Reviews of what you should be reading next.

Tag: NetGalley (Page 4 of 4)

In Sunlight Or In Shadow by Lawrence Block

sunight-and-shadow

“Edward Hopper is surely the greatest American narrative painter. His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within.”
So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.
Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kristine Kathryn Rusch, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.
In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

 

Many thanks to NetGalley for providing this ARC to me!

Edward Hopper is my favorite artist, so when I saw this opportunity to read and review this book, I was ecstatic. I was so curious to see how the authors would interpret the art and translate it into a story.

At the beginning of each chapter, the painting is shown to give the reader an idea of the muse behind the writing. I enjoyed going back to take a second and even third glance at it while I was devouring each story, even if only to compare my own thoughts behind the artwork to the words being written.

The contributors range from the blockbuster (King, Oates, Deaver, Child) to the well known (Abbott, Lansdale, Moore), and the talent follows accordingly.

My favorites: Night Windows (lush writing plus a twisty plotline), The Music Room (simple yet shimmering with darkness), and Autumn at the Automat (satisfying 1930’s detail and a strong female character).

Disappointments: Rooms by the Sea (a bit too fantastical for my taste), The Incident of 10 November (a real departure for Deaver, who usually writes flawlessly; perhaps he was trying something new), and Still Life 1931 (a drab, sluggish tale that needed a bit more action).

I have always considered Hopper’s paintings to be benign, peaceful works of art. Imagine my consternation when I discovered all the seamy, sordid tales that were spun! Was that the collective thought of these writers, to banish all the vague pleasantness and expose the evil lurking below the surface? I’m happy to say that I will still enjoy Hopper’s paintings, despite the remnants of these stories that will surface occasionally.

Final thought: I was not aware of the backstory about the self-aggrandizing and duplicitous preacher who usurped some of Hopper’s work for himself.  Author Gail Levin illustrates the entire sordid tale thoroughly.

Whether you are a fan of the artist, or just like short stories, you will enjoy IN SUNLIGHT OR IN SHADOW. You can pick up your own copy [easyazon_link identifier=”1681772450″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

 

The Widow by Fiona Barton

widow

For fans of Gone Girl and The Girl on the Train, an electrifying thriller that will take you into the dark spaces that exist between a husband and a wife.

When the police started asking questions, Jean Taylor turned into a different woman. One who enabled her and her husband to carry on, when more bad things began to happen…
But that woman’s husband died last week. And Jean doesn’t have to be her anymore.

There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment.
Now there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage.
The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything…

Many thanks to NetGalley for offering this ARC to me!

One of the best things about THE WIDOW is that you don’t really know what is happening until the very end. The unreliable narrators seem sympathetic, then horrid, then sympathetic again, until your emotions are all twisted this way and that. It’s wonderful.

Both Jean and her husband Glen live a quiet life, despite Glen’s “nonsense” (Jean’s term for the Bad Thing that is the crux of the book). She is a quiet woman that can be manipulated; first Glen wraps her up in his little world, then the press cajoles her into giving a coveted interview. Jean’s inner monologue shows a strong but conflicted personality, with a critical weakness that holds sway over her emotions until the last page.

Barton’s writing style is smooth and her dialogue is easy to follow. There isn’t an overload of characters to remember; the ones that are there are well developed. We learn about Jean and Glen’s life together as each chapter goes by in the form of flashbacks, each one building upon the next until you are almost sure you know what is going to happen–then Barton leads you down a different path.

I completely, thoroughly, loved THE WIDOW.  Exploring the theme of “suburban life conceals dark secrets” (some a deeper hue than others) was glorious and satisfying.  We have all been that neighbor curious about the goings on next door, and perhaps some of us have been that friendly neighbor that slowly pulls away once misdeeds beget misgivings.

The sub plot of the manipulative reporter, worming her way into Jean’s life and maybe even her heart, along with the beleaguered detective who brings the case home every night (to the constant disappointment of his wife) round out the story perfectly, and give the reader a respite from the subtle creepiness of Glen’s “nonsense”.

This is a story that you can (and will) devour in one or two sittings.  Fiona Barton is an author to be celebrated, discussed, and most importantly, supported. I loved her freshman effort and look forward to her next work.

Want your own copy? You can pick it up [easyazon_link identifier=”1101990260″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

 

Crimson Shore (Pendergast #15) by Preston & Child

crimson shore

A secret chamber.

A mysterious shipwreck. A murder in the desolate salt marshes.

A seemingly straightforward private case turns out to be much more complicated-and sinister-than Special Agent A.X.L. Pendergast ever could have anticipated.

Pendergast, together with his ward Constance Greene, travels to the quaint seaside village of Exmouth, Massachusetts, to investigate the theft of a priceless wine collection. But inside the wine cellar, they find something considerably more disturbing: a bricked-up niche that once held a crumbling skeleton.

 

Many thanks to NetGalley for providing this ARC copy for review.

Pendergast almost turns this case down because he feels it’s too pedestrian for him. But once he hears about the priceless wine being offered as payment, he decides to travel to Massachusetts after all.

He and Constance stick out like sore thumbs, skulking about and dressed in black, manipulating everyone in sight.   His sarcastic comments and glittering eyes will make every Penderpeep sigh with joy, and we see Constance’s emotions stirred as well. There is an episode where the two of them share wine together, and I read it holding my breath. No spoilers here, though! (I’m actually not sure I want to see the two of them together, as I fear it may change my perception of both of the characters.)

One of Preston and Child’s trademarks is the extensive research done to ensure the environment is described well, and CRIMSON SHORE is no exception. It was easy to hear the pounding surf and feel the sullen stares of the townspeople due to the stellar depiction of the desolate surroundings. There is a perfect balance of action, conversation, and description, just enough of everything to keep the plot moving forward and place the reader firmly in the salt marshes.

Constance is not happy to sit and wait for Pendergast to do all the work, as she takes on responsibilities of her own and helps things along by doing extensive research on the history of witchcraft that’s endemic to the area.

That’s when the plot veers off to the supernatural and violent. Almost all the loose ends are tied up when, suddenly new things appear and Pendergast must brave the marshlands to rescue Constance. This is where the suspense ratchets up quite a bit and things start happening quickly.

Earlier books had Pendergast sporting almost superhuman strength, and these last few show him in a different light. This one is no exception, as I was prepared to see him put up a good fight but suffer in the process.  There is the almost mandatory cliffhanger ending that draws in elements from other books, written deliberately cryptic to keep us all guessing.

I enjoyed this latest outing even though it got sidetracked to the supernatural. The spotlight is centered firmly on Pendergast and Constance here – with humor, suspense, witchcraft and even a cooking lesson, there is a great deal to get your mind around. Preston & Child are continuing to create quality work with consistency and no lack of interesting plotlines. Exactly what the doctor ordered.

Want your own copy? You can pick it up [easyazon_link identifier=”1455525928″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

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