Reviews of what you should be reading next.

Tag: military

SPIT AND POLISH by D.A. Brown

Ruth was delighted when she was accepted into the nursing school at Kingston General Hospital. But she didn’t realize how challenging it would be. She quickly finds her skills aren’t up to snuff and is sent to build them up as an aide at the local tuberculosis sanitarium.
It’s 1946, and when Ruth arrives, she is immediately surrounded by crowds of wounded and infected soldiers, women, and children. 
Ruth must find her way among the dying, depressed, and too-friendly patients, managing demanding doctors and a jealous mentor, without being sent home or infected. Can she impress her seniors and be readmitted to the nursing program she so wants?

Thanks to LibraryThing ,  author DA Brown, and Somewhat Grumpy Press for this advanced reviewer’s copy!

SPIT AND POLISH is a captivating historical fiction novel that transports readers to Canada in 1946, where aspiring nurse Ruth dreams of escaping her small-town life and making a difference. Accepted into Kingston General Hospital’s nursing school, her initial excitement crumbles as she struggles with the demanding coursework. Sent to gain experience at a local tuberculosis sanatorium, Ruth is confronted with the harsh realities of illness, death, and prejudice. Surrounded by wounded soldiers, desperate families, and a complex medical environment, she must navigate challenges while honing her skills. Ruth needs to find her strength, compassion, and the resilience to succeed.

The sanatorium, teeming with wounded soldiers and civilians battling the debilitating disease, paints a stark picture of the era’s healthcare realities. The facility fairly overflows with wounded soldiers, women, and children battling the debilitating disease. Ruth grapples with the emotional and physical demands of caring for, and witnessing firsthand, the suffering and resilience of her patients. Ruth must also navigate navigate dormitory life, avoid flirting soldiers, and handle the draining emotional complexities of her family back home. The author skillfully portrays the harsh realities of the medical setting, balancing it with moments of tenderness and compassion. It is easy to empathize with Ruth’s internal struggles as she confronts her own limitations and prejudices. Her journey is one of personal and professional development, and it is satisfying to see her initial naiveté transform into empathy, strength, and self-assuredness as she faces challenges head-on.

Brown immerses the reader in the post-war atmosphere of Canada, capturing the social anxieties, medical advancements (and limitations), and evolving societal roles of women. The struggles of returning soldiers and the stigma surrounding tuberculosis are woven seamlessly into the narrative.

Ruth’s growth is relatable and engaging, and the supporting cast, from other nursing students to her domineering father, adds depth and nuance. The initial chapters do move a bit slowly as the setting and characters are established. I would have liked to see some of the secondary characters (such as Patricia, Mrs. Graham, and Mary) fleshed out some more. This information might have given some more backstory and understanding of their behavioral quirks and motivation.

One thing that was a bit jarring to me were the short paragraphs of medical notes that began each chapter. One was a quote from 1947, quite a few were from Florence Nightingale’s NOTES ON NURSING, and there was one from 2018 quite early on in the book. While I appreciated the “insider information”, I spent a few minutes trying to figure out if the quote was supposed to reflect the tone of the chapter or not. Some were relevant, while others seemed random to me. I did like the idea of headers to each chapter, but I think they would work a lot better if the words tied in with each chapter’s vignette. Another option would be to let the reader know that the paragraphs at the beginning of each chapter are taken from  either various authors who are sharing their thoughts on nursing, or excerpts from textbooks that will give the reader background on how TB was treated back then, etc. That would set an expectation for the reader, allowing them to absorb the information, then move seamlessly into the storyline.

SPIT AND POLISH offers a captivating journey through a unique historical setting. Brown’s well-researched narrative sheds light on the challenges and triumphs of mid-century healthcare, while Ruth’s personal growth resonates with themes of ambition and compassion. The novel delves into the emotional toll of caring for the sick and dying, yet the harsh realities of the sanatorium are balanced with moments of tenderness and hope, creating a nuanced portrayal of human resilience. Throughout the book, the importance of human connection in the face of adversity is underscored – a lesson we can all learn from in today’s world.

Readers interested in historical fiction with strong female protagonists and a touch of medical drama will find this book satisfying. One caveat: be aware of the potential for emotional intensity due to the setting and subject matter.

Want your own copy? You can pick it up here. 

THE LIFE OF A MEDICAL OFFICER IN WW1 by Lorraine Evans

The Life of a Medical Officer in WW1 documents the experiences of Captain Harry Gordon Parker and provides a rare insight into the conflict that engulfed Europe from 1914-1918. Having joined the Naval Medical Service as a Royal Navy Temporary Surgeon, Parker’s first taste of war was aboard a hospital evacuation ship, which regularly crossed the English Channel, from Southampton to France, picking up casualties from the battle grounds. Somewhat disillusioned with the whole experience, he requested a transfer to the Royal Medical Army Corps and soon found himself transported to the trenches in France. It was here, first serving with the Lancashire Fusiliers and then later as permanent Regimental Medical Officer with the 2nd Manchester’s Regiment, that he spent the remainder of the war, witnessing first-hand the horrors of Passchendaele, Arras and the Somme.

Parker’s account not only reveals a record of the conflict, but also encompasses a totality of military life as it impacted on the medical fraternity. From bureaucratic red tape, lack of medical supplies, lice infestations, trench foot and absurd missions where the incompetence of his own side was as dangerous as the enemy, his thoughts are penned with sincerity, the utmost compassion as well as a certain degree of sardonic humor: ‘We went into the trenches for the first time at Givenchy. It snowed heavily, and our rations did not arrive. The Royal Welsh, however, generously shared their rations with our men, who repaid the kindness by (accidentally) shooting one of the Sergeants through the stomach!’. With endorsement from family members, author Lorraine Evans has revised Parker’s notes and scribblings for clarity and added complementary text to provide historical background. What transpires is a lasting and classic chronicle, an extraordinary human account of history as it ensued.

 

Thanks to Pen & Sword Publishing and the author for this review copy!

Lorraine Evans’ book THE LIFE OF A MEDICAL OFFICER IN WW1 provides a detailed account of the experiences of medical officers during the Great War. The book is well-researched and provides a comprehensive insight into the challenges faced by these medical professionals during one of the most devastating periods in human history.

One of the primary themes that emerges from the book is the sheer scale of the medical challenges faced by the British Army during World War 1. With millions of soldiers fighting on the Western Front, medical officers were constantly dealing with a vast array of injuries and illnesses. From trench foot and gas attacks to bullet wounds and shell shock, medical officers were forced to deal with a range of conditions that they had never encountered before. Evans provides a vivid and sometimes disturbing description of the types of injuries and illnesses that medical officers had to deal with, as well as the methods they used to treat them.

Another key theme that emerges from the book is the resourcefulness and resilience of these soldiers during the war. Despite the constant challenges they faced, medical officers worked tirelessly to ensure that soldiers received the best possible care. This involved not only treating injuries and illnesses but also implementing measures to prevent the spread of disease and infection. Medical officers had to adapt quickly to changing circumstances and make do with limited resources. Evans highlights the innovative techniques and treatments that medical officers developed during the war, such as the use of X-rays and the introduction of blood transfusions.

The book also offers valuable insights into the social and cultural context of medical practice during World War I. Evans explores the gender and class dynamics that influenced medical practice during the war. Medical officers were overwhelmingly male, and many came from privileged backgrounds. This created tensions with the rank-and-file soldiers, who often resented the perceived class divide between themselves and the medical officers. Evans also discusses the role of women in medical practice during the war, highlighting the contributions of female nurses and  doctors and detailing the barriers they faced in their efforts to contribute to the war effort.

Evans’ writing is engaging and immersive, drawing readers into the world of these professionals. She describes their daily routine, from the early morning rounds to the late-night surgeries. The book provides a detailed look at the medical equipment used during the war, such as stretchers, bandages, and surgical instruments. The reader will also learn about the medical techniques used during the war, including the use of gas and the development of new surgical procedures.

The author does not shy away from the horrors of war, including the gruesome injuries that medical officers were faced with daily. Evans describes the carnage of the battlefield in vivid detail, painting a picture of the overwhelming and gruesome reality of war. However, she also emphasizes the importance of the work done by these men, who often risked their own lives to save others.

Throughout the book, Evans pays tribute to the bravery and sacrifice of these soldiers during the war. She describes the courage it took to venture into the trenches, often under heavy fire, to treat wounded soldiers. The book is a testament to the selflessness and dedication of both men and women, who worked tirelessly to ease the suffering of others in the face of unimaginable adversity.

Overall, THE LIFE OF A MEDICAL OFFICER IN WW1 is an insightful and informative book that offers a comprehensive overview of the challenges faced by these soldiers during one of the most tumultuous periods in human history. Evans’ writing is clear and engaging, and she provides a wealth of detail that will be of interest to anyone interested in the history of medicine or the history of warfare. The book is also highly relevant to contemporary debates about healthcare provision and the role of medical professionals in times of crisis. As such, it is an essential read for anyone looking to gain a deeper understanding of the challenges faced by medical professionals during times of war. It is also a valuable resource for anyone interested in the history of medicine, as well as those interested in the First World War and its impact on those who fought in it.

Want your own copy? You can pick it up here. 

 

 

 

 

 

 

 

THE TRAUMA OF CAPTIVITY by Julie Cook

The Trauma of Captivity seeks to shed new light on a forgotten aspect of what it meant to be a prisoner of war: their homecoming. With primary source archive content and interviews with family members of prisoners of war from the Second World War, as well as the diary entries of a prisoner of war from the First World War, this book asks the question: what happened to prisoners of war when they returned home?

Sons and daughters of returned prisoners of war share their harrowing stories of having a POW for a parent. The Trauma of Captivity also features a lengthy interview with modern-day prisoner of war John Peters, the RAF fast jet pilot who was captured when his Tornado plane crashed in the desert during the Gulf War.

The Trauma of Captivity focuses on what help and support was made available to returning prisoners of war and how they fought to rediscover their roles in society.

 

Thanks to NetGalley and Pen & Sword Publishing for this review copy!

THE TRAUMA OF CAPTIVITY is a deeply thought-provoking and emotionally charged exploration of the psychological and emotional consequences of captivity. Written with remarkable insight and sensitivity, author Julie Cook delves into the harrowing experiences of prisoners of war (POWs) who have endured captivity in various contexts, shedding light on the lasting trauma they bear long after their physical freedom has been restored.

This book shows the profound impact that captivity has on the human psyche. It offers a compelling examination of the complex emotions, cognitive distortions, and adaptive responses that arise from the traumatic experience of being confined against one’s will. For example: One of the effects of imprisonment is social degradation: the prisoner feels as if he is unable to make decisions for himself and he is deprived of the basic needs of life: food, freedom, and pleasure.

A POWs story can evoke sympathy, national pride, and jingoism. Despite the public’s feelings, many working-class soldiers had no help, no financial support, no job or home in place, and were lumped in with “pauper lunatics” and placed in asylums. These men could be committed for displaying anxiety, shell-shock, or turning to alcohol or violence. It took merely a single person’s word to send a man to the asylum.

One of the book’s notable strengths is its emphasis on the psychological aspects of captivity. Cook goes beyond the immediate physical dangers and examines the complex psychological dynamics that emerge during prolonged periods of captivity. She explores the development of coping mechanisms, the erosion of self-identity, and the profound psychological wounds that individuals may carry long after their physical release. Men returning to home postwar were more likely to internalize their emotions, which compounded their mental health problems further.

Her nuanced analysis reveals the intricate interplay between captivity, trauma, and mental health, shedding light on the lasting scars that captivity can inflict on a person’s psyche.

Through extensive research, and interviews with the families of POWs, the author portrays the intricate web of emotions such as fear, helplessness, anger, and shame that often accompany the experience of captivity. Returning POWs who did seek out therapy were denigrated for their “weak” mental state, being told by doctors that their shell-shock was because there was evidence of weakness or instability in their nervous system. Is it any wonder that these men were not afforded the help they needed? After succumbing to the will of the enemy, their home country dismissed them as broken mentally even before they became soldiers.

By delving into these layers, the book offers a nuanced understanding of the psychological toll captivity takes on individuals, making it a valuable resource for both professionals in the field of psychology and general readers seeking insight into the human condition.

This book is not just a catalog of suffering; it is also a testament to human resilience and the potential for recovery. Cook devotes significant attention to the therapeutic interventions, support systems, and resilience factors that can aid in the healing process. She discusses the importance of trauma-informed care, the role of therapy, and the power of community in helping survivors rebuild their lives. Through these narratives of healing and resilience, Cook offers a sense of hope and inspiration, reinforcing the idea that it is possible to find strength and reclaim one’s life even after enduring unimaginable adversity. Through the accounts of survivors, the author illuminates the ways in which they draw strength from their experiences and transform their pain into a catalyst for growth and healing. By doing so, the book instills a sense of hope in the face of unimaginable adversity, offering solace to those who have suffered and inspiration to those seeking to support and understand them.

Cook’s clear writing style and her ability to translate complex concepts into accessible language make the book approachable and informative for both experts and general readers. The author’s prose is accessible and engaging, allowing readers to connect emotionally with the narratives while also appreciating the scholarly foundation upon which the book is built. The chapters are organized in a logical and coherent manner, guiding readers through the complexities of captivity trauma without overwhelming them.

THE TRAUMA OF CAPTIVITY is an exceptional book that serves as an invaluable resource for understanding the profound impact of captivity on the human psyche. By combining rigorous research, insightful analysis, and compelling personal accounts, Cook has crafted a work that deepens our empathy, challenges our preconceptions, and inspires us to create a more compassionate world for survivors of trauma. It serves as a wake-up call to society, urging us to recognize the deep scars that captivity can leave, especially for POWs, and to foster an environment of empathy and support for survivors. This book is an essential read for anyone interested in World War II, psychology, human resilience, and the power of the human spirit to triumph over adversity.

Want your own copy? You can pick it up here. 

 

 

 

 

 

 

MEN OF 18 IN 1918 by Frederick James Hodges

In the spring of 1918 German forces broke through Allied lines in a last-ditch attempt to overcome their enemies. To hold back this tide young, inexperienced men from France, Britain, the United States, Australia and Canada were sent into war against battle-hardened and desperate German soldiers. What was it like to be an eighteen-year-old and sent to the frontlines in the First World War? Frederick James Hodges was one of these young men and his book, Men of 18 in 1918, provides insight into the ordeals of an ordinary soldier who left Britain as a teenager but returned as a man having witnessed the full horrors of war. Hodges charts his progress through the conflict from his short period of training to being thrown into defending Allied lines against the onslaught before being ordered, as part of Britain’s prime assault troops, into a ninety-five-day non-stop attack which only ended with the armistice of November 1918.

Thanks to NetGalley and Sapere Books for this review copy!

The author tells a terrifying and true story of his experience in one of the most brutal wars known to man.

His memories of names, places, and battles is amazing – a good part of the book is recollections of the men he knew and their fate. At times I did find it tedious to read name after name, but I understand that the author wanted to ensure that they weren’t forgotten over time. The descriptions of life in the trenches are full of detail and heartbreaking to read. Boys that turned eighteen were eligible to enlist for battle, and by the time they turned nineteen they were hardened men, inured to death and destruction.

The story follows Hodges as he enlists, trains, and eventually is called up to the Western Front. Even though he is only involved in the war for a brief time, he experiences an immense amount of physical and mental struggles. Despite these hardships, Hodges continually writes that his experience in the war is exhilarating and fascinating. He and his fellow soldiers try to make the best of their days as they bond and support each other.

One thing I enjoyed about this book is how the author described his surroundings as a juxtaposition to the horrors around him. He mentions singing birds, fields of poppies, and bright blue skies, and makes sure to note that he is able to appreciate the world around him as nature continues to thrive despite the horrors of war and the bloody casualties.

The author includes many anecdotes about how the soldiers pass the time by talking about life back home and making lighthearted jokes. Each soldier is doing his best to fight the Germans (known as “Jerry” among the men) and maintain their hold on the Western Front. There are also stories about the tedious tasks that must be done: polishing their weapons, digging out trenches, and repairing the miles of barbed wire that provided a barrier to No Mans Land.

This story is poignant and gripping at the same time. I enjoyed the author’s insights on his harrowing experience as well as the opinions he shared about the war. His writing style is easy to read, and you will learn about life in the trenches firsthand.  The more I read about WW1, the more I respect the men that gave their lives for this pointless conflict. I highly recommend this book.

You can pick up your copy here.

THE FACEMAKER by Lindsey Fitzharris

The poignant story of the visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.
From the moment the first machine gun rang out over the Western Front, one thing was clear: mankind’s military technology had wildly surpassed its medical capabilities. The war’s new weaponry, from tanks to shrapnel, enabled slaughter on an industrial scale, and given the nature of trench warfare, thousands of soldiers sustained facial injuries. Medical advances meant that more survived their wounds than ever before, yet disfigured soldiers did not receive the hero’s welcome they deserved.

In The Facemaker, award-winning historian Lindsey Fitzharris tells the astonishing story of the pioneering plastic surgeon Harold Gillies, who dedicated himself to restoring the faces – and the identities – of a brutalized generation. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction in Sidcup, south-east England. There, Gillies assembled a unique group of doctors, nurses, and artists whose task was to recreate what had been torn apart. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits. Meticulously researched and grippingly told, The Facemaker places Gillies’s ingenious surgical innovations alongside the poignant stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine and art can merge, and of what courage and imagination can accomplish in the presence of relentless horror.

Thanks to NetGalley and Farrar, Straus and Giroux for this review copy!

THE FACEMAKER is an impressive, intense, and fact-packed book, not only about the development of plastic surgery, but also an insight into World War One and its devastating effects. I admit my understanding of the war was negligible prior to reading this, but now I have learned enough to have my interest piqued and I want to learn more. I have just requested a review copy of MEN OF 18 IN 1918 by Frederick James Hodges, a book that I would have certainly passed over if I had not read THE FACEMAKER.

Dr Harold Gillies is the titular surgeon who is constantly creating new ways to help disfigured soldiers (warning! Link leads to extremely graphic photos that may be disturbing) live normal lives. It is noted that those who had lost limbs were celebrated as heroes fighting for their country, while those who sustained facial injuries were shunned and considered freaks. The reasoning behind this is: faces and their ability to create expressions are what makes us “human”, and any deviation of what is considered “normal” creates discomfort. A face without a nose, or with a shattered jaw is difficult to look at, and so those poor soldiers were hidden away from the general public. The wards where those men were kept contained no mirrors, lest they catch a glimpse of themselves and lose the will to live.

Gillies is not the only doctor mentioned in this book; many other courageous surgeons contributed to the effort to repair these poor soldiers. The book is interspersed with descriptions of action on the Western Front, excerpts from diary entries from the soldiers that were lucky enough to have their journals survive (even if they didn’t), and accounts of how collaboration among the doctors furthered their knowledge and experience.

What fascinated me the most was hearing about the soldier’s activity on the battlefield, how he came to be injured, then his ordeal with Dr Gillies, enduring multiple operations while new techniques were tried time and time again. The book does contain a lot of graphic detail, so if you are squeamish, be aware.

I learned about artwork bringing attention to the soldier’s plight – one of the more poignant ones is the painting by John Singer Sargent entitled Gassed. The human cost of war is depicted in this 21-foot-long epic work. Other paintings and drawings are noted throughout the book, explaining how these methods helped the physicians rebuild faces. Sculpture was also used; multiple casts were made as the recreation and correction of each visage progressed.

The epilogue of THE FACEMAKER notes how plastic surgery evolved from a necessity to a luxury; rhinoplasty, facelifts, and the like were performed by Gillies long after the war was over. He continued to help others feel better about themselves until he died in 1960. He was a true visionary whose work ethic and kindness made the world a better place for many, many others.

Want your own copy? You can pick it up here.

Jet Girl by Caroline Johnson

A fresh, unique insider’s view of what it’s like to be a woman aviator in today’s US Navy—from pedicures to parachutes. 

Caroline Johnson was an unlikely aviation candidate. A tall blonde debutante from Colorado, she could have just as easily gone into fashion or filmmaking, and yet she went on to become an F/A-18 Super Hornet Weapons System Officer. She was one of the first women to fly a combat mission over Iraq since 2011, and she was the first woman to drop bombs on ISIS.

Jet Girl tells the remarkable story of the women fighting at the forefront in a military system that allows them to reach the highest peaks, and yet is in many respects still a fraternity. Johnson offers an insider’s view on the fascinating, thrilling, dangerous and, at times, glamorous world of being a naval aviator.

This is a coming-of age story about a young college-aged girl who draws strength from a tight knit group of friends, called the Jet Girls, and struggles with all the ordinary problems of life: love, work, catty housewives, father figures, make-up, wardrobe, not to mention being put into harm’s way daily with terrorist groups such as ISIS and world powers such as Russia and Iran.

Some of the most memorable parts of the book are about real life in training, in the air and in combat—how do you deal with having to pee in a cockpit the size of a bumper car going 900 miles an hour?

Not just a memoir, this book also aims to change the conversation and to inspire and attract the next generation of men and women who are tempted to explore a life of adventure and service.

 

Thanks to NetGalley for this ARC!

This book is a generally well-written memoir about an F/A-18 Super Hornet Weapons System Officer, who happens to be a woman. The military information is just what you would expect: training, the mental game, and some unclassified deployment details. The part of the book that really hits home is the harassment and treatment Caroline gets from her own squads – the men that are supposed to be supporting her, while they expect her support as well. The Navy wives even vilify her and call her out for wearing a “too revealing” dress to a party.

I admire Caroline for putting up with all the slurs and backbiting gossip. It’s a shame that someone with such drive, talent and patriotism should be dealing with such petty bullshit. Most of her fellow recruits treat her normally; it’s the few bad apples as usual spoiling everything.

JET GIRL skips around from chapter to chapter, telling us Caroline’s story from first days in the Navy all the way up to being deployed in Iraq. The chapters do not proceed sequentially; once you realize that and are ok with the story skipping back and forth, the reading smooths out. The story turns a lot darker when Caroline shares her battle with depression with us. I cannot imagine staying in the Navy as long as she did, nor can I believe how badly she was treated despite excelling in her classes and as a pilot. Unfortunately, she decided to change careers to ultimately save her sanity, which I feel is the Navy’s great loss. She started to realize the stress that her body was under due to the strain of deployment even before her aircraft carrier had left the Persian Gulf. She began isolating herself once she got back to the States and was told by the flight doctor to “man up…and stop being a drama queen”.

At this point the story got very frustrating for me, as I felt Caroline’s pain and wanted to scream at all the men that this was a real issue and deserved the proper attention. I could not believe what she was writing – that she was not properly supported by her commanding officers and her squad. The rest of the book details her downward spiral and her “icing out” by her commanders and crew, along with her guilt and confusion about what she should do with her life – leave the Navy or try to stick it out.

The last section is an excellent example of what depression looks and feels like. Poor mental health carries such a stigma in this country and I am happy Caroline had the courage to bare her soul and share her story. Her message is important on many levels – her depression, the mistreatment she experienced, and her love for the Navy all come together in an illuminating and meaningful way. I can only hope that she has smoothed the way for other female Navy pilots with her no-holds-barred examples of how she was treated. Let’s see if the Navy can make the future better than its past.

You can pick up your copy here.

 

MoonDust: Falling From Grace by Ton Inktail

moon-dust

Imogene never planned to become a lunar commando. Not before her ex broke her heart and left her jobless. Now she’d better learn fast.

Descended from animal-human hybrids built for war, combat should be in the young caribou’s genes. While Imogene is determined to master the moon’s harsh battlefield, war clouds are brewing on the planet below, and once the storm breaks no training can ever be enough.

A soldier’s first duty is to her country, but when black and white fade to dusty gray, the lines between friend and foe blur. As everything Imogene ever believed in crumbles, she must decide if some orders should never be obeyed.

 

Thanks to the author for gifting me this book in exchange for a review!

Part of the fun of being a reviewer is that I get exposure to books I never would have thought existed. MOONDUST is one of those books. The genre is called “Fuzzy Science Fiction” and deals with sentient, English speaking animals as main characters.

The main character is a transgenic caribou named Imogene, who finishes one stint in the military and re-enlists because she feels out of place at home. Imogene is extremely well developed and easy to become invested in. If it were not for the author’s noting of an ear flick, or a tapping hoof, I would have considered these characters fully human. I do wonder, however, if that is all you need to do for fuzzy fiction: switch one appendage for another and make mention of the species when the character first appears. In any case, I did enjoy reading about caribou and pandas, leopards and Labradors all playing together nicely. Well, almost. There is some rivalry between Imogene and another female due to the fact they are both crushing on the same guy, and there are some ethnic slurs pointed at the panda because his race is part of the creatures waging the war that is being fought.

The plot is extreme scifi/military fiction, which made things drag a bit for me. There is a lot of action and we see the characters being put in scary situations on the Moon, where they are fighting their battles. Animals get hurt, they die, the wonder at the futility of war just like humans do.

For anyone who loves military action, they will get a lot of enjoyment from MOONDUST. The science fiction is well written – I especially liked the scenes on the rocket as they were getting sent up to the Moon. Imogene’s thoughts and fears are those of Everyman and I could easily identify with them. As she was strapped in, preparing for takeoff, making nervous chatter with the soldier next to her – it all made sense to me, regardless of the fact that she was a fuzzy warrior.

The writing is smooth, with no awkwardness or loose ends. There are many plot twists and at times I wished the pace would have been quicker; but then again the author captures military life accurately with the alternating boredom and panic.

This was a fun departure for me, with the best part reading how these animals express themselves, with a wrinkle of a muzzle or a flick of a whisker. Excellent details that brought my senses back to the anthropomorphic characters!

Do the bad guys win? How many of Imogene’s crew perishes in battle? Is this a series? As usual, no spoilers here. Read it yourself – you can pick up your copy [easyazon_link identifier=”B018UTIBBM” locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

Q&A with Johan Twiss, author of I AM SLEEPLESS

I-AM-SLEEPLESS-SIM-299-smal

While the others slept, Aidan spent hours each night running sim after sim. Although he was only a twelve-year cadet, he had completed more simulations than any prime— ever.
“You are setting history,” General Estrago told him. “No one has ever made it to the current simulation you are attempting. The other Masters and I are eager to see what comes next.”
So was Aidan.

The planet Ethos is at war with a mysterious enemy known as the Splicers. Their only successful defense is the Prime Initiative. All newborns with the compatible genetic code are taken from their families and injected with the Prime Stimulus. Each child that survives the stimulus develops an extraordinary ability and is conscripted into the military for training.

After turning twelve, Aidan is moved to the upper-class at the Mount Fegorio training complex. His special gifts allow him unprecedented success in the virtual training simulations, advancing him further than any prime cadet in history. No one knows what lies after sim 299, not even Director Tuskin, the ruthless and reclusive ruler of their planet. But something, or someone, has been guiding Aidan there. If he can pass the final tests, he may discover the key to ending the Splicer War.

 

q&a graphic

We had the honor of speaking with author Johan Twiss about his new book, I AM SLEEPLESS. In this post he answers a few questions about himself and his work.

Johan Twiss - John Burger

 

 

 

 

Where did you get the idea for this book? (I AM SLEEPLESS: SIM 299)
Most of my book ideas come from dreams I have at night, which are a mashup of events that happen in my daily life combined with the books, shows and media I take in. So basically, my dreams are about me being a super hero and so are my books.

For I Am Sleepless, I had a dream about kids with super powers, but they had physical handicaps. Around that same time, I was also thinking a lot about how much I could accomplish in life if I never had to sleep. Mash those two ideas together and that’s where the idea for I Am Sleepless sprang from.

Will there be more books in the series? (I AM SLEEPLESS: SIM 299)
Yes, the series is a trilogy and I have two more books planned. Search for the Reader is next and The Splicer King is the final book.

What are you currently working on?
I’m currently working on a mini novella series titled 4 YEARS TRAPPED IN MY MIND PALACE. I’m about 3/4 through the first draft and have a release date of May 2016.

You can download the first 5 chapter sampler (remember it’s a first draft) at my website http://iamsleepless.weebly.com/4-years-trapped-in-my-mind-palace.html​

4 YEARS TRAPPED IN MY MIND PALACE SYNOPSIS:
Diagnosed with a rare form of meningitis, eleven-year-old Aaron Greenburg is paralyzed from head-to-toe. He can’t move a muscle or any part of his body, including his eyes or his eyelids to blink. Although he is alive, his doctors believe he is brain dead and unaware of his surroundings. But Aaron is not brain dead. He is very much aware of everything, trapped in his own mind with no way to communicate with anyone, including his parents.

Placed in a rest home for full-time care, Aaron retreats into his mind to cope with his imprisonment. But after one year alone, Aaron receives a roommate in the form of an outspoken, old, Jewish jazz musician named Solomon. With the blanket diagnosis of dementia, everyone thinks Solomon is crazy, especially Aaron. But when Aaron talks to Solomon in his mind, carrying on the normal one-way conversations he has with all of his visitors, something strange and unexpected occurs.

If you had a superhuman ability, which one would you like?
Touch someone and take away their greed. Think of how much better this world would be if you could take away greed and selfishness. Say so long to wars, murder, broken families, etc…

Who is your favorite author?
Brandon Sanderson. I’ve been hooked to his books ever since I read his Mistborn series. I’m pretty sure I’ve read every book he’s published, some of them multiple times. The worlds he creates, the magic systems, and the intrigue/mysteries he has running in the background make amazing stories.

What do you do when you are not writing?
I love to play instruments and create music. I play/dabble in a number of instruments including guitar, bass, trombone, blues harmonica, piano and percussion. The best part is my kids are getting old enough that they are starting to make up songs on the piano and we have Family Jam Sessions. We also have Family Fight Nights. My oldest children take martial arts and we like to put on the sparring gear and go at it. The kids take turns coming at me two at a time, (even my 3-year old daughter), and they practice their strikes, kicks, blocks, etc… Basically, they get to hit dad and we have a lot of fun.

My wife and I also own and operate the online retail store www.playfullyeverafter.com. We sell toys, games, costumes and home décor items. It’s more than a full-time job, but luckily we have a handful of wonderful employees, (most of them family members), and we get to work from home. This gives me a little more flexibility to write.

When and why did you begin writing?
This writing journey started as I became more involved volunteering with Anti Human Trafficking non-profits. You can learn how I became involved in that work at my blog http://abolitionistjb.blogspot.com. As I researched, learned and met individuals who had been sold into slavery, I realized I wanted to tell these stories. But some of the stories are so raw and unnervingly sad that they are hard to read about and can send people into depression.

I’ve talked to some people who said they couldn’t handle how sad these tragedies made them and they didn’t want to learn anymore about it because it made them so depressed they couldn’t function.

So I set out with the goal to write a fictional story that gave the facts of human trafficking, showed you what was going on around the world, but gave hope through a hero, almost a super hero of sorts, that fought back. I wanted to make learning about these tragedies palpable to help spread awareness about what’s going on and what’s being done to combat modern slavery.

This became my first story, ABOLERE. Right now Abolere is a trunk novel. It was the first book and I learned a lot about writing in the process of creating the story, but it still needs some TLC to make it publishable. My goal is to finish it by Dec 2016. You can read the first chapter sampler on my website at http://iamsleepless.weebly.com/abolere.html.

What genre do you consider your book(s)?
This is tough because I have books planned for multiple genres including Science Fiction, Fantasy, Historical Fiction and Crime Fiction. I also have two non-fiction books I want to write.

That’s why I decided to create the pen name Johan Twiss. I plan to use the Johan Twiss pen name for all of my SciFi/Fantasy books and my real name, John Burger, for everything else.

The problem is I have a backlog of book ideas and I get more each week. My wife lovingly smiles and nods her head, sometimes rolls her eyes, every time I say, “So I had a dream last night and I’ve got this great idea for a book.” Maybe someday I will be a full-time writer and my writing will slowly catch up to my list of ideas.

Do you write an outline before you write?
Yes, but it’s very bare bones. I have a long list of book ideas that I let simmer in my mind. When one of them starts to combine enough “cool scenes” in my head, I move it to the outline stage. My outlines consist of a few bullet points, with very few details, and they are usually incomplete sentences. It’s basically a list of the scenes I’m excited to write about, put in order for the story to take place.

This is where my addiction to writing is fed. I love the discovery process of filling in the gaps and creating a story from these scenes. I’m always surprised and fascinated by the ideas that pop into my mind and exploring where those take the characters and plot. It gives me goosebumps. It’s the drug that keeps me writing.

Please fill in the blank:
Keep Calm and Eat Chocolate— unless you’re allergic, in which case I will eat your chocolate and mourn for you.

What advice would you have for writers?
As Dory says in Finding Nemo, “Just keep swimming, just keep swimming.” But in the case of writers it’s, “Just keep writing, just keep writing.” The more I write, the more I learn about writing. I have a couple of trunk novels that may never see the light of day, but I learned quite a bit from the discipline of writing them.

Tell us three things no one knows about you.
1.  I play a mean blues harmonica, along with guitar, bass, piano, a variety of hand drums, and the trombone.
2.  I once met the Yankee Hall of Famer Joe Dimaggio in a Martinez, California strip mall parking lot. I was an 8 year old kid and my dad pointed him out to me. So naturally,  I went up to Jumping Joe as he unlocked his car and asked for his autograph with my dad’s softball mitt that I snagged out of the back of our minivan. The signed softball mitt was later stolen. There went my college fund.
3.  I’m Batman- wait, I wasn’t supposed to tell you that.

What’s the best thing about being a writer?
Writing is an addiction for me, and it’s one that I wholeheartedly feed. I love the discovery process creating a story from scratch. I’m always surprised and fascinated by the ideas that pop into my mind and exploring where those take the characters and plot. It gives me goosebumps. It’s the drug that keeps me writing.


How do you deal with writer’s block?
Honestly, I have not experienced writer’s block yet. I’m sure I will at some point, but for now I have dozens of ideas for books and exciting scenes I want to write in my current works in progress. Right now I wonder if I will ever be able to write all the stories I want to tell.


 

We hope you enjoyed this Q&A session; now go out and buy his book! You can pick it up [easyazon_link identifier=”1517166330″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

 

Breaking the Silence – Guest Post by author Maria Nieto

breaking the silence

On a sweltering summer day, the streets of Old Madrid that once resonated with the laughter of children playing are empty and silent. But inside the apartment buildings there is life as families faithfully wait for updates about an army uprising in Spanish Morocco. Before long, their greatest fears come true. As rebel troops storm Madrid and chaos fills the streets, six-year-old Mari wonders why she cannot go outside to play. Unfortunately, she has no idea she is about to be trapped inside the abyss of what is rapidly becoming a ruthless civil war. Already emotionally wounded by the absence of her mother, Mari attempts to go about her fear-filled days living with her father’s family, which includes a grandfather who lovingly teaches her about the history leading up to the conflict. As she embarks on a coming-of-age journey submerged in the darkness of war, Mari somehow stays alive despite the decisions of an intimidating, ruthless dictator, starvation, and brainwashing by the new Fascist regime. But when circumstances lead her to inadvertently commit the ultimate betrayal, Mari must face the horrifying consequences of her actions. Breaking the Silence shares the compelling tale of a little girl’s experiences as she attempts to survive amid the horror and death surrounding the Spanish Civil War.

 

Gimmethatbook had the privilege of communicating with  author Maria Nieto and discussing her book BREAKING THE SILENCE. We are proud to present her guest post, as she discusses why she wrote the book and the meaning it holds for her. If you are interested in having your own copy, you can get it [easyazon_link identifier=”1491761016″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

 

My name is Maria Nieto, and people have been questioning why, at the age of 85, I wrote  a book called Breaking the Silence.

It is a book describing the pain and the horrifying days of a small girl´s life during and after the Spanish Civil War. There are moments of humor in the book, but mostly it deals the devastating effects that war creates for children. The book goes a little further into Spain´s post war years under the yoke of a fascist dictatorship using ruthless  mind altering techniques on children in order to assure their total loyalty to the new order. Mari, the child in the book, ends with the terrible decision she must make to atone for an act of treason she innocently committed.

The book is written as a novel, a work of fiction, but fiction is often impregnated with truth.

Why did I write the book, and how did I write the book?

Please allow me to go back in time just a little.

I was born in New York City in the middle of the Great Depression.  Just a year later, the laws that rule the universes (I do not believe in coincidences), transported me to Madrid, Spain. Two years later,  the same universal laws took my mother away from me . I do not remember the days after she disappeared, but I do remember that even though I forgot how to speak English, at stressful times the sound of strange sounds would almost sing inside of my mind. Sounds like “mommy”, “daddy”, “Teddy the bear”, and sometimes I could hear the soft voice of a woman whisper something that sounded like, ”you are my princess”. Nothing more.

Three years passed and I suddenly found myself in the middle of falling bombs, crashing buildings and the passing of marching tanks in the night making cracking noises on the  street cobble stones  as they passed by the house.

Spain was at war. A war of brother against brother, and father against son: The Spanish Civil War. I lost most of my childhood friends  who died torn to pieces  under the explosions of bombs, the fire of machine guns, or the falling of mortar shells.  I survived day after day holding on to the image of a dark haired woman who held me in her arms in times of danger.

After the war, Spain fell under the tyrannical fascist dictatorship of Francisco Franco, the Spanish Army officer who initiated the revolt against the Spanish Republic.

People were imprisoned and killed by the thousands. All freedoms were forbidden. Children marched in the streets dressed in Nazi-like uniforms with extended arms in a Nazi salute singing fascist songs to the beating of drums and the waving of flags. Soon I too became one of those children.

Some years passed and during  my early teens, I was found reading a Reader’s Digest (in Spanish). That type of reading was forbidden. Nothing foreign was to be read in Spain, and no listening to radio stations from other countries was allowed. Because I was an American Citizen, I did not go to jail . Instead,  my father was ordered to have me out of the country within three days. An uncle in New York who had converted into Judaism arranged for a Jewish organization helping children out of Nazi Germany, to look over me in Portugal as I waited for a ship to take me to the United States.

Franco died and Spain’s new monarchy passed a law of silence, “a pact of silence”, as it was called. The people of Spain were not to talk or act on any issues that incurred during the war or during the dictatorship after the war. Franco’s murderers never went to trial for their crimes and continued to flourish and continued to use their money to hold on to power. After that, when  I visited Spain, neither my family nor my friends would talk about or mention the  terrible years. During a visit to my grandmother’s  village, I came upon  a group of older women in the town’s plaza seated in a circle  noisily and happily talking as they did their sewing. I introduced myself and told them that my grandmother  was born in the village. They recognized her name, but when I told them that I had lived in the village for a short time during the war, the women looked at me, and one of them clipping her words almost yelled, “ Ah, that was a long time ago.” All the other women went back to their sewing in silence.

That was the beginning of the heavy weight in my chest that made me write Breaking the Silence.

After four years in the Navy, the GI Bill helped me to finish nursing school  and after graduation I was able to work during  the day and go to school at night. It was years before I finally gathered enough diplomas to teach me how  to help emotionally wounded persons identify their pain, and hopefully resolve it.

When  my working days ended, the heavy weight in my chest returned, and strange rumblings again woke me at night. As time passed, the weight got worse, the rumblings got louder.

Finally, it became clear to me what was happening: I was choking on Spain’s silence denying me of my childhood, as well as my childhood friends not being recognized and remembered.

That is why, very slowly and in silence, I began to write Breaking the Silence and no one, friends or family, knew about the book until it was published. My family in Spain received it well, and now  the rumblings and the weight in my chest are gone, and  I can again sleep through the nights.

I hope people will read it. I hope that in some way it may help people throughout the world  and the United States reject any further war suggestions from their leaders.

I started another book. Maybe  I can finish it before the laws of the universes  take me away from this planet and I begin to use my experiences on earth elsewhere.

 

Pilgrim by Terrence Atwood

 

pilgrim

 

 

 

 

 

 

 

 

An exploratory probe is launched into space on a mission to investigate the possibility of extraterrestrial life. However, a cabal of military forces have covertly converted the probe into a weapon of mass destruction – arming it with a nuclear payload.
When the launch of the craft, code named PILGRIM,  goes awry, the probe crashes back on Earth and begins carrying out its mission – eradicating all life. It’s up to Catherine Tennison, an intrepid NASA scientist, and Army Colonel Walt Macken to capture and disarm the probe before it brings about Armageddon.

 

Thanks to author Terrence Atwood for providing this review copy.

Weighing in at a quick 146 pages, this is a quick and easy read. The plot is promising, and the tension starts fairly quickly, when there is a failure during the launch.  There is back stabbing, politics, and a murderous probe named PILGRIM, that immediately starts performing its mission as planned–except it didn’t land on the new planet as expected. PILGRIM landed back on Earth, and cannot be stopped.

There are portions of awkward dialogue plus some bad punctuation (most glaring is the use of capital letters and exclamation points to force home the point that this is WILD STUFF HAPPENING HERE!!). I also had to suspend my beliefs for a bit at times, that the military would acquiese to the demands of a NASA scientist (character Catherine Tennison).  There are also a few too many narrow escapes by Tennison and her companion Colonel Walt Macken, to make things ring true.

However, I did enjoy the science and implications of the story itself, even if the writing could have been a little smoother. The images of the rogue probe rampaging across bucolic areas were done well, and the juxtaposition of nature and technology was appropriately jarring. The possibility of the military doing something like this isn’t that far fetched, and the conspiracy theorists would love this book. I’m sure.

I think the plot would make a good science fiction film. As I was reading, I could picture the action in my head. That alone means Atwood did his job: making the reader visualize and become one with the story.

The author had some good ideas–with a little more character development and better editing, PILGRIM would be a 5 star read. I’ll give it 3 and a half. Want your own copy? You can pick it up [easyazon_link identifier=”B00UC7NRJM” locale=”US” tag=”gimmethatbook-20″]here[/easyazon_link].

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