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Daimones (Daimones Trilogy, Vol. 1) by Massimo Marino

October 13, 2015 / Kyle Wendy Skultety / 0 Comments

“Nothing prepared us for the last day.”

Death has swept away the lives of billions of people, but Dan and his family were spared. By whom, and why?
Surviving, to give meaning to their lives, and looking for other survivors lead Dan to discover the truth about the extermination of the human race.
The encounter with Laura, a young and sexy girl of Italian origin, raises ethical and moral questions that had never touched the Amentas family before.
Other survivors force Dan to confront his past to find answers to the many questions.
The past and the present come together and upset the fragile balance, physical and mental, which allowed the Amentas to find a new meaning to their existence.
Dan discovers his final role in a plan with a million years of roots, and survivors have to choose a future that has no past, or remain in a past with no future.

Many thanks to the author for gifting me this book in exchange for a review.

DAIMONES is unusual because it’s a thinking man’s science fiction story. The plot is familiar; aliens annhilating the population of Earth, save a few chosen ones. The difference here is that the main characters realize the implications of why it occurred and understand that they need to adapt.

Marino’s writing style is descriptive and puts you directly into the deserted world. Familiar landmarks such as the CERN building fall silent as they are devoid of human life. Nature slowly takes over, as weeds and animal life proliferate, even as Dan and his family despair of ever coming in contact with another human.

This strength is also his weakness. In Book One, most of the first half is taken up by more of the same: empty malls, stores, roads without traffic, and many conversations between the survivors about “why did this happen” and “what can we do”. I grew weary of the minimal action and navel gazing. Yes, it is an apocalyptic event, but the pace was quite slow until Laura was discovered and welcomed into the family. Perhaps Marino spent so much detail on the abandoned Earth because he really wanted to drive the point home of how it would be if everyone vanished. He firmly establishes the POV of the novel as a lonely, eerie, and hushed place to be. The world struck dumb is not an easy thing to imagine, especially if you live in a crowded area. As I read, I certainly felt the sense of alone-ness growing around me, as I simultaneously felt cut off from the planet yet annoyed that the book wasn’t moving forward fast enough for me.

When things do start happening, everything speeds up all at once. Dan and his wife encounter a moral dilemma, daughter Annah is going through her young adult years realizing she may never have someone to love, and Dan starts to experience vague “feelings” that they are not alone anymore. Annah’s plight resonated deeply with me; I can’t even imagine being a teen, cut off from friends and Facebook, wondering if the future holds anything promising. Excellent touch by the author!

The final section of the book is where Marino uses his alien characters to wax poetic about the future of the Earth and its population. One speech in particular is a kind of soapbox that will resonate with those who care about the prevalence of man’s hubris and over-reaching grasp. The cause of the mass kill off is explained, with the caveat that it can be prevented again with the proper actions. I liked how history was tied in with the narrative; it made it believeable and relevant.

DAIMONES is not a book to quickly read and put aside. The author wants to call attention to man’s actions and reactions, and the effects they have upon our life. Those readers who like a little brain stimulation with their sci-fi will have something to ponder as they get through this book.

Want your own copy? You can pick it up [easyazon_link identifier=”B0134E5Q0M” locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

The Poet’s Secret – Q&A with author Kenneth Zak

October 11, 2015 / Kyle Wendy Skultety / 0 Comments

Elia Aloundra, a young lit student, sees a reclusive poet, Cameron Beck, recite a poem at a campus pub before he vanishes. Ten years earlier, Beck had published a popular collection of ninety-nine odes to one anonymous muse before dropping from the public eye, leaving behind a decade of speculation over his disappearance and the identity of the muse. Elia always found sanctuary within the pages of great books and raised Beck’s work into that pantheon, memorizing every verse by heart.

But her love life pales in comparison to the great romances of literature, and she sets off in search of Beck hoping to finally leap from the page and unveil the secret to love incarnate. What she doesn’t know is that as her quest begins, Beck is perched atop a cliff on a remote Caribbean island and about to attempt suicide. Decades earlier a Spanish shipwreck entombing mystical Aztec relics was found off that same island. Elia must win her way through Beck’s protective circle: Isabella, a robust island matriarch with heavy voodoo juju, Paco, a local fisherman and cantina owner, and Fatty, a burnt out, transplanted New Orleans crawdad of a doc. What Elia cannot fathom is that Beck’s secret will change both their lives forever.

This fascinating Q&A was brought to you by Kenneth Zak and PR By The Book!

Watch the book trailer here:

What inspired you to write The Poet’s Secret?

At the time I wrote The Poet’s Secret, I was on a personal pilgrimage. I essentially took a threeyear sabbatical, sort of an adult “time out,” and embarked on a new path. I dedicated myself to explore the meaning of life and love and particularly the arc of passion. I became consumed by the idea of living in the present, honoring the “now” as the only real moment in time, the only authentic eternity, which allowed me to both disconnect and connect like never before and let go of the constructs of past and future as fictions created by the mind. I gained a new appreciation for relatively brief moments and encounters as having potentially profound effects. I was living abroad, reading, writing, surfing and slowing down my existence.

The tale that became The Poet’s Secret was conceived in a hovel perched atop a onetable taverna in the hillside village of Avdou, just a scooter ride from the blue waters of the Aegean Sea on the island of Crete. I was sequestered alone, halfway around the world from my home, and recovering from a life, and a relationship, that had left me hollow, or at least I thought at the time. But it turned out words kept flowing out of me, first in raw, chunky verse that faintly resembled poetry and then in images and scenes that bore an even fainter resemblance to a novel. For months I wrote, swam in healing waters and disappeared into this remote, antiquated Greek village. I had never done anything like that before, but at the time it was the only existence that made any sense.

So many miracles happened during those months. I experienced a cleansing, a healing and an awakening, and I began to perceive light and water and imagery and words and the souls around me like never before. I eventually returned to California, and then traveled to Bali, Mexico, Costa Rica, Thailand, Cambodia and South America, following the sea and surf with laptop in hand and continuing to write. The backstory to writing The Poet’s Secret is a story in itself.

How did you select the locations for the novel?

It was tempting to set the bulk of the novel in Greece, a country I adore. However, as the story evolved the compass for the island setting spun toward the West Indies, and the story’s life raft washed ashore on the fictional island of Mataki. I was fortunate to spend a good part of my sabbatical on tropical islands and coastal villages that certainly informed the setting. As for the early campus setting, I based it on a fictionalized version of my beloved alma mater, The Ohio State University.

What was your particular process in terms of plot, outlining and character?

I essentially began the novel with two scenes that were haunting me. First, I had a reclusive poet on a remote island cliff about to attempt suicide. Second, I had a bookish young woman captured within the confines of the great romances of literature. I really had no idea about their connection, if any, but those two images would not let go of me. As I began to write, the concept of the woman yearning for what nearly kills the poet began to take hold.

The process was fairly organic. I let the characters breathe and lead me into the story. I wasn’t even sure whose story it was until shortly after the first draft. Once the closing scene appeared to me I realized that it was really Elia’s story. I then just had to navigate getting there. While I did not develop any formal outline, I downloaded scenes as they appeared, stockpiled them and later wove them in when they seemed to make sense. It was a bit like swimming across a sea, not sure which direction land might be but hoping that if I kept going I would eventually find my way.

Stumbling, a bit blindly, through this creative process was both exasperating and exhilarating. As I was working on revisions, I attended several writers’ conferences that stressed the necessity of thorough plotting, which made me feel a tad vulnerable. I later read an interview about Michael Ondaatje’s process in writing The English Patient and realized I was in good company.

The novel is filled with excerpts of poetry, which came first, the poetry or the narrative arc?

Most of the poetry was written before any narrative took form. The poetry came in often painful and soul searching flourishes, and then was revised over time. There is a line in The Poet’s Secret where Dean Baltutis refers to the poet’s inspiration being “survival.” That is precisely how it felt at times. I also wanted to combine both poetry and prose into one novel and attempt to slow down the reader a bit at the beginning of each chapter to contemplate and absorb the poetry, to be in that moment so to speak, before continuing on the narrative journey.

What in particular surprised you about the process of writing The Poet’s Secret?

I didn’t want to force plot twists or preconceived outcomes. I let the characters find the story. I let go of expectations and trusted the story to evolve. Tapping into this creative process was freeing, exhilarating and challenging, sort of like jumping off a cliff into the sea for the first time. I had never done anything quite like it, but this particular process for me felt authentic. I certainly was surprised how well the early drafts of the poetry and manuscript were received, which bolstered my confidence to pursue the project through publication.

Water imagery is abundant throughout the novel, what is the particular connection for you with water and particularly with respect to this novel?

I was thrown onto a swim team at age 8 even before I passed beginners swim lessons (I was terrible at the back float). But water soon became my life and in many ways my salvation. Throughout my youth I swam, played water polo, lifeguarded and hung around Lake Erie in northeastern Ohio. Somehow, I didn’t even see an ocean until I was 18. But I recall climbing out of the backseat of a Datsun 210 hatchback (or what they claimed to be a backseat) after driving for 22 hours to Ft. Lauderdale for spring break and telling my college buddies to just pick me up in a few hours. I was mesmerized. I sprinted into the Atlantic Ocean and swam and bodysurfed until dark. Today, I surf or swim almost every day. I feel like I am about eighty percent water, the remaining twenty percent made up mostly of curiosity and mischief.

Much of the water in the universe is said to be a byproduct of star formation. I’m no scientist, but I like the way that sounds. Because when I look up at the night stars it feels a lot like gazing west an hour before the sun dips into the sea, at least at my secret little spot by the water. Flickering diamonds scatter everywhere along the surface, and if I squint just right, I forget the sea is even there. Instead, it looks like a galaxy of stars shimmering right into me, washing across my heart, reflecting off my smile and filling me with the belief that I can just float away into the universe. So I often do.

Spiritually, water often represents purification and healing. To me, water represents so many things, perhaps most importantly love and life and the sacred feminine. I once nearly died underwater while surfing in Uluwatu, a place few have ever heard of and even fewer have visited. But I know on so many occasions water has saved me, water has healed me, and water has reset my compass when I have been spinning in some uncontrollable vortex. So for me, my life and my love seem to be tied to returning to the great aquatic source, again and again, maybe just to fill the chasm that still exists in me, and maybe to some degree still exists in all of us.

I have been fortunate to swim with sea turtles and dolphins in the wild on many occasions. When I stare into the eyes of a sea turtle or a dolphin I cannot help but believe that they understand this great aquatic connection, a connection beyond humanity, beyond species, beyond even the stars. So when I am writing about passion, heartbreak, healing, life and love, it is only natural for me to write in a particularly aquatic language and style.

Where is your favorite place to write?

My favorite place to write is on that squeaky metal spring cot in that hovel above Mihalis’ taverna in Avdou, Crete. After that, any place as long as I have my noise cancellation headphones. I’ve written and revised all over from kitchen tables to airplanes.

How long have you been writing?

I’ve been writing over thirty years now in one form or another. I wrote a bit of poetry in high school and then did a bunch of required writing in my legal profession. It was sometime after law school that I penned my first novel (unpublished), and then about ten years ago when the idea for The Poet’s Secret first took flight. I also have some published short fiction and poetry.

Who are some of your favorite authors?

Pablo Neruda, Gabriel Garcia Marquez, Haruki Murakami, Carlos Ruiz Zafon, Paulo Coehlo, Milan Kundera, John Steinbeck, Michael Ondaatje, Jorge Luis Borges, Rumi, A.S. Byatt, Carl Safina, Tom Spanbauer and so many more.

How did those authors influence your work?

My favorite authors inspire, entertain, challenge and provoke me. I don’t try to write or emulate any particular style. But when I read the opening of Cannery Row time stops.

How did you become affiliated with the Romance Writers of America?

Someone recommended I send an early draft of The Poet’s Secret to the RWA. While The Poet’s Secret is by no means a traditional genre romance, it was selected an RWA Golden Heart Finalist in romantic suspense. I was the only male nominated that year (attending the national conference and award ceremony is another story altogether). When my face went up on the Jumbotron in front of thousands of mostly female authors at the award ceremony it was a bit unnerving. Writing anything can be fraught with selfdoubt. The RWA could not have been more welcoming and supportive and certainly gave me a bolt of confidence to continue writing and revising, as did the nominee class from that year, the appropriately named Unsinkables.

How did your professional career as an attorney influence your writing and how do you balance the two careers?

I think practicing law actually spurred my interest in creative writing. While I was in private practice, I felt constrained by the form restrictions requisite within the legal profession. I also felt a lot of legal writing often served more to obfuscate than illuminate and writing poetry and fiction allowed me the freedom to explore and express myself in a different medium. The Poet’s Secret is not “another lawyer’s courtroom thriller” in any respect, nor am I particularly drawn to that genre since I’ve lived it. Nonetheless, my legal career (now as General Counsel for a large private brokerage company) is both fascinating and challenging. I draw some inspiration from the poet Wallace Stevens who for years continued his vibrant writing career while an executive for an insurance company. As far as balance goes, my evenings and weekends are spent around the keyboard as much as possible.

Tell us about your involvement with 1% for the Planet and The Surfrider Foundation.

Perhaps only a poet would give away money before it is even earned, but that is what I felt compelled to do given my love of the ocean and conservation causes. In addition to ocean swimming, free diving and water polo, I have been an avid surfer for nearly two decades and have surfed around the world. Subtle conservation themes are laced through The Poet’s Secret, but my love of the ocean and our planet is anything but subtle. I hope to leave this world and particularly our oceans better than I found them. Penju Publishing’s membership with 1% For the Planet and my pledged donations to The Surfrider Foundation are an effort to spread awareness, give back and pay it forward.

Woman on Fire by Amy Jo Goddard

October 8, 2015 / Kyle Wendy Skultety / 0 Comments

Based on her sought-after sexuality workshops, the coauthor of Lesbian Sex Secrets for Men shows women how to master the 9 elements of sexual empowerment to reclaim their desire and live the sexually fulfilling lives they want.

The prevalence of low sexual desire ranges from 26.7% among premenopausal women to 52.4% among naturally menopausal women. That is an enormous segment of women who are frustrated about their lack of desire and wonder what’s wrong. But in Woman on Fire, Amy Jo Goddard shows us that the more whole we are as sexual beings, the more fulfilled we are as human beings. In this accessible, prescriptive book, Amy Jo reveals her holistic, inside-out approach to developing Sexual Empowerment. Women from 20 to 70 come to her workshops with issues like these: “What am I missing?” “I don’t like sex the way everyone else seems to.” “How do I maintain desire after having kids?” “How do I build sexual confidence?”

In answer, Amy Jo shows us how to master the 9 Elements of a Sexually Empowered Life and includes stories from the thousands of women she has worked with. She shows us how to get (back) in touch with desire, explore vulnerability and play, and push the boundaries of what we think is acceptable. We will not just have better sex, we will have more pleasure throughout life and more intimate relationships, whether we have many partners or one.

Thanks to Roshe Anderson at Penguin Random House for gifting me this review copy!

Amy Jo Goddard is a world reknowned sexual empowerment coach. She has done many things to promote sexuality, feminism, and couple’s communication. With those credentials under her belt, I expected a whole lot from this book –and I wasn’t disappointed!

I started highlighting stuff about 20 pages in. Goddard’s vision is refreshing in that, if society would stop sending women sex-negative messages, they would be able to enjoy themselves more. Women are shamed and made to feel guilty on a regular basis. Mothers tell their daughters to be protective of their body and not be a tease. Girlfriends talk about each other behind their backs, using terms like “slut” and whore”, when peer pressure is at its most effective. Men use their strength against women and hurt their psyche with rape or other types of abuse. Goddard’s message is to let go of your “story”, the tale you may tell yourself and live your life around it (I am a victim, I am a slut, I am someone who has strange sexual tastes) and embrace who you really are. People identify so strongly with their own stories that it can keep them from moving forward.

Goddard says that some of your story, while relevant in the past, may be outdated now. Perhaps you are divorced; perhaps you feel attracted to women now instead of men; perhaps there are things going on in your life that has changed you in other ways. No matter what is happening, it’s time for you to find your voice and speak up for yourself. There is no need for any woman to feel powerless in her life. There is no reason for any woman to hold onto beliefs that don’t serve you (sex before marriage is bad, good girls don’t have that type of fantasy).

In WOMAN ON FIRE, the author outlines 9 elements that are essential to sexual empowerment. She also includes an online portal with exercises and resources that will help the reader get the most out of her book.

As I read each chapter, I could feel myself figuratively “catching on fire” and wanting to become the woman that Goddard says is inside all of us.

I was especially moved by the chapter on emotion and showing up emotionally powerful. Goddard says there is a cause and effect for everything, and that YOU are the cause and your life circumstances are the effects. It makes perfect sense to me—and somehow no other book has every conveyed that in such a clarifying way before.

The writing is supportive, empowering, powerful and bold. This is not a burn-your-bra missive; this is a search-within-yourself journey that just happens to have sex at its core. Women that have contented sex lives will benefit from reading this as well, because Goddard forces you to think about things in a new way.

Her theory is acceptance: of yourself, of your needs, of your desires, of your body. Element 4 is all about your body and the media lies that force unobtainable standards upon women. There is also a section that illustrates the sex organs and explains their function.

Goddard is frank about her past abuse and how she freed herself of her own story, lest there be some women who discredit her theories as being too glib for comfort. Healing from past shame/abuse/loss of power is not easily gained, yet the author is open about her situation and the ways she learned to let go and regain self esteem again. To me, this makes her words more real and more empowering.

Women must learn to be whoever THEY want to be, not trying to live up to someone else’s idea. True, the major portion of this book urges you to awaken your erotic core, but it is also helpful for anyone wanting to gain more self love, confidence, and mindfulness. Here’s an example of how much Goddard wants women to make themselves the best they can be: her confidence quiz. Her website is full of information and encouragement for women of all ages.

Today’s world is full of self help books and buzzwords to make women feel empowered–WOMAN ON FIRE is a book that delivers and supports this attitude with real stories, real scenarios, and authentic support. Kudos to Amy Jo for telling it like it is, free of shame or embarrassment. I hope this book takes the world by storm.

Get your own copy [easyazon_link identifier=”1594633762″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

Spritz – Does this app help you read faster?

October 6, 2015 / Kyle Wendy Skultety / 0 Comments

I know that many people will disagree with my opinion on this matter, but I think that the vast majority of Americans actually enjoy reading, passionately. I say this in spite of every survey and study that says otherwise. Why?

If you ask a significant number of people how many books they’ve read this year, the majority of them will probably express some kind of embarrassment at the number that their actions have forced them to divulge. They will likely try to explain the number away. They didn’t have time. New job. New wife. New kids. New eyeballs aren’t calibrated correctly yet. You’re likely thinking that same thing I am: give these people all the time in the world, and they won’t read even one book more. Right?

But does that necessarily mean that they don’t want to read?

I think that almost everybody wants to read lots of books. I think that the problem lies in that most people can absorb knowledge much more quickly than they can read. Imagine that you had to watch your favorite television show or film at quarter-speed. Would you still enjoy it? Would you still enjoy a morning stroll the same way if you were so narrow-sighted that you couldn’t take in the view? This is the experience of being a slow reader.

I’m a slow reader. I normally read at about 250 wpm (words per minute), but I know that I am capable of consuming information much more quickly than that. For most fiction, I can top out at about 1,000 wpm. For non-fiction, I like to move between 500 and 700 wpm, depending on the topic. Just as you wouldn’t want to watch your favorite show anymore if you had to watch it in slo-mo, I wouldn’t want to read very much if I had to consume books at a painful 250 wpm. That’s why instead of reading, I Spritz!

I gave up trying to learn how to speed read more times than I care to remember. The problem with speed reading is that it requires you to learn two very different skills simultaneously, both of which give you no benefit until you’ve mastered them both. First, you need to learn to recognize entire phrases at once by their shape, like you do with words. That’s a big leap. But in addition to that, you need to change the way you move your eyes across the page. Instead of halting your eye movement on each word, you’re now halting your eye movement on some optimal location within a chunk of words. It’s overwhelming, and for some, not worth the painful learning process.

Spritz speeds up your reading by eliminating the time you would normally spend moving your eyes from one word to the next. You don’t have to learn anything. It just flashes the words at you, and each word is positioned in the way that best facilitates quick recognition. Just keep your eyes pointed at the same spot.

I’ll admit that Spritz takes some getting used to. It only takes a few minutes to surpass your own average reading speed with it, and probably 30 minutes to double it. However, the feeling of strangeness that comes with using it didn’t go away for a few weeks. After finishing my first book with it, I felt like Neo near the beginning of the first Matrix film. Unhooking himself from the simulator, he said, “I know kung-fu,” too bewildered to celebrate that fact.

Just like in the Matrix, where living in the real world was worth it in the end, Spritz is worth the bewilderment. You get to read more books. You get to enjoy the books you read ; more than you might otherwise. On top of all that, when people see you Spritzing, you’ll look like a super-genius!

The Doctor’s Daughter by Vanessa Matthews

September 22, 2015 / Kyle Wendy Skultety / 0 Comments

A prominent psychiatrist’s daughter realises insanity can be found much closer to home when she unlocks secrets from the past that threaten to destroy her future.

It’s 1927, women have the right to vote and morals are slackening, but 23 year old Marta Rosenblit is not a typical woman of her time. She has little connection with her elder sisters, her mother has been detained in an asylum since Marta was born and she has spent her life being shaped as her father Arnold’s protégé. She is lost, unsure of who she is and who she wants to be. Primarily set in Vienna, this dark tale follows her journey of self-discovery as she tries to step out of her father’s shadow and find her identity in a man’s world. Her father’s friend Dr Leopold Kaposi is keen to help her make her name, but his interest is not purely professional and his motivations pose greater risks than she could possibly know. Marta’s chance encounter in a café leads to a new friendship with young medical graduate Elise Saloman, but it soon turns out that Elise has some secrets of her own. When Marta’s shock discovery about her family story coincides with her mother’s apparent suicide, Marta can’t take any more. None of the people she has grown to love and trust are who they seem. Her professional plans unravel, her relationships are in tatters and her sanity is on the line – and one person is behind it all.

Thanks to the author for offering me this book for review!

Prepare to be immersed in a dark world of offbeat people, misogyny and emotion. Marta is a tortured soul struggling to become her own woman and out from under her father’s thumb. Matthews paints an eerie image of a sheltered and awkward heroine, someone the reader can cheer for and support.

As she hesitantly takes steps toward independence, Marta must learn about love, sex, trust, and the truth, no matter how much this knowledge hurts her. Her circumstances seem to sweep her along, regardless of her wishes, as Leopold initiates her in the way of the world — that world being 1920’s Vienna, where most women have yet to find their own voice. Marta’s confusion and vulnerability is described flawlessly, as well as her demons lurking within.

As her relationship with Leopold mutates into a joyless union, Marta finds a way to visit her mother (who has been locked away in an asylum since Marta’s birth). The scenes with her mother are heartrending and melancholic, yet full of love. Marta’s confusion about the woman she has thought about all her life looms large as she confronts the allegations made by Leopold, and there, her questions begin. Soon after, the plot twists start and the action picks up a great deal. The “secrets from the past” alluded to in the book’s blurb are grim and shocking–Marta has decisions to make and we see her maturing and taking control of her life.

Despite the book’s dreary countenance, THE DOCTOR’S DAUGHTER was riveting. The attitudes of the times were described perfectly, and the characters were believably evil and self centered. The character of Marta personifies someone who has inner demons, borne all her life on her own. Her sisters shun her and she is motherless, hence she finds solitude in the dark places of her mind, and with physical solutions that enhance her somber nature.

I found this book evocative and captivating. Want your own copy? You can pick it up [easyazon_link identifier=”B00Y165LRQ” locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

Are the Androids Dreaming Yet? by James Tagg

September 15, 2015 / Michael Nail / 0 Comments

Alan Turing invented the computer, helped win World War II and left us with one of the greatest puzzles of our time – the imitation game. Can computers do everything a human mind can do? Many scientists think we have a tenuous hold on the title, “most intelligent being on the planet”. They think it’s just a matter of time before computers become smarter than us, and then what? This book charts a journey through the science of information, from the origins of language and logic, to the frontiers of modern physics. From Lewis Carroll’s logic puzzles, through Alan Turing and his work on Enigma, to John Bell’s inequality, and finally the Conway-Kochen ‘Free Will’ Theorem. How do the laws of physics give us our creativity, our rich experience of communication and, especially, our free will?

James Tagg is an inventor and entrepreneur. A pioneer of touchscreen technology, he has founded several companies, including Truphone, the world’s first global mobile network. He holds numerous patents, filed in over a hundred countries. He studied Physics and Computer Science at Manchester University, Design at Lancaster University and Engineering at Cambridge University. He lives with his family on a farm in Kent, England.

ARE THE ANDROIDS DREAMING YET? attempts to introduce the lay reader to the landscape of issues surrounding human intelligence and its congruence, or lack thereof, with human intelligence. The author makes an earnest attempt to achieve his goal, and a layperson’s understanding of topics ranging from probability theory to quantum electrodynamics. The tone is light, and each topic is rounded out in just one short chapter. Each chapter concludes with an explanation of how its contents pertain to the way we perceive the relationship between human and machine intelligence. For those who are uninitiated to these topics, the explanations suffice. Such a reader will come out of these segments feeling that they have come to understand something that had previously been far over their heads.

While it is a great thing to bring understanding of complex topics to a lay readership, the unavoidable problem is that the shallowness of the introductions to these topics does not give the reader the tools necessary to follow the author from premise to conclusion. The worst that this problem brings to bear is that the book does not sufficiently address the fact that the conclusions presented are highly contentious in the eyes of professionals in their respective fields. For each mathematical and scientific alcove the author guides the reader through, he seems always to present the conclusion that points most strongly toward human cognition being non-computable. I get the feeling that the author decided before putting pen to paper that he wanted to show that human minds really are special, and then set out to find examples to support him. Nothing in this book indicates that he did the scientifically honest thing: looking at the literature first, and going from there. It doesn’t matter how fringe or mainstream the theory is. If that theory can be twisted to put human beings back in the center of the universe, then you can learn about it by reading this book!

If you’ve read any of my previous reviews, you’ll know that I’m a big believer in the importance of recognizing future AIs as having rights and being deserving of respect, just as any flesh-and-bones creature capable of love, fear, pain, and pleasure is. At the end of the last chapter, the author suggests that we shouldn’t worry about such things since, in 100 years, we probably still won’t be able to fashion an AI. I believe that this sentiment betrays an awesome lack of understanding regarding the power of recursive/iterative development patterns. Humans will not create the first AI. The first AI will probably create itself by means understood by some several dozen people, each of which understand some fraction of the process by which it happened, none understanding it in full. Just as I cannot judge you by your neurobiology because the entirety of your neurobiology is beyond my capacity to comprehend, likewise, we cannot judge the fitness of an AI to deserve rights we reserve for humans because the basis of its being “alive” is not within the possibility of comprehension of any person. Therefore, we simply have to hand those rights over. We also need to have a conversation about AI rights very quickly. Such an intelligence is fast approaching, in spite of the author’s assurance that humans minds perform processes that are non-computable (nonsense!), and that we perform various mental functions that cannot be translated into algorithms and logical circuits (also nonsense).

My final assessment of ANDROIDS is that lay readers will enjoy the expositions of niche topics in science, math, physics, computer science, and philosophy very much, and there is plenty of food for thought here. I would, however, advise savvy readers to keep a keen eye out for fishy-smelling claims and overused superlatives. If something seems odd, Google it.

Want your own copy? You can pick it up [easyazon_link identifier=”1910464031″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

Loving Someone With Attention Deficit Disorder by Susan Tschudi

September 8, 2015 / Kyle Wendy Skultety / 0 Comments

Your partner’s attention deficit disorder (ADD) may not seem like a big deal at first, but eventually, the dynamics surrounding his or her impulsivity, forgetfulness, distractibility, and restlessness can really strain your relationship. You don’t want to act like a parent, yet you may feel like you can’t rely on your partner to get things done. Loving Someone with Attention Deficit Disorder is your guide to navigating a relationship with someone with ADD so you can create healthy boundaries while remaining sympathetic to your partner’s symptoms. An essential resource for every couple affected by ADD, this book will help you:

• Understand medication and other treatments
• Recover quickly when your partner’s symptoms frustrate you
• Establish personal boundaries to avoid excessive caretaking
• Identify and take care of your own needs so you can feel more relaxed

Thanks to Cassie Kolias at New Harbinger Publications for providing this review copy!

This book is an addition to my AD/HD shelf. Having read work by renowned author Gina Pera, I was eager to see what this author had to say.

The first chapter was golden. Tschudi’s style is very simple, easy to understand, and speaks to the reader in an understated tone that seems comforting somehow. I especially was affected by the part where she states that ADD is a neurobiological issue—you cannot change your partner no more than you can expect a paraplegic to walk. Obviously you can assist your partner in managing his life better, but first and foremost, he must see the issue and want to do something about it.

That is where the book begins to break down. Much of the rest of Tschudi’s advice is partly helpful, but not relevant to some situations. I did feel that this work would be most helpful to couples whose communication skills are either minimal or non existent. Many ways to broach uncomfortable subjects are offered, with scenarios detailing “real” couples and ADD-related problems.

Example: Due to the husband’s procrastination, both Clark and Marilyn were always late to church. Marilyn hated this, and was upset that nothing seemed to work; not nagging, not threats, etc. So they both sat down and tried an exercise that Tschudi puts forth: brainstorm and come up with solutions to the problem, no matter how outrageous. Write them all down and discuss each one.

This couple did just that, and came up with the idea that Marilyn would take her own car to church, thereby arriving on time and avoiding the stress and arguing that inevitably occurred. Both parties were happy.

Now for my problem with this: I’m sure there are a lot of situations where the woman would take herself to church and grow old waiting for her ADD husband to show up. The only thing changing here is the woman’s behavior. No one is helping the ADD’er to manage his issue. And this seems to be the tone of the rest of the book: to save yourself from anguish, realize that the ADD’er is suffering from neurobiology and may never be able to live a “normal” life. You must learn to live with it, and the sooner you realize this, the better.

I showed this to my resident ADD’er, and he was nonplussed. He said that just because the woman made it to the church on time, that didn’t address the man’s procrastination, and possibly even rewarded it. His take on it was this:

“When you tell someone that you no longer expect of them something that you have expected of them in the past, you may be relieving them of a responsibility, but you’re also taking something away from them. That person can feel the respect you lose for him, and he see the chance to repair it vanish when you take away the opportunity for him to get it right. Strong relationships are built upon respect. We fight for that respect when we think we can win it, but when we think that we can’t, the motivation to do anything may be gone. Obviously, both parties have a stake in the husband getting out of the house on time, but if our solution is going to be for nobody to expect anything from anyone, then these people might as well just break up. That would be even better because it would eliminate all of the conflict. Problem solved!”

Another scenario was a do it yourselfer leaving his unfinished projects in the garage, forcing the wife to park on the street. The “solution” was to have her say to him, “In 3 days I’m going to move your stuff so I can park in the garage”. (Apparently the man hated anyone touching his stuff.) Then she was to say. “In 2 days I’m going to park in the garage, so please move your stuff.”

If the project was not moved, the “solution” was to have the WOMAN MOVE IT HERSELF. Sure, Mr Fix It was mad that his things were touched, but that seems to be adding insult to injury to his wife. Not only did her request go unheeded–but she had to clean up his mess to boot! Not acceptable in my house. My resident ADD’er said this:

As for the matter of the garage that needed cleaning, the author concludes her tale by describing the worst possible outcome. Spoiler: the wife cleans the garage herself. She solved the problem by telling the husband to clean the garage by such-and-such date, or else “I’ll clean it myself.” What did this solve? This husband is being dealt with as if he were a particularly indolent 5^th grader. I personally felt embarrassed when Kyle read this passage to me. I said something to the tune of, “I would like to think that this is not a highly recommended way of dealing with me.” We talked about it, and we decided that this book is probably meant for couples with poor communication skills. However, if this is the case, then the book still commits the crime of teaching couples with poor communication skills to deal with each other by acting in antisocial, dysfunctional ways toward each other.

As I continued to read, it seemed as if the only advice being offered me, the non ADD’er, was to understand that this is how the brain works, and the only solution is for ME to change, by not being bothered by the distractability, the mood swings, the unfinished projects, and the empty promises.

This disturbed me. I felt this was akin to putting earplugs in your ears to avoid hearing your child’s tantrum in a crowded restaurant. Yes, AD/HD is neurobiologic in origin, but that doesn’t mean you can try to make your life the best it can be, by taking your meds, listening to those around you, making lists to help you remember, and knowing your triggers. Sure, spouses of ADD’ers need to take care of themselves too, but hiding your head in the sand about problems and offering a bandaid solution is kind of no solution at all.

So, a mixed review on this one. The sub title does say “improving communication and strengthening your relationship”, and I agree that it accomplishes this task well. Many ways are offered for partners to talk and get the lines open for a meaningful dialogue. However, I do feel that eventually, after the talking is over, the bottom line is that the non ADD’er is supposed to feel better about the improved communication but will still be dealing with the issues. The non ADD’er will have developed healthy personal boundaries and the ability to forgive, but that (to me) only goes so far.

Perhaps I’m being a bit harsh, considering my communication skills are excellent; but I was also hoping for more advice than “Your partner has ADD–forgive him for what he does, as he cannot help it”.

Want your own copy? You can pick it up [easyazon_link identifier=”B00DIKV0TY” locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

Dogs Don’t Lie: A Pru Marlowe Pet Noir by Clea Simon

September 1, 2015 / Kyle Wendy Skultety / 2 Comments

Pru Marlowe isn’t your ordinary animal psychic. A tough girl on the run from her own gift, Pru left the big city to return to her picturesque Berkshires hometown looking for a little peace. Too bad that her training as an animal behaviorist got her mixed up with Lily, a rescue dog, and Charles, her person. Now Charles is dead, and Lily looks good for it. After all, Lily is a pitbull, a fighting-ring dropout, and way too traumatized to give Pru a clear picture of what she has witnessed. But Pru knows something about bad girls trying to clean up, and, with a sense of justice strong enough to overcome her dislike of human society, she takes the case. Listening to the animals, Pru picks up clues–and learns there are secrets in the pretty little town that make murder look simple. Unable to tell anybody about her psychic abilities, uncertain at times about her own sanity, Pru comes to realize that if she clears Lily, she’ll likely become the prime suspect–or the next victim. While the only creature she can totally trust is her crotchety tabby Wallis, Pru’s got to uncover the real killer–and find a way to live with her gift–before the real beasts in the town savage her and those she has come to love. The first in the Pru Marlowe “pet noir” series.

Thanks to the author for this review copy! When I met her at BookCon 2015, she was signing copies of two books. Fans got to pick which one they wanted and Ms Simon graciously shared a few words with each person as she inscribed their copy. I was intrigued, since I never heard of “pet noir”, and knew right away I wanted to review this book.

Pru is an animal trainer who just happens to be able to “hear” thoughts in her head, thoughts that come from the animals around her, wild or tame. She’s also hovering on the edge of misanthropy, a trait that has carried her through dark times in her past. The author alludes to Pru’s past with tantalizing bits here and there, and the reader must put everything together, like a puzzle with a few missing pieces.

Pru’s tabby cat Wallis, is a typical feline: reticent, self centered, and slothful. She sneeringly communicates with Pru in such a way that her comments seem disingenuous, until Pru makes the connection and it all makes sense. This was a bit hard to get used to in the beginning, until I realized it was being written intentionally in that fashion–I wasn’t missing things due to lack of brain cells.

Simon’s attention to detail in writing about Wallis’ behavior is a joy to behold. She truly describes a cat’s attitude, movements (Wallis “delicately splays a toe” while grooming herself) and complete disinterest; exactly like every cat I’ve ever known! Some of Simon’s best writing is done as she leads the reader into the mind of various critters, such as ferrets, dogs and birds. It was so easy to believe their conversations and mannerisms were true renditions. Every little quirk of dogs sniffing trees or the flock mind of starlings was rendered perfectly. Perhaps this story written in a different way would have seemed surreal or silly. Not so here. I seamlessly moved through the story in a state of belief that yes, Pru could hear these thoughts and the animals could pick hers up as well. No cartoonish Dr Doolittle thing going on here—-this is excellent writing.

The author can render people well too: the tippling town gossip, the sweet talking bad boy, the vapid gum snapping kennel attendant are all easy to picture. And let’s not forget about the plot. There is drama, suspense, and lots of red herrings. Absolutely delightful.

I had a fun time reading DOGS DON’T LIE. It sounds like Ms Simon had a fun time writing it too. I’ll be picking up more of her work in the future.

Want your own copy? Do yourself a favor and read this. You can pick it up [easyazon_link identifier=”B0056KOCZ8″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

BLOG TOUR! Resist by Tracy Lawson with Q&A

August 28, 2015 / Kyle Wendy Skultety / 0 Comments

When injustice becomes law, resistance becomes duty.

After their plan to rescue a group of dissenters imprisoned by the OCSD spins out of control, Tommy and Careen are on the run, dodging the quadrant marshals in a headlong dash for the remote mountain headquarters of the Resistance. Their budding relationship is tested when an attempt to spark a revolution goes awry, and the pair move toward an inevitable confrontation with the forces that terrorize the nation.

Will their differing viewpoints drive a wedge between them? And where does love fit in when you’re trying to overthrow the government?

I’m happy to be part of the official blog tour for RESIST! Tracy Lawson scored a hit with her first book in the Resistance Series, and the much awaited Book 2 just came out August 4th. Here is an exclusive Q&A with the author:

Can you give us a brief summary of your first two books?

QUICK SUMMARY OF COUNTERACT:

The Resistance Series takes place in a near-future version of the United States. The powerful Office of Civilian Safety and Defense has enacted a long list of Civilian Restrictions designed to keep the people safe from frequent terrorist attacks, but it hasn’t worked: as the story opens, the threat of a chemical weapons attack is literally hanging over everyone’s heads.

Careen takes the OCSD’s offered antidote, but the side effects cause her to hallucinate. Her erratic behavior attracts the attention of a young law enforcement officer, who mistakenly pegs her as a dissident. Careen doesn’t realize the antidote is causing her confusion…until she runs out on the day of the anticipated attack.

Tommy, recuperating from injuries sustained in a recent auto accident, is unaware that there’s a link between that accident, which killed his parents, and the chemical weapons attack that threatens him now. When he discovers that working out before he takes his dose of the antidote helps him feel more like himself, he defies the rules to regain his strength and his sanity. On the day of the attack, he meets Careen, who just might be the girl of his dreams, and tries to save her by sharing his last dose of the antidote, even though doing so could potentially hasten his own death.

What Careen and Tommy learn about the true nature of the terrorist threat spurs them to take action; their decisions lead them to run afoul of local law enforcement, team up with an underground resistance group, and ultimately take their quest for the truth to the highest reaches of the United States government.

QUICK SUMMARY OF RESIST:

In Resist, the second volume in the Resistance Series, Tommy and Careen are no longer naïve, frightened teenagers who believe the Office of Civilian Safety and Defense can protect them from terrorist attacks. They’ve discovered the OCSD’s miracle antidote’s true purpose: to create a population bereft of free will, incapable of defying the tyrannical OCSD. They join the Resistance, but on their first mission, things spin out of control and soon they’re on the run, dodging the quadrant marshals in a headlong dash for the Resistance’s secret headquarters.

Being part of the Resistance presents them with new challenges. Not everyone working for change will prove trustworthy, and plans to spark revolution go awry with consequences greater than they could’ve imagined. Tommy and Careen’s relationship is tested when their philosophical differences and the pressures of interpersonal rivalries and jealousy put a strain on their romance. Can they make time for each other while trying to start a revolution?

What was the inspiration behind The Resistance Series?

I was mentoring a friend of my daughter’s when the initial idea for Counteract came about. Chase is a pretty sharp guy and an excellent writer—and when he was in high school I had a lot of fun working with him and editing some of his short stories. We had finished working on a story about baseball, a broken nose, and a broken heart, and were ready to start something new, when he suggested we write scenes in response to the prompt: “What if everyone were on LSD and all thoughts were communal?” It was certainly thought provoking! Chase created the characters Tommy and Eduardo, I created Careen, and right away, we knew we were onto something. Obviously, the story morphed and changed a lot before it became the finished version of Counteract—but that was how it all began.

Did you always plan to write another book in the series?

I let my husband read the first draft of Counteract when I was about a third of the way through the original outline. He was enthusiastic and supportive and suggested developing a story line that could be carried forward if I chose to make Counteract the first in a series.

I liked the idea of doing more than one book about Tommy and Careen, and as I wrote the rest of the first draft, I pinpointed elements of the story I’d need to develop and expand to pave the way for a series.

How do the characters of Tommy and Careen develop in Resist?

Tommy and Careen are law-abiding citizens until they accidentally discover that the Office of Civilian Safety and Defense lied about the terrorist attack and why it mandated the use of the Counteractive System of Defense drug. They go from being accepting and compliant to impulsively joining a rebel group that’s working to overthrow the oppressive government agency, without having a chance to think about what they’re doing and why.

They’ve only known each other for a week, and their relationship has progressed far too quickly—they became a team, then a couple, without really getting to know each other, and soon they realize they don’t have much in common.

Tommy’s all for the physical aspects of revolution, and is eager to learn about guns and explosives. Careen finds kindred spirits among the older leaders of the group, who are committed to sway the public’s allegiance away from the OCSD by waging a war of information. Her pacifistic approach clashes with his need to prove himself on the field of battle, and further complicates their partnership.

What do you enjoy about this series that cannot be found in any of your other books?

The Resistance Series is my first published fiction. My other book, Fips, Bots, Doggeries, and More, is based on a journal kept by my great-great-great grandfather during his family’s 1838 horse and wagon trip from Cincinnati to New York City.

I did a ton of research before writing that book, and amassed two filing cabinet drawers full of information related to the 22-page journal! During the publication process, I nearly went crazy double-checking all my facts and citations, and by the time the book went to print, I never wanted to see another footnote. Fiction? Yes, please!

Now that I’ve had a little break from footnotes, I’m enjoying writing another nonfiction history book. I’m planning to merge my two favorite genres and write some YA historical fiction sometime after I finish the Resistance Series.

The main characters in The Resistance Series are Tommy and Careen. Where did you find your inspiration for them?

My characters are a little bit of me, and little bits of people around me, but as I spend time with them in the context of the story, they become less like people in the real world; I don’t stop developing them until they are individuals: unique and unlike anyone else.

Chase created Tommy, and at first I wasn’t as close to him as I was Careen. That changed as I wrote more scenes for Tommy—especially the scene when he and Careen meet. His reactions and his choices came from inside me; before long, he was unique and independent of any outside influence.

How does the Office of Civilian Safety and Defense (OCSD) differ from other dystopian governments in young adult series like The Hunger Games and Divergent?

In the Resistance Series, there has been no rebellion, no cataclysmic event. The dystopian world in which they live has been created by fear, engineered by an enemy masquerading as a protector.
The Office of Civilian Safety and Defense was created to protect against the rampant terrorism that has affected the nation for the better part of the twenty-first century. Little by little, the OCSD usurped power from the traditional three branches of the US government.

The OCSD’s long list of Civilian Restrictions was designed to maximize safety and security. Most people don’t consider themselves oppressed or fettered by their lack of freedom. Teenagers like Tommy and Careen don’t know things were ever different. They can’t remember a time when teenagers learned how to drive and went on dates to malls and movie theaters.

What elements test the relationship between Tommy and Careen in Resist?

Tommy and Careen had only each other to rely on in Counteract, and their relationship progressed quickly—perhaps a little too quickly.

Now they’ve joined the Resistance, and they’re part of a community for the first time. They have a hard time adjusting to the constant scrutiny, and Tommy laments about how their relationship seemed a lot less complicated when they were alone.

Their philosophical differences about how to fight the OCSD drive a wedge between them, and interpersonal rivalries and jealousy test their budding relationship.

What do you hope readers take away from this book?

First and foremost, I want readers enjoy the story! I hope they relate to Tommy and Careen, and look forward to reading the next installment in the series.

Books for young adults often reflect the reader’s need to question authority and rebel against the rules set down by older generations; the Resistance Series looks at what can happen when people surrender our civil liberties in exchange for the promise of safety and security.

I hope readers understand that protagonists in dystopian books are often branded as outcasts or rebels because they question the restrictive rules of their societies—and that individuals who change the world rarely do so by going along with the herd.

What kind of research did you do for the series?

Please don’t call the police if you see what’s in my browser history! I’ve Googled the effects of various controlled substances, different types of explosives, and interrogation techniques.

I learned to shoot a handgun so that my characters’ first experiences with weapons would be authentic. At first it was scary, but now I enjoy going to the target range. I’m no Annie Oakley yet, but I’m at least as good as Scarlett O’Hara, who once saucily told Rhett Butler, “I can shoot straight, if I don’t have to shoot too far.”

What made you want to write books for young readers?

I love reading YA, and I taught dance classes for twenty years before I got serious about writing. I spent a lot of time around my students, my daughter, and her friends, so it seemed natural to write for a teen audience.

How long did it take you to write Resist?

I wrote Resist in a little over a year. It went a lot faster than Counteract (which took almost three years) because I knew the characters well and had planned ways to continue the story into the second book.

Do you have any interesting writing quirks?

I like to write with pen and paper—preferably outside. I sit quietly until one of the characters starts to speak, and then I write down what they say. Some days I’ll scribble for pages and pages, and when I look at the clock I’ll be surprised how much time has flown by! I usually let those pages sit for at least a few hours, sometimes a few days, before I transcribe them into the computer, and that’s where the scenes really begin to take shape.

As far as writing snacks go, I’m partial to sunflower seeds and Diet Dr Pepper!

What does your family think of your writing?

My family has been very supportive. My husband knows how to urge me on when I get discouraged, and my daughter says I’m a better choreographer now that I’ve become an author. I guess writing helped me refine how to advance a story through dance.

I haven’t shared much about what happens in Resist with my family. My five teenaged nieces can’t wait to read it, and I can’t wait to hear what they think!

Tell us where we can find your book and more information about you.

My books are available on Amazon.com (click [easyazon_link identifier=”B00Y7848C2″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link]) in paperback and Kindle, and on Barnes & Noble’s online store. If you live near Columbus, Ohio, you can buy signed copies of my books at three independent stores: The Book Loft of German Village, Mary B’s, and Urban Emporium.

You can get the behind-the-scenes scoop on all things Resistance Series, see book trailers, and check out my blog at http://counteractbook.com. You can also find me on Twitter @TracySLawson and on Instagram as TracyLawsonAuthor.

Little Texas Sweetheart by Julia Chadwell

August 25, 2015 / Kyle Wendy Skultety / 0 Comments

Little Texas Sweetheart is the gripping story of one woman’s spiritual, mental, and physical journey across America. The book takes you through the terror of domestic violence and abuse. The story of how she and their eight children escape to a free and healthy life is a hair-raising page-turner. The book is a chronicle of the advance of women’s rights in America.

I had the pleasure of meeting the author at BookCon 2015. Her story was so compelling I asked for a review copy, and she was gracious enough to give one to me. Thanks, Julia!

EXCERPT:

On a cold morning in Northern Florida, I am sent into a pancake house to ask if they could give us some food. The manager looks at me as if I am a cur dog. He looks out the window and sees three little cold, hungry waifs standing by an old jalopy. Then he sees Ronald in his Army field jacket, stocking cap, and long red beard. He winces and turns to me sighing.

He says, “Bring the children in. I will feed them, but not you. I won’t even let him come in here.”

I bring the children into the fragrant warmth and seat them on high stools at the counter. I watch their eyes light up as the waitress brings them plates stacked high with golden pancakes.

As they begin to eat, a gentleman customer steps up to the counter and says, “I’d like to buy breakfast for the lady.”

Written in an unassuming style and full of raw emotion, LITTLE TEXAS SWEETHEART is an eye opening account of domestic violence and despair. I could not read this book more than a few chapters at a time, as the events described depressed and angered me. Hearing of precious possessions broken and thrown away, slaps and punches doled out, and Ronald’s viselike grip on the freedom of the family was just too much to take in large doses.

I actually had to re-read the passage when the police came to the house to see if everyone was all right, and left without doing anything. One of the officers even admonished one of the author’s children, saying “Daddies do that sometimes”–explaining that sometimes women have to get slapped to keep them in line. The times were so different then, and women truly had no rights.

Picture a woman with 3, 4, then 5 children in tow, living in a car or on a dirty campground, begging for food and clothing, washing that clothing by hand and trying to maintain a brave front. Now imagine that same woman being told that things were “her fault for being a bad mother and wife”.

Victims of domestic abuse are often people with no self confidence and a history of abuse during childhood. They may think that things truly are their fault and they are powerless to make a change. My heart went out to Chadwell time and time again, as Ronald would sweet talk her after a beating, or promise that “this time” they would stop moving from city to city, in search of the perfect job and living arrangements.

Make no mistake–this woman was no dummy. She got multiple degrees and became a teacher, and was always on the lookout for simple ways to educate and entertain her own children. Who knows where she would have made her way in the world if things were different?

Imprisoned by her own shame at the failure of her marriage, she stayed with her husband and endured years of abuse. This story matter of factly tells us how she prayed for help; sometimes her God helped her, sometimes not.

Particularly enlightening to me was the emphasis on how different things were in the 50’s and 60’s: domestic disturbances were the norm, almost expected, and were treated as minor things. Women were considered secondary citizens and sometimes “needed” to be kept in line, and the manly policeman apologized to the Man of the House for bothering him with a silly thing like an unexpected visit.

Chadwell makes no apologies for what she endured; at the end of the book she realizes that she is a battered woman with no self esteem, and that there are many others like her. She finally builds a support system and finds her backbone. What a relief to be rid of the evil Ronald!

I guarantee you will feel outrage, disgust, and pity for this poor woman who wasted so many years of her life being miserable and downtrodden. Her goal in writing this book and exposing her shame was to help others in her position. When I spoke to her at BookCon, she was a lovely, well spoken, and kind individual, who gives no outward scars of her ordeal. She has a strong faith in God and just wants to move forward and be happy.

This is a story I’ll not soon forget, nor will I ever forget Ms. Chadwell.

Want your own copy? You can pick it up [easyazon_link identifier=”0615410731″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].