Tag: poetry

ALWAYS HAUNTED by LindaAnn LoSchiavo

October 29, 2024 / Kyle Wendy Skultety / 1 Comment

Trick or treat, twisted with treachery…..

Haunting and harrowing visions of All Hallows’ Eve here include horrific crimes committed on October 31st, a honeymoon homicide, mysterious witches, amorous vampires, dead serious poltergeists, along with a pageant of autumnal imagery sure to evoke goosebumps beyond the spooky season.
Wearing the cunning costume of a Hallowe’en poetry collection, 24 poems reimagine macabre true crimes and explore injustices.

Thanks to the author for this review copy!

This Halloween anthology is a captivating exploration of the eerie, the mystical, and the supernatural, blending themes of memory, legacy, and the unseen forces that shape our lives. LoSchiavo, known for her rich literary voice and command of language, weaves a collection of poems that evoke both the beauty and the terror of the human experience, exploring what it means to live with constant reminders of the past—whether it be ghosts, memories, or the weight of history.

The title itself, Always Haunted, sets the tone for the collection, suggesting that the hauntings in these poems are not momentary but persistent, a lingering presence in every aspect of life. The author skillfully balances the spectral with the personal, moving between ghost stories and reflections on human existence. Her poems touch on the inevitability of death, the thin veil between the living and the dead, and the remnants of history that refuse to fade.

LindaAnn LoSchiavo’s poems are a masterclass in atmospheric writing. She has a knack for finding the perfect words to evoke a sense of fear and unease, while the vivid imagery of autumn (Crunching frost-crisped leaves underfoot produce a dry crackle like ghosts coughing) and haunting language (Robed figures holding torches silently walk widdershins) transport readers to dark, mysterious worlds. Each poem is a miniature masterpiece, filled with suspense and a sense of foreboding. From ghostly encounters to eerie tales of historical injustice, the author expertly captures the essence of Halloween. LoSchiavo’s use of language is exquisite in these following examples.

Pumpkin thieves are in for a surprise here:

A jack-o-lantern moon illuminates

Gold grinning gourds, arousing appetites…..

Shushed evergreens’ tips whisper “witching hour”

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A different take on “Macbeth”:

The patriarchy does its best to warn,

Forbid, discourage daughters, sisters, wives

By commandeering rights to accolades……

Elizabethan dramatists – all men! –

Put witches in the plot for novelty

Meanwhile, witch hunts harassed the innocent…

Mark my words, women have always fought back,

Preserved infernal mysteries. Bewitched,

Dark invocations learned by stealth live on.

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Giving life (and love) to Potter’s Field:

Death flattens a corpse’s understory, its ancestry a forgotten dialect, but long bones persevere. Once a potter’s field agitated this soil, 20,000 deceased, indigent New Yorkers were shoveled over, poverty the public’s natural blindfold.

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One of my favorite elements of this collection is its ability to blend the supernatural with historical events. These poems often reimagine true crimes and injustices through a Halloween lens, adding a chilling dimension to the stories. This approach is both thought-provoking and haunting, inviting readers to consider the ways in which the past can continue to haunt us. The use of footnotes to provide context adds another element to these poems – such as:

the story of America’s first female tycoon, unfairly portrayed as a miser and eccentric, which could not be further from the truth (Hetty Green, the “Witch of Wall Street”).
what is now Washington Square Park was Manhattan’s Potter’s Field, where thousands of people, including the unidentified, indigent, and those who died of yellow fever, were buried (Babysitting a Bone in Washington Square Park)
former journalist Peter Braunstein is serving an 18 years-to-life sentence at Five Points Correctional Facility in Romulus, NY for crimes he committed on October 31, 2005 (Hallowe’en Horror, October 31, 2005).

Each poem feels like a glimpse into a shadowy world where reality and the supernatural intersect. Whether describing a physical haunting or a more metaphorical one, such as being haunted by family history or past regrets, LoSchiavo’s words linger in the mind, echoing like the spirits she writes about. Her language is both elegant and chilling, offering moments of beauty even in the darker corners of her work.

The illustrations accompanying the poems are a perfect complement to the text. They add a visual dimension to the stories, enhancing the overall atmosphere of the collection. The artwork is both haunting and beautiful, capturing the essence of the poems in a visually striking way. Some of my favorites are the ones accompanying Hetty Green, the “Witch of Wall Street”, Emily Post’s “Etiquette Book for Ghosts”, and The Hallowe’en Homicides on October 31, 1981. The last one is especially poignant, underscoring the melancholy of the words.

The collection’s emotional depth is another highlight. LoSchiavo doesn’t just rely on the macabre to draw readers in; she layers her poems with emotional resonance, exploring themes of loss, guilt, and the passage of time. Readers will find themselves contemplating the nature of memory and the ways in which we are all haunted by our own experiences and the stories of those who came before us.

In Always Haunted, LindaAnn LoSchiavo delivers a powerful collection of poems that lingers long after the final page is turned. It is a book for those who enjoy poetry that delves into the supernatural but also for those who appreciate reflective, introspective work. Her ability to blend the spectral with the emotional makes this collection a haunting, yet human, experience.

Want your own copy? You can pick it up here.

APPRENTICED TO THE NIGHT by LindaAnn LoSchiavo

January 9, 2024 / Kyle Wendy Skultety / 1 Comment

“Apprenticed to the Night” is a collection of 66 poems focused on mortality, betrayal, memory, trauma, and the bewilderment of loss as constantly shifting enigmas. It explores themes of life, death, childhood, trauma, family, and love. The book is divided into three sections: Youth, Maturity, and Beyond. Reviewers have called this collection a powerful and moving collection of poetry that is honest, insightful, innovative, and beautifully written.

Thanks to the author for this review copy!

2023 has been a terrible year for me; I lost my beloved Mom and all three of my dogs (at different times throughout the year). When I was offered this review copy, I wondered if these poems would be too much for me to absorb. Thankfully, I was wrong. My own exposure to great loss enabled me to understand the deeper meaning of LoSchiavo’s words. Despite the grim, stark environment of these verses, they offer readers a glimpse into the raw and vulnerable world of the speaker and force the reader to delve into the depths of the human experience.

The author’s imagery is often dark and evocative, yet it also manages to be strangely beautiful. The poems are filled with metaphors and similes that create a rich and textured landscape, inviting readers to linger and savor each word. Some of my favorite lines (taken from various poems) are:

When my mother died, she took home along with her
Tick, tick — mortality’s metronome
Accusing north winds whip open coats like a Customs Officer
Doves nesting at the lake’s edge knitting a new home out of trash and exhausted leaves
A domesticated red lighthouse
They find a determined amaryllis
My sister lives forever in six drawers / Where Mom maintains her clothing, worn, outgrown
Some kisses are consumer errors

Some of these poems use their words to lead you down a poignant yet rosy path, full of nostalgia, then veer off into the shocking, cold truth of the world. One such story is A Little Choir Girl at Passiontide – the poem starts out full of calming religious images and scenes from a typical Brooklyn neighborhood…then like a bucketful of cold water, these sentences turn the microcosm into an abomination:

…cars gunning for

You with their solid metal presence in your Immediate future, taking action

That could recast the universe in dark

Unpredictable ways

The poems are written in various forms and styles, such as sonnets, villanelles, haiku, free verse, and more. The language is rich, as similes and metaphors are used to convey the emotions and experiences of the speaker. Some of the poems are inspired by historical figures, such as Anne Boleyn, Marie Antoinette, and Edgar Allan Poe, while others are based on personal anecdotes and observations.

This collection is not for the faint of heart. The poems deal with topics such as death, suicide, abuse, eating disorders, and grief. However, they also explore the complexities of love, friendship, family, and identity. The author’s words are honest, insightful, and sometimes heartbreaking, but they also offer hope and the power of resilience. Even in the darkest of times, there is beauty and meaning to be found.

APPRENTICED TO THE NIGHT is a hauntingly beautiful assortment of poems that will stay with readers long after they have finished reading. LoSchiavo’s words are like a balm to the soul, offering solace and comfort in the face of darkness. This is a must-read for anyone who has ever experienced loss, love, or the struggle to find their place in the world.

Want your own copy? You can pick it up here.

Rare Birds by Natalie Scott

June 30, 2020 / Kyle Wendy Skultety / 0 Comments

The ultimate lockdown reading, Rare Birds creatively tells the story of Holloway Prison’s first 100 years through the re-imagined voices of prisoners, staff and others connected to its history. Meticulously researched, the collection brings to life well-known voices such as Ruth Ellis, Sylvia Pankhurst and Edith Thompson, plus a host of lesser-known names, to tell Holloway’s rich and gripping story.

Thanks to the author for this review copy!

Prison walls seem to talk in RARE BIRDS, a book of poetry about those sentenced to time inside the notorious Holloway Prison. A multitude of characters share their laments with a chorus of voices. These voices come from suffragettes and thieves, pickpockets and murderers, and the author makes nearly all of them sound sympathetic. Some voices are particularly poignant, like the 10 year old pickpocket who marvels at being taught to write his name for the first time (pg.33), or the woman staring through the “hope-sized window” contemplating freedom (pg. 62).

Reading these poems about women fighting hard for the right to vote made me realize how far we have come, for this book brings to life their difficult journey. These voices deserved to be heard in their time, and Scott memorializes their struggle in an imaginative and touching way.

The author truly captures the essence of the prison and its inhabitants in her poems. It is as if she was intimately acquainted with each prisoner and gathered her poem from conversations with each one. Scott did comprehensive work with original documents (you can see which ones, along with a bibliography at the end of the book) to bring the inmates to life. Despite their criminal background (and it’s true some are worse than others) they are all painted in a sympathetic light, as I mentioned before. It is easy to hope that freedom comes quickly for them – even the ones on Death Row. There is a section of poems (pp.124-133) that come from the voices of the executioner, his wife, a prison officer, a juror, and finally the doomed prisoner herself, Ruth Ellis, who died by hanging on July 13^th, 1955. Each voice is different, yet they all contribute to the bigger picture – a prisoner on Death Row who is about to hang. (Ellis was the last woman executed in the United Kingdom; you can read about her here.)

RARE BIRDS is just that – a book of ethereal yet grounded poetry that forces you to think about the prison system and those caught in it. Some are unjustly imprisoned, while others commit unspeakable acts. Whatever the crime, Holloway Prison enveloped its inhabitants in cold bricks and mortar. Scott uses her words here to uncage these birds and immortalize them forever.

You can pick up your copy here.

Glimmerglass Girl by Holly Walrath

December 4, 2018 / Kyle Wendy Skultety / 0 Comments

Glimmerglass Girl is a collection of poetry and images about womanhood and femininity. This debut collection from author Holly Lyn Walrath explores life, love, marriage, abuse, self-harm, the body, death, and alcoholism through the lens of a woman’s heart. It takes readers through a speculative and fantastical world of fairy tales and unicorns where femininity is as powerful and delicate as a glass-winged butterfly.

Thanks to NetGalley for this ARC!

This thin chapbook of poems seems at once light and dark, brilliant yet incomprehensible. I read through each offering twice and came away no wiser, despite preparing myself to find meaning in the words. A poem that begins “I am night and a thousand stars hurtle through/my skin, punching through the ether” sets the reader up for a powerful experience. It’s over a few short paragraphs later, a story not tied up neatly, only words and a mental picture that creates an unsatisfactory feeling. Not unsatisfactory in a bad way – just a longing for something more to grasp, a clearer picture of sorts.

The author does have a way with words, stringing them together like a delicate necklace that has its own beauty, yet doesn’t match with anything in the closet. That is not to say it is a wasted purchase -understand that these poems may not meet with your expectations. They are an acquired taste, revealing more each time they are read. Two particular poems became my favorites: I Swallowed the Moon and Blue Cadillac. I feel that Cadillac is the most mainstream work, easily understood, with fondness for the title character (?) shining through easily. I too, remember the classic cars with wistful nostalgia, as the poem notes:

And somehow in this memory of you/your massive lines like some primordial behemoth/long since dead and buried/in ice, the very blueness of you, I may have/remembered myself, another classic beauty.

It was so easy to conjure up big fins in the Texas heat as I absorbed this poem. Images formed freely in my head, unlike some of the author’s other writings in this book. Sometimes the final lines give off a hint of sarcasm, of impropriety or dismissal; other times the end is so far away from the beginning you don’t know what to think. There is a strong undercurrent of feminism and heartbreak in the words, and at times I wondered what experiences the author had, to describe in such a way.

All and all, not the worst way to spend time reading. Poetry is more resonant with people; either you love it or hate it. This little book was pleasant to read, despite the fact that I came away from most of it confused. Read it and let me know what you think.

You can get your own copy here.

Expressions of an Artist by Frances Bildner

April 24, 2018 / Kyle Wendy Skultety / 0 Comments

“I wonder the wonder, freedom of freedoms, play for you nightly and sing in the rain.I pray for your ghosts to let you off lightly, lessen and get rid of your terrible pain.”Expressions of An Artist: The Whole Shebang is a raw, in depth form of personal expression through the intricate use of English. Frances Bildner’s brave writing speaks from a place of pure honesty and beauty, using a masterful artistry with words to create this unforgettable collection.Using a potent mix of poetry, prose and a stream-of-consciousness style of writing, Bildner creates a completely unique piece that is haunting and moving at the deepest levels. Above all, Bildner emphasises the importance of love, of relationships, of seeing the world and of having an open mind. Her passion for living life away from the beaten track is clear, and her skill with words is nothing short of inspiring.

Many thanks to the author and to Publishing Push for this review copy!

This flowing, rambling work of art is most unusual. The author combines her poetry with her paintings in this grand outpouring of emotion called EXPRESSIONS OF AN ARTIST. She explores love, loss, politics, and hatred with her art – discussing uncomfortable subjects and thrusting them almost angrily at the reader.

The first section is autobiographical; read this and the poetry gains another layer of understanding. Ms Bildner is no stranger to sadness, and this is clear in her work. She also lets hope and expectation shine through as well, but not as often. Her words are visceral and filmy at once; the way she combines images and phrases will hit you in the head and the heart.

My favorite section is entitled “Political”. Bildner sneers at men and their havoc they wreak on the battlefield, weeps for those lost in the Holocaust, and paints a dystopian picture that Orwell would be proud of. Discrimination, oppression, and hypocrisy are all described, drawn out like sticky taffy being pulled; her words stick in your head and force you to see what she is seeing, what she has seen. Her paintings in this section are darker as well – rows of skull-like faces below a yellow star gape at the reader. I caught my breath as I stared at them, and felt the weight of a thousand souls inside me.

The mark of a good poet is one who can make you laugh, cry, and most of all, THINK with her words. Ms Bildner is one such poet. Her words are to be absorbed and considered, for they are very relevant in 2018, where hate and divisiveness still exist around the world.

I dare you to read this book and not be touched by her emotions. If you aren’t moved by her words, check your chest to see if you still hear a beating sound within. You can pick up your copy [easyazon_link identifier=”1785546481″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

Champagne Crystals

Champagne crystals, camaraderie, flight, bubbles in the air, bubbles everywhere, aeration, colour, sanguine moments. Spirit alive entering the gates of nirvana. Chrystal, veuve, what’s in a name, the purity, the semblance of a glass of champagne. Jockeys fly, horses neigh, the culmination of another day. Psychics, mediums, bursting through, who’s to say what’s you and you.

Anticipation, bubbles and expectation. I put my hand around your waist and tasted friendship. Not formed in haste. Champagne you asked, is it free, Champagne you queried for you and me?

Bubbles of life, love and laughter floating above the heavier matter. Champagne cocktails, chitter chatter. Corks that pop, love a lot, fizz in the air. Champagne everywhere, in the bath a glass between friends making many amends.

Berth: Voices of the Titanic by Natalie Scott

May 10, 2016 / Kyle Wendy Skultety / 0 Comments

Natalie Scott’s debut collection of poetry, BERTH, brings together myriad diverse voices, tapping into the psyche of those affected by the sinking of the Titanic. Ambitious in its scope, Berth seems to unravel the myths that have emerged over the century since the tragedy. From the pathos of poems in the voices of the passengers who died, to the amusing reflections of the iceberg, dog and anchor, this collection commemorates those who were lost and celebrates those who survived that fateful night of 14 April 1912.

Thanks to Publishing Push and the author for gifting me this review copy!

BERTH is a delightful little book of poems that are eerie and thought provoking to read. Each one is “written” by various people who are connected with the ill fated ship in some way; a builder, a passenger, a Marconi wireless operator. There are also poems authored by the ship’s cat, an anchor, and the iceberg itself. After the name of the person the reader will find out if the person was lost or saved.

Here is a sample:

James Dobbins (shipyard worker for Harland and Wolff, Belfast. During construction of ship – LOST)

I was with her through the build from the laying of keel plates to the last bristles of paint.

I considered myself lucky to be called for launch-day; many poor surplus souls went missing a day’s pay.

I’d been freeing a support from the shores just below her hull, as she strained on the workings like a feral animal tied to its post.

When the support was freed the shore pinned down my leg and I must’ve fallen unconscious as I’ve been in darkness ever since.

Please tell me, because I’m dying to know – did she make a good, safe passage to New York?

That’s the first poem in the book. As soon as I finished it I read it again and tried to imagine this poor soul in my mind. It was easy to see Titanic straining like a “feral animal” at the dock, a behemoth seeking her freedom.

Scott’s imagery is ethereal and true; the passenger’s voices reflect their station in life accurately, clearly demonstrated in the two poems Mrs Alma Palsson and Mrs Hudson JC Allison. These poems are shown side by side, a gentle hint to the reader that the emotions of the women were the same deep down inside, despite their money (or lack of it).

The connection between the poems is the emotion of the writer – some are arrogant, some are in denial, others painfully aware that their hours are numbered. The inclusion of the ship’s cat and a Newfoundland dog (both SAVED) add a touch of whimsy, despite the somber underlying tones. Scott even creates a poem in the voice of the iceberg; as much a part of history as Titanic.

Despite the death imagery on most pages, BERTH is a work that will move you by making the passengers more personal in a unique way. We have all read the first person accounts of the survivors and elevated them up to myth-like, god-like status. However, these poems recreate their voices in a way that seems more personal, as they share their deepest thoughts, hopes and fears with you. Even the Unsinkable Molly Brown has new things to say.

At a slim 76 pages this book seems to fly by quickly, making it easy to go back and read certain poems again while enjoying the wordplay and visceral feelings the poems evoke. Without a doubt this will be one of my favorite books this year.

Natalie Scott has created a shining jewel of a book that will be a welcome addition to the shelves of any Titanic aficionado. She has honored the memory of so many with her touching and beautiful words, words and images that will stay with you long after the book is closed.

Pick up your own copy [easyazon_link identifier=”1905374275″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link]. You’ll be glad you did.