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ALWAYS HAUNTED by LindaAnn LoSchiavo

Trick or treat, twisted with treachery…..

Haunting and harrowing visions of All Hallows’ Eve here include horrific crimes committed on October 31st, a honeymoon homicide, mysterious witches, amorous vampires, dead serious poltergeists, along with a pageant of autumnal imagery sure to evoke goosebumps beyond the spooky season.
Wearing the cunning costume of a Hallowe’en poetry collection, 24 poems reimagine macabre true crimes and explore injustices.

Thanks to the author for this review copy!

This Halloween anthology is a captivating exploration of the eerie, the mystical, and the supernatural, blending themes of memory, legacy, and the unseen forces that shape our lives. LoSchiavo, known for her rich literary voice and command of language, weaves a collection of poems that evoke both the beauty and the terror of the human experience, exploring what it means to live with constant reminders of the past—whether it be ghosts, memories, or the weight of history.

The title itself, Always Haunted, sets the tone for the collection, suggesting that the hauntings in these poems are not momentary but persistent, a lingering presence in every aspect of life. The author skillfully balances the spectral with the personal, moving between ghost stories and reflections on human existence. Her poems touch on the inevitability of death, the thin veil between the living and the dead, and the remnants of history that refuse to fade.

LindaAnn LoSchiavo’s poems are a masterclass in atmospheric writing. She has a knack for finding the perfect words to evoke a sense of fear and unease, while the vivid imagery of autumn (Crunching frost-crisped leaves underfoot produce a dry crackle like ghosts coughing) and haunting language (Robed figures holding torches silently walk widdershins) transport readers to dark, mysterious worlds. Each poem is a miniature masterpiece, filled with suspense and a sense of foreboding. From ghostly encounters to eerie tales of historical injustice, the author expertly captures the essence of Halloween. LoSchiavo’s use of language is exquisite in these following examples.

Pumpkin thieves are in for a surprise here:

A jack-o-lantern moon illuminates

Gold grinning gourds, arousing appetites…..

Shushed evergreens’ tips whisper “witching hour”

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A different take on “Macbeth”:

The patriarchy does its best to warn,

Forbid, discourage daughters, sisters, wives

By commandeering rights to accolades……

Elizabethan dramatists – all men! –

Put witches in the plot for novelty

Meanwhile, witch hunts harassed the innocent…

Mark my words, women have always fought back,

Preserved infernal mysteries. Bewitched,

Dark invocations learned by stealth live on.

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Giving life (and love) to Potter’s Field:

Death flattens a corpse’s understory, its ancestry a forgotten dialect, but long bones persevere. Once a potter’s field agitated this soil, 20,000 deceased, indigent New Yorkers were shoveled over, poverty the public’s natural blindfold.

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One of my favorite elements of this collection is its ability to blend the supernatural with historical events. These poems often reimagine true crimes and injustices through a Halloween lens, adding a chilling dimension to the stories. This approach is both thought-provoking and haunting, inviting readers to consider the ways in which the past can continue to haunt us. The use of footnotes to provide context adds another element to these poems – such as:

  • the story of America’s first female tycoon, unfairly portrayed as a miser and eccentric, which could not be further from the truth (Hetty Green, the “Witch of Wall Street”).
  • what is now Washington Square Park was Manhattan’s Potter’s Field, where thousands of people, including the unidentified, indigent, and those who died of yellow fever, were buried (Babysitting a Bone in Washington Square Park)
  • former journalist Peter Braunstein is serving an 18 years-to-life sentence at Five Points Correctional Facility in Romulus, NY for crimes he committed on October 31, 2005 (Hallowe’en Horror, October 31, 2005).

 

Each poem feels like a glimpse into a shadowy world where reality and the supernatural intersect. Whether describing a physical haunting or a more metaphorical one, such as being haunted by family history or past regrets, LoSchiavo’s words linger in the mind, echoing like the spirits she writes about. Her language is both elegant and chilling, offering moments of beauty even in the darker corners of her work.

The illustrations accompanying the poems are a perfect complement to the text. They add a visual dimension to the stories, enhancing the overall atmosphere of the collection. The artwork is both haunting and beautiful, capturing the essence of the poems in a visually striking way. Some of my favorites are the ones accompanying Hetty Green, the “Witch of Wall Street”, Emily Post’s “Etiquette Book for Ghosts”, and The Hallowe’en Homicides on October 31, 1981. The last one is especially poignant, underscoring the melancholy of the words.

The collection’s emotional depth is another highlight. LoSchiavo doesn’t just rely on the macabre to draw readers in; she layers her poems with emotional resonance, exploring themes of loss, guilt, and the passage of time. Readers will find themselves contemplating the nature of memory and the ways in which we are all haunted by our own experiences and the stories of those who came before us.

In Always Haunted, LindaAnn LoSchiavo delivers a powerful collection of poems that lingers long after the final page is turned. It is a book for those who enjoy poetry that delves into the supernatural but also for those who appreciate reflective, introspective work. Her ability to blend the spectral with the emotional makes this collection a haunting, yet human, experience.

Want your own copy? You can pick it up here.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

HOUSE OF GLASS by Sarah Pekkanen

The next thrilling novel from #1 New York Times bestselling author Sarah Pekkanen, House of Glass.

On the outside they were the golden family with the perfect life. On the inside they built the perfect lie.
A young nanny who plunged to her death, or was she pushed? A nine-year-old girl who collects sharp objects and refuses to speak. A lawyer whose job it is to uncover who in the family is a victim and who is a murderer. But how can you find out the truth when everyone here is lying?

Rose Barclay is a nine-year-old girl who witnessed the possible murder of her nanny – in the midst of her parent’s bitter divorce – and immediately stopped speaking. Stella Hudson is a best interest attorney, appointed to serve as counsel for children in custody cases. She never accepts clients under thirteen due to her own traumatic childhood, but Stella’s mentor, a revered judge, believes Stella is the only one who can help. From the moment Stella passes through the iron security gate and steps into the gilded, historic DC home of the Barclays, she realizes the case is even more twisted, and the Barclay family far more troubled, than she feared. And there’s something eerie about the house itself: It’s a plastic house, with not a single bit of glass to be found.

As Stella comes closer to uncovering the secrets the Barclays are desperate to hide, danger wraps around her like a shroud, and her past and present are set on a collision course in ways she never expected. Everyone is a suspect in the nanny’s murder. The mother, the father, the grandmother, the nanny’s boyfriend. Even Rose. Is the person Stella’s supposed to protect the one she may need protection from?

Thanks to NetGalley and St Martins Press for this review copy!

Sarah Pekkanen’s HOUSE OF GLASS  is a captivating psychological thriller that will keep you guessing until the very end. The story centers around Stella Hudson, a lawyer appointed to represent a young girl caught in a bitter custody battle. The situation takes a dark turn when it is revealed the girl’s nanny recently fell from a window to her death, leaving a cloud of suspicion hanging over the entire household. The author skillfully weaves together elements of mystery and psychological drama. The reader is constantly questioning who to trust and what truly happened the night the nanny fell.

Pekkanen excels at building suspense. The story unfolds at a steady pace, slowly revealing cracks in the seemingly perfect facade of the Barclay family. Each character harbors secrets, and the lack of windows in their house adds a constant sense of unease. The narrative cleverly shifts between Stella’s investigation and the perspective of young Rose, the traumatized girl at the center of the case. This dual perspective allows the reader to delve deeper into the emotional toll of the situation and the complexities of Rose’s trauma. It also adds intrigue, as the reader is not sure who might be an unreliable narrator.

One of the novel’s greatest strengths is its characters. Each member of the Barclay family is flawed and complex, grappling with their own demons and motivations.  Pekkanen expertly explores the dynamics of family relationships. The atmosphere of the house itself is also a character in its own right. Pekkanen creates a sense of unease and foreboding that permeates every page, making the mansion feel like a living, breathing entity with its own dark secrets waiting to be uncovered. The setting is vividly described, evoking a sense of isolation and claustrophobia that adds to the novel’s tension.

Summary:

  • Intriguing Premise: The combination of a child custody case and a suspicious death creates a layered mystery with high stakes. The lack of windows in the Barclay household adds a creepy atmosphere, making the reader wonder what the family is trying to hide.
  • Compelling Characters: Stella is a well-developed protagonist. She’s empathetic yet determined, making her a character you root for as she navigates the complexities of the case. The other characters, including the Barclay family members, are shrouded in secrecy, keeping the reader guessing about their true motives.
  • Suspenseful Plot: Pekkanen masterfully builds tension throughout the novel. The story unfolds with a slow burn, dropping subtle clues that leave you piecing together the puzzle. However,some readers might find the initial chapters a bit slow.
  • Focus on Trauma: The book deals with themes of child trauma and loss, which can be emotionally heavy for some readers.

HOUSE OF GLASS is a gripping and thought-provoking thriller. Pekkanen’s sharp writing and exploration of family dynamics make this a page-turner. If you enjoy character-driven mysteries with a touch of psychological suspense, then this book is definitely worth checking out. The exploration of family secrets and the unreliable nature of memory make for an entertaining story. Highly recommended for fans of authors like Tana French and Gillian Flynn, or for anyone who enjoys a good domestic mystery with a twist. Readers who enjoy piecing together clues and analyzing characters will find themselves engrossed in the story. The mystery itself is well-crafted, with enough red herrings to keep you guessing until the satisfying – and perhaps surprising – conclusion.

Want your own copy? You can pick it up here. 

 

 

TO CURE OR KILL by Michael Young

 

This is a frightening story describing the scientific discovery of a new cancer medication, and the greed and quest for wealth within the pharmaceutical industry. The book delves into the world of scientific development, executive entitlement, and the ruthless efforts to obtain a needed molecular synthesis protocol to advance a new drug. At the end of the novel, the reader will need to ask themselves the underlying question: Is this story really fiction?

 

Thanks to Reedsy Discovery for this review copy!

In this frightening novel, author Michael Young delves into the dark side of the pharmaceutical industry, where greed and ambition clash with the pursuit of life-saving cures. The story revolves around a groundbreaking discovery of a new cancer-preventing drug and the ruthless individuals who will stop at nothing to exploit it for their own gain. The captivating narrative weaves together scientific intrigue, corporate espionage, and moral quandaries, keeping the reader interested until the very end. The novel’s exploration of the ethical boundaries of scientific research is particularly thought-provoking, raising questions about the balance between profit and human health.

The characters are complex and believable, making you care about their fate. Most of the scientists in this book are created as sympathetic characters (rather than science nerds), and the bad guys are so easy to hate! The author has done a thorough job of creating arrogant, narcissistic criminals, and I was impressed at how he was able to create a plausible story line that delved into the mind of the villains as they planned their heinous actions.

The novel is suspenseful, with plenty of twists and turns to keep you guessing. I also appreciated the accurate medical details: as a physician, Young clearly has a deep understanding of the medical field, which adds to the realism of the story. It is detailed yet easy for the layman to understand. These details may also serve to educate the reader about DNA, , mRNA, how new drugs are created, and medical ethics. There are also extensive descriptions of various poisons and how to use them for nefarious purposes.

One of the author’s strengths is the way he uses adjectives to create a picture. I particularly liked the description of the inside of a character’s home: “Burksdale made a final look around the rather boring, sullen, apartment…”. Another few sentences of note: “With his good looks, self-confidence, and obvious intelligence, Bob could walk into any room and light it up. The women adored him, and the men wanted to be him.”

I also learned some more about company security. We are all subject to phishing and identity theft, and I liked how the tone of chapter 9 was set by chapter 8’s discussing the internet of things and how hackers operate.

This book made me think about medical ethics and corporate greed. The drug companies in the United States are at times both helpful and a hindrance. Lifesaving drugs are created, yet they are ridiculously overpriced, and people may have to choose between food on the table or the medication that makes their quality of life better. It is also very frightening to consider that corporate espionage goes on every day, and we may never find out about it.

Some things I disliked about the book were: simple editing errors regarding spelling (pored over, NOT poured over!) and the author’s excessive use of italics. He used them in many instances where they were not needed. For example: italics are used for all company names (Harris Therapeutics) and websites (Google, Facebook). This became jarring to me, as I normally associate italics being used for emphasis, not to discern a company name or website, etc. Eventually I got italics fatigue and viewed it all like the boy crying wolf.

Another unpleasant idiosyncrasy I noted: the verb tenses were often not compatible with each other within the same sentence. For example, on page 69 the sentence moves from past tense to present: “…Burksdale WAS able to assemble a list….it IS frightening how much personal information IS available online…” And again, from page 73: “Traffic on the expressway CAN BE brutal during rush hour, and getting off late WOULD BE a miserable waste of time”. It was as if the author was writing an aside to the reader to make a point of explaining something. This too, became grating to me, as the English major in me cringed every time I came upon it. It took me away from being absorbed in the story to shuddering and replacing the verb tense in my mind. I have not read any other of Young’s books, so I have no way of knowing if this is a one-off in this particular book, or if that is his true writing style.

One final note: I thought the ending was a bit abrupt. I would have liked to see a little more detail about some of the characters and how their lives were affected.

In Summary: TO CURE OR KILL is a thrilling tale of greed, ambition, and the pursuit of scientific breakthroughs, with a cautionary message about the potential dangers of unchecked ambition. It is also a timely and relevant novel that sheds light on the often-hidden world of pharmaceutical research. The novel explores important themes such as the ethics of scientific research, the greed of corporations, and the power of hope. The plot is a blend of fiction and reality, and the author challenges the reader to question whether such a story could happen.

This book is a must-read for anyone interested in the intersection of medicine, business, and ethics. Fans of medical thrillers and suspenseful fiction will also enjoy this book. I recommend this book to anyone who enjoys reading the works of Robin Cook, Michael Palmer, and Sandeep Jauhar.

Want your own copy? You can pick it up here.

 

 

 

 

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