Tag: fantasy

The Automation by Anonymous

December 6, 2016 / Kyle Wendy Skultety / 0 Comments

The capital-A Automatons of Greco-Roman myth aren’t clockwork. Their design is much more divine. They’re more intricate than robots or androids or anything else mortal humans could invent. Their windup keys are their human Masters. They aren’t mindless; they have infinite storage space. And, because they have more than one form, they’re more versatile and portable than, say, your cell phone—and much more useful too. The only thing these god-forged beings share in common with those lowercase-A automatons is their pre-programmed existence. They have a function—a function their creator put into place—a function that was questionable from the start…

Odys (no, not short for Odysseus, thank you) finds his hermetic lifestyle falling apart after a stranger commits suicide to free his soul-attached Automaton slave. The humanoid Automaton uses Odys’s soul to “reactivate” herself. Odys must learn to accept that the female Automaton is an extension of his body—that they are the same person—and that her creator-god is forging a new purpose for all with Automatons…

The novel calls itself a “Prose Epic,” but is otherwise a purposeful implosion of literary clichés and gimmicks: A Narrator and an Editor (named Gabbler) frame the novel. Gabbler’s pompous commentary (as footnotes) on the nameless Narrator’s story grounds the novel in reality. Gabbler is a stereotypical academic who likes the story only for its so-called “literary” qualities, but otherwise contradicts the Narrator’s claim that the story is true.
THE AUTOMATION is a this-world fantasy that reboots mythical characters and alchemical concepts. Its ideal place would be on the same bookshelf as Wilson’s ALIF THE UNSEEN and Gaiman’s AMERICAN GODS—though it wouldn’t mind bookending Homer, Virgil, and Milton, to be specific.
And, yes, “B.L.A. and G.B. Gabbler” are really just a pen name.

Thanks to the author for providing this review copy!

THE AUTOMATION will polarize its readers. Those who expect their books to deliver a story with a plot, who enjoy stories and plots, and who believe that novels ought to be constructed of stories and plots – those people will be repelled by THE AUTOMATION. Yes, the book does have a story to tell. There are plot lines. However, the plot lines are layered on top of one-another, and not side-by-side. The “author” is an unreliable narrator named B.L.A.. The story B.L.A. tells is contradicted throughout by annotations provided by an editor named “GB Gabbler,” who invites the reader to doubt the truthfulness of B.L.A.’s story with annotations that correct B.L.A.’s statements. GB often invites the reader to interpret the elements of the story as allegory, as symbolism, as anything but literal.

The two editorial forces at work in this title (both, for clarity’s sake, produced by the same anonymous author), will quickly leave many readers confused. Some will complain that they’ve read 100 pages, and not knowing what the facts are, can’t follow the story. The story itself, however, is not really the point. Just as the automaton around which the story revolves hoists an unfair responsibility on its human, and complicates its human’s ability to reckon with his own identity by complicating his ability to make an account of himself, the editorial voice in THE AUTOMATION hoists the very same responsibility upon its storytelling voice. B.L.A. could not share this story but for the existence of the editor, but this dependence complicates the very act of constructing that story. What the deity is for the humans and their automata, you become for the author and editor.

The point is not for you to enjoy a story. The point is for you to come out the other end of this book finding yourself in a unique position to consider questions about the ethics of editorial authority, the ethics of literary criticism, and the deep connection between our identities and our ability to make an account of our existence, and how that accounting is at the mercy of influences outside of our control. The allegory of author and editor, which asks you to consider that the story itself may be only an allegory, is itself the allegory.

As I suggested before, this book will not be a way for your mind to escape from the rigors of life. If taken seriously, it will thrust your mind more deeply into them, and then far below them, down to where lots of uncomfortable questions linger. The anonymous author leaves it to the reader to answer them.

Want your own copy? You can pick it up [easyazon_link identifier=”0692259716″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here/easyazon_link].

Q&A with FAIRMIST author, Todd Fahnestock

April 20, 2016 / Kyle Wendy Skultety / 0 Comments

The Debt of the Blessed:

Within the Thiaran Empire, citizens put on jeweled masks and turn away from those who are taken. As long as one child is sacrificed each month to the Slinks and nobody interferes, their society will thrive.

But seventeen-year-old Grei’s mind is alive with treason, and he plunges into the heart of a prophecy that will drive the Slinks back to their fiery dimension. All he must do is travel to the capitol city and sacrifice one last innocent. As Grei wrestles with the prophecy and battles those who would kill him, he hurtles toward his final decision: save the empire, or save his own soul.

GTB was lucky enough to score an exclusive Q&A with author Todd Fahnestock! Here, he talks with us about his latest novel, FAIRMIST.

How did you come up with the idea for Fairmist?

Because of a girl. (Ain’t that always the way?) Back when I thought up the concept for Fairmist, most things were driven by a girl or the thought of a girl. Love lost. Or love that was never had in the first place. Fairmist was about the latter. I was enthralled with this amazing, sensual woman when I was in college. We had a smattering of passionate nights, but never officially dated. And so I thought up the idea: What if this mystical woman really did want to be with me but couldn’t because of a world-destroying prophecy that held her back? No spoilers here, as that’s not how the prophecy ended up working in the later drafts of the novel, but it was what precipitated the story.

Why Fairmist? Why not some other book?

The theme of the book is so applicable to our current world. And I love the medium of fantasy to give larger-than-life examples of our modern day troubles. Fairmist is all about lies and deception, and there are so many lies in our society. Some of them we swallow whole without ever questioning them. We accept the reality that is presented to us, go along with it just as long as it’s familiar, even if it’s terrible. It makes me think of that scene from the Batman movie The Dark Knight, where the Joker is talking about how people don’t freak out if things go to plan, even if the plan is horrifying.

Tell me about the Ringblades.

The Ringblades were a surprise to me. There is a cadre of swordsmen/policemen in the story called the Highblades that are ubiquitous in the story. Highblades are all men, and one day while rough drafting in my friend’s basement, the Ringblades popped up in the story as a counterpoint to the Highblades: an imperial cadre of assassins who are all women. Initially, I intended them to be cold-hearted and ruthless. In the end, they morphed into this wonderfully vulnerable and utterly badass group who care for each other and believe wholeheartedly in their mission in the world. They became integral to the story.

Who was the hardest character to write?

Grei, the protagonist, was by far the most difficult. In the early drafts, the side characters hijacked the novel. They were colorful and compelling and they stole the show. They drove all the action, which caused the novel to sag because the protagonist was just along for the ride. It put me in a pickle that took me fourteen drafts to fix. It was a growth moment for me as a writer. These days, I keep a close eye on my side characters. If they start taking over I either lash them to the novel’s purpose or thrust them into the protagonist role to see how they like it.

Who was the easiest character to write?

Blevins leapt off the page from the start. He wrote himself, with his angry, uncaring attitude, his mystery, and his ultra competence. He would be the type of friend that would frustrate me to have, as he’d never commit to helping you with anything, but when you were totally in over your head, he would be the one to save you.

Who is your favorite author?

When I was a teenager, all I read was fantasy. Piers Anthony, Terry Brooks and Margaret Weis & Tracy Hickman were my favorites. These days, I have favorites for different genres. George R. R. Martin is obviously a master storyteller. I’m in awe of what he has done with Game of Thrones…assuming he brings it to a satisfying conclusion. It is going to be an amazing trick if he pulls all of those epic storylines together. Of course, he might solve that problem by just killing off all the characters until he’s down to one and stick their banner in the Iron Throne. I’d have to say, though, that the writer I admire most right now is John Hart. I enjoyed his first two novels, King of Lies and Down River. They were top notch. But his third novel, The Last Child, transcended the genre. It blew me away. I was in such awe of this masterpiece that I dreaded his fourth novel coming out. I was sure it couldn’t possibly stack up to The Last Child, and I didn’t want John Hart to fall from the pedestal upon which I’d put him. But I was wrong. Iron House was even better. That is an incredible feat to achieve. Now I dread his fifth novel coming out.

If you had a million dollars and had to spend it, what would you buy?

Ha ha! Wow. Well, I’m a Dad, so my first thought is to set up robust college funds for my kids. Boring, I know. But that’s what I’d do first. Second, I’d take my wife to a tropical island for a month, if I could pull her away from her job, which she loves. Third, I’d reward my amazing friends for their contributions to Fairmist and my forthcoming middle-grade book, The Wishing World (Starscape, fall of 2016). I’d hire my Creative Diplomat/PR Manager, Jaclyn McDonald, full time and hopefully entice Liana Holmberg, the freelance editor who worked on The Wishing World with me to work on all my projects with me. She’s just flat-out amazing. I attribute the Starscape purchase of The Wishing World directly to her artful handling of me and my writing. I’m a writer who needs an editor, and editors who can provide Liana’s kind of creative, novel-elevating work are rare.

So where does that put us? That’s half a million at most. I can’t put any in the bank? I think then I’d buy an enormous house in the mountains and rent our current house for an alternate stream of income. Then I’d buy a 1969 Camaro because I’ve always wanted one.

Where do you get your ideas?

These days, many of them come from my children. My upcoming middle-grade novel, The Wishing World, comes straight from them, either from my inspiration just watching and interacting with them, or actually from the ideas they have contributed to the story. They’re both insanely creative, and it makes me grin every day. Also, I watch a lot of movies and almost always go off into a daydream when something vivid strikes me. I’ll sit there in the movie theater creating a different story idea or a powerful scene in a book while I’m watching the movie’s story play out on the screen.

Describe a writing routine.

My ideal writing routine: Get up, go for a 5 mile run. Shower. Rough draft for four hours per day for four days each week, generating 1,000 to 3,000 words each day. Aim to have 10,000 each week. On the fifth day, do marketing, correspondence, etc. Book signings or conferences on Saturday. Writers group and more rough drafting on Sunday.

My actual writing routine: Get up, sometimes go for a 3 mile run. Get back, think about writing. Shower. Go to work. Come home at 5:30. Go to Tae Kwon Do. Eat. Argue with children about homework. Put them to bed. Put myself to sleep watching The Big Bang Theory or Agents of Shield, Jessica Jones or Daredevil, or any of the amazing Marvel movies. Get up in the morning and wonder when I’m going to write. Reach the weekend with a gasp and start writing at 3:00 p.m. on Saturday. Have a flurry of rough drafting and cap off the weekend with 5,000 words. I’m fortunate to be prolific, otherwise I could never do this, have a day job, be a father and stay sane. (The sanity thing, of course, is still in question).

What are you working on next?

The Wishing World will come out from Starscape Books this fall, and I’m super-excited about it. It’s a middle-grade novel about a whimsical, imaginative world where children transform into their ideal hero. The main character, Lorelei, is based on my daughter and her voice just flows out. She’s driven, snarky and hilarious. When I go back over the story for editing purposes or just to review, I’ll bust out laughing at things she says. I love Lorelei. I can’t wait for the world to meet her.

Thanks to Todd Fahnestock for an awesome interview! Check out his website!

Want your own copy of FAIRMIST? You can pick it up [easyazon_link identifier=”B00T0GQ64Y” locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

Goddess by Callista Hunter

April 28, 2015 / Kyle Wendy Skultety / 0 Comments

Olivia is a sixteen-year-old Vestal Virgin, a happy devotee of her beloved goddess Vesta in her home nation of Parcae. But when her faith in Vesta is shaken, Olivia illegally experiments with her own divine power, making a discovery that could save her country from war – if she’s brave enough to share it.

After an accidental revelation proves Vesta is fake, Olivia and her fellow Virgins are tempted by a charismatic academy boy, Cassius, to invoke the real gods. Although they risk death if they are discovered, Olivia and her friends test their skills in secret experiments. But their games take an unexpected turn when flighty blonde Lucia reveals surprisingly deadly powers.

Gaius, a brilliant military student, must protect the girls and plan for war against an enemy nation while ignoring his growing attachment to Olivia. As a Vestal Virgin she has taken a holy vow of chastity, and the consequences of breaking it are severe…

I received this book from the author in exchange for this honest review.

The plot is fairly simple, with a crisis of faith coming in the early chapters. Apparently the flame of Vesta is encouraged to burn with the addition of lamp oil. This upsets Olivia, and her friends Cassius and Gaius try to soothe her mind. One of the things they do is get her involved in a secret project: invoking the gods (which is illegal for women) to make plants grow taller. Lucia, Olivia’s schoolmate, proves to be a natural, and this sets the course for the girls to help aid the army against invaders. There is family drama, teenage crushes, and lots of chatter between Oliva, Lucia, and Marta, a third classmate who seems to be cranky all of the time.

The writing is wonderfully descriptive, with details like clothing and living arrangements artfully detailed. Conversations between the teenagers sound correct, and Olivia’s crisis of faith is handled well. The only thing I had an issue with, and it may be my own, is manipulating my mindset to believe that these girls could summon up gods like Neptune and Diana to do their bidding. There is plenty of Latin phrases and some animal sacrifices as well, (no gore!) to set the tone, but I did have a hard time wrapping my mind around the fact that some of the girls could do it and the men could not. There is much talk of “summoning the gods” by the men, but no information on whether it worked every time or not.

The three Vestal Virgins discover more about themselves and their character as their country goes to war and they come under fire for being allowed to develop power and independence. I did like the fact that there were strong female characters that didn’t have their head in the clouds all the time, dreaming about a husband. Heck–these girls are VIRGINS–there’s no way for them to even GET a husband without being “bought out” of the cult of Vesta; and the price is so high that it almost never happens.

There are a few twists at the end, and I was encouraged to find that the girls weren’t content to put their head back in the sand once the war came to an end. I’d love to read more about Olivia and Lucia. Their friendship grew stronger as the book went on, and by the end, all five characters were tightly bonded. The author could definitely make this a series, bringing some of the lesser characters to the front so we could learn more about them. Perhaps a prequel with a backstory of Olivia and her brother might be in order.

If you are a YA fan that also loves an ancient Roman setting, you will delight in this easy and uplifting read. Want your own copy? You can pick it up [easyazon_link asin=”B00S6T3E50″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]here[/easyazon_link].