large private brokerage company) is both fascinating and challenging. I draw some inspiration from the poet Wallace Stevens who for years continued his vibrant writing career while an executive for an insurance company. As far as balance goes, my evenings and weekends are spent around the keyboard as much as possible.
Tell us about your involvement with 1% for the Planet and The Surfrider Foundation.
Perhaps only a poet would give away money before it is even earned, but that is what I felt compelled to do given my love of the ocean and conservation causes. In addition to ocean swimming, free diving and water polo, I have been an avid surfer for nearly two decades and have surfed around the world. Subtle conservation themes are laced through The Poet’s Secret, but my love of the ocean and our planet is anything but subtle. I hope to leave this world and particularly our oceans better than I found them. Penju Publishing’s membership with 1% For the Planet and my pledged donations to The Surfrider Foundation are an effort to spread awareness, give back and pay it forward.
Recent Comments