World War II – gimmethatbook

The first volume in a two-book series about each of the atomic bomb drops that ended the Pacific War based on years of irreplicable personal interviews with survivors to tell a story of devastation and resilience

In this vividly rendered historical narrative, M. G. Sheftall layers the stories of hibakusha—the Japanese word for atomic bomb survivors—in harrowing detail, to give a minute-by-minute report of August 6, 1945, in the leadup and aftermath of the world-changing bombing mission of Paul Tibbets, Enola Gay, and Little Boy. These survivors and witnesses, who now have an average age over ninety years old, are quite literally the last people who can still provide us with reliable and detailed testimony about life in their cities before the bombings, tell us what they experienced on the day those cities were obliterated, and give us some appreciation of what it has entailed to live with those memories and scars during the subsequent seventy-plus years.

Sheftall has spent years personally interviewing survivors who lived well into the twenty-first century, allowing him to construct portraits of what Hiroshima was like before the bomb, and how catastrophically its citizens’ lives changed in the seconds, minutes, days, weeks, months, and years afterward. He stands out among historians due to his fluency in spoken and written Japanese, and his longtime immersion in Japanese society that has allowed him, a white American, the unheard-of access to these atomic bomb survivors in the waning years of their lives. Their trust in him is evident in the personal and traumatic depths they open up for him as he records their stories.

Hiroshima should be required reading for the modern age. The personal accounts it contains will serve as cautionary tales about the horror and insanity of nuclear warfare, reminding them—it is hoped—that the world still lives with this danger at our doorstep.

Thanks to NetGalley and the publisher for this review copy!

M.G. Sheftall’s HIROSHIMA offers a riveting and compassionate account of one of the 20^th century’s most significant, devastating, and tragic events: the atomic bombing of Hiroshima on August 6, 1945. By meticulously blending historical research with the intimate testimonies of survivors, the book offers a harrowing and unforgettable account of the devastation, suffering, and resilience of the Japanese people.

The book delves deep into the firsthand experiences of the hibakusha, the survivors of the atomic bomb. Their stories are raw and unfiltered, offering a visceral glimpse into the horrors they endured. From the initial flash of light and the deafening blast to the long-term effects of radiation sickness, Sheftall captures the physical and psychological toll of the catastrophe.

“Survivors guilt” was legion. Sixteen-year-old hibakusha were ashamed of the fact of their own survival when almost all of their classmates were killed. This shame shadowed them their whole lives, even permeating the unveiling of a Hiroshima memorial on August 6^th, 1948. Bereaved parents shot hateful looks at those who had dared to live, even confronting them to ask, “Why are you alive, when my daughter is dead?” Survivors were also ashamed that they did not die as a martyr for the Imperial Empire.

Sheftall’s writing is compassionate, informative, professionally researched and meticulously crafted. He provides historical context while also allowing the survivors’ voices to take center stage, leaving a lasting impression on readers.

The strength of Sheftall’s work lies in its deep exploration of the human experience in the face of incomprehensible destruction. The narrative weaves together first-hand accounts from hibakusha, ordinary citizens, and military personnel, showing how the bomb shattered lives, cultures, and the human psyche. Sheftall demonstrates not only the immediate impact of the bomb but also its lasting effects on individuals, their communities, and even the identity of Japan as a nation.

The Japanese mindset before and during wartime was one of brainwashing and stoicism. To die for the cause and support of the Emperor and Imperialism was ingrained in every boy and girl, starting as soon as they were able to walk and talk. The collective was greater than the individual, and this was accepted without a second thought. During WW2, both boys and girls were part of the war machine, grinding away day and night. As the boys were being educated on kamikaze training, the girls were working in factories recycling worn uniforms (stitching up bullet holes and washing blood out) so they could be worn again by more hapless but devoted soldiers) or sent to the Japan Steel munitions plant to help create ordnance. Bear in mind, these poor souls were barely teenagers – working in a factory setting that was both rigorous and dangerous. The girls considered too immature to endure the demands of factory labor were required to perform unskilled volunteer jobs such as farm work, participating in scrap metal drives, digging trenches, or working at firebreak sites. These tasks were just as dangerous as factory work. However, the hive mind kept all the girls moving forward without a second thought as to personal injury or worse, introspection (questioning why all this backbreaking labor had to be done, or wishing for a simple life spent giggling with friends or having free time).

Sheftall avoids sensationalism and instead focuses on the individual stories of the survivors. We learn about their hopes, dreams, and aspirations before the bombing, then feel their fear, shock, and suffering in the immediate days after the bombing. Finally, we realize the challenges they faced in rebuilding their lives afterward. The book is a powerful reminder that behind every statistic is a human being with a unique story to tell.

Sheftall also explores the far-reaching social and geopolitical implications of the atomic bombing, explaining the political and military factors that led to the bombing, without losing sight of the human toll. He examines the Japanese government’s response to the disaster, the international reaction, and the long-term effects of radiation on the environment and public health. He also raises important questions about the ethics of nuclear weapons and the dangers of nuclear proliferation.

While HIROSHIMA is a powerful and necessary read, some readers might find the detailed historical and military analysis at times overwhelming. However, this does not detract from the overall impact of the book. It enriches the reader’s understanding of the broader context in which the bombing took place, contributing to a more nuanced comprehension of the event.

M.G. Sheftall’s writing is inspired by a deep fascination with Japanese culture and history, particularly with the events surrounding World War II and the atomic bombings of Hiroshima and Nagasaki. As a long-time resident of Japan and a scholar specializing in Japanese history and society, Sheftall’s interest grew from personal encounters with the stories of the hibakusha. Their experiences, combined with the overarching impact of the atomic bomb on Japanese society, motivated him to give voice to the survivors’ stories in a way that blends historical context with personal narratives. Sheftall’s writing is empathetic and precise, capturing the profound human impact while maintaining scholarly rigor.

The author has previously explored the human dimensions of war, as seen in his earlier work, BLOSSOMS IN THE WIND, where he examined the experiences of Japanese kamikaze pilots. His continued exploration of the human cost of war is a driving force behind HIROSHIMA. Sheftall was inspired not just by a desire to document history, but also to foster empathy and understanding by illuminating the personal suffering that often gets lost in larger historical narratives. By focusing on individual experiences, Sheftall seeks to convey the full scope of the tragedy and its long-lasting impact on both individuals and society at large.

Hiroshima is remembered as one of the most devastating events in human history, symbolizing the horrors of nuclear warfare and the profound suffering caused by the atomic bomb dropped on August 6, 1945. Its memory is preserved in numerous ways, each reflecting different aspects of the tragedy and its broader implications.

The city stands as a stark reminder of the destructive power of nuclear weapons. The city’s complete devastation within seconds, resulting in the deaths of an estimated 140,000 people by the end of 1945, makes it a powerful symbol in the global conversation about nuclear disarmament. The memory of Hiroshima fuels ongoing movements advocating for peace and the abolition of nuclear weapons, led by organizations such as the Hiroshima Peace Memorial Museum and global anti-nuclear groups.

Hiroshima is commemorated annually through ceremonies at the Hiroshima Peace Memorial Park, which includes the iconic Atomic Bomb Dome, one of the few structures left standing near the hypocenter of the blast. The park also features the Cenotaph for the A-bomb Victims, and its Flame of Peace will burn until the world is free of nuclear weapons. These physical landmarks serve as enduring reminders of the tragedy and as focal points for reflection and mourning.

The bombing of Hiroshima is remembered through various forms of art, literature, film, and music. Books such as John Hersey’s HIROSHIMA and later works, including M.G. Sheftall’s own contributions, help to ensure the event is documented and understood by future generations. Films like Grave of the Fireflies and Barefoot Gen portray the emotional and human cost of the bombing.

Every year, on August 6, Hiroshima holds a solemn Peace Memorial Ceremony. The event includes a moment of silence at 8:15 AM, the exact time the bomb was dropped. The ceremony draws attendees from around the world and serves as a global moment of reflection on the consequences of nuclear warfare, aiming to renew commitments to peace.

The 2024 Nobel Peace Prize was awarded to Nihon Hidankyo (The Japanese Confederation of A- and H-Bomb Sufferers Organization). This underscores both the call to peace and continuing to remember those whose lives were forever changed by this unspeakable tragedy.

In all these ways, Hiroshima is remembered as a tragedy that transformed the global understanding of warfare, leaving a legacy that continues to shape both personal and collective memory. It is a call to never forget the consequences of nuclear weapons and to work toward a world where such destruction is never repeated.

This book is a poignant and essential contribution to the literature of World War II, as well as a testament to the human spirit and the power of resilience, even in the face of unimaginable suffering. The book offers a respectful reminder of the horrors of nuclear warfare, and it compels readers to reflect on the far-reaching consequences of violence and war. Sheftall’s skillful blend of historical narrative and personal testimonies makes this book a must-read for anyone interested in history, ethics, and the profound impact of war on humanity. It is also an imperative for historians, students, and anyone seeking to understand the true cost of conflict.

Want your own copy? You can pick it up here.

“The Japanese invasion of Singapore sets the backdrop for this World War II saga of loyalty, love, and the promise of liberation. Under the Pong Pong Tree by Hal Levey delves into the brutality of foreign occupation from a woman’s perspective, allowing a candid portrayal of a war victim to emerge from the pages of this gritty chronicle. . . .The prose is sensitive, knowledgeable, and empathetic, covering intriguing topics across an extensive time line.” -Clarion Review 5 stars

“This utterly compelling historical novel revolves around several characters whose lives have been irrevocably changed and, for the most part, damaged, by the WWII Japanese invasion of Singapore. . .The plot moves quickly with continuing storylines of many characters, and the writing and editing is flawless. Under the Pong Pong Tree will be enjoyed by a wide readership, particularly those who appreciate a fast-paced, realistic tale of war, survival and, ultimately, redemption.” -Blue Ink Starred Review

Love and the brutality of war are woven together in a beautiful, heart-wrenching tapestry in Under the Pong Pong Tree.

Thanks to Publishing Push and the author for helping me create this guest post! UNDER THE PONG PONG TREE is a wonderful, character-driven novel about love and war. Here, author Hal Levey tells us how everything came to be:

Under the Pong Pong Tree was incubated long ago during a year spent as China Medical Board Visiting Professor on the medical faculty of the National University of Singapore. The eponymous pong pong tree of Southeast Asia also is called the suicide tree. It is intended as a metaphor for the cruelty suffered by the Chinese residents of Singapore under the heel of the Japanese during World War II. I kept a journal that became a background resource. I also met many colleagues who suffered under Japanese brutality. Nevertheless, the year in Singapore was an exhilarating experience. I did a certain amount of recreational jungle bashing upcountry in Malaysia, and befriended the RAF contingent at the Seletar Air Base in Singapore. I became close friends with Squadron Leader Darrol Stinton, MBE, and joined him and the RAF Seletar Sub-Aqua Club on an expedition to Pulau Perhentian (Perhentian Island) in the South China Sea. The purpose was to develop sea rescue capabilities for airmen lost at sea. The job previously was done by the Royal Navy, but, for some reason, they terminated such operations and the RAF was obliged to create their own system.

The airmen made me Honorary Member No. 1 of the club, but harbored the faint suspicion that I was a CIA plant. Darrol died in 2012 from a hospital-borne infection at a military hospital in London. He was there for surgical replacement of titanium rods that supported his spine, stress-fractured from his years as a test pilot for the RAF. I brought him back to life in my book as Squadron Leader Darrol Stanton. I also borrowed Chinese and Malay names of individuals I had met as characters in my book. I did this to avoid inventing ethnic names that might inadvertently have had a lewd context.

The novel started to come to life when I spent a summer month in the Caribbean, lecturing to pre-med students at St. Georges University on the island of Granada. This was a pleasant diversion, and St. Georges relied on visiting faculty, mainly from Australia, India, and the USA. Part of my stipend was a room at a first-class hotel perched on a glittering white sandy beach. I delivered lectures in the morning, and spent the afternoons sipping rum punch at a tiki bar next to the hotel. Sitting on a bar stool with time on my hands, I started to scribble an outline in pencil on a yellow legal pad. I started with the setting and then populated it with my characters. Eventually they wrote their own stories and I merely transcribed them. After much picking up and putting down of the manuscript over several years, it ultimately emerged as Under the Pong Pong Tree. The first draft ran to about 185,000 words, but I chopped it down to 78,000 words in the final version.

It is a gripping story that also bears elements of a cautionary tale. In the book, the Japanese are portrayed as brutal and pitiless in their treatment of the Chinese residents of Singapore. They executed thousands and practiced decapitation almost as an art form. Today we view the Japanese as a tidy little people, hard-working, and steeped in their quaint cultural traditions. The other naughty nation, Germany, has emerged from the horrors of Nazism to become an economic powerhouse. One might wonder what the future holds for brutal regimes of the present day?

I am unaware of literary influences that have helped me along the way – although there must be some. I tend to write from the omniscient viewpoint, with little interest in the machine-gun conversational style of the contemporary best-seller. Nor do I have an affinity for the current obsession with zombies or mutated mosquitoes the size of Greyhound busses. I lost interest in fairy tales when I was about eight years old. Although, now that I think about it, I have toyed with the idea of writing a story about a hemophobic vampire. If I have a favorite author, it might be Archy, the poet reincarnated as a large cockroach, who held frequent conversations with Mehitabel, a morally ambiguous cat who claimed to be the reincarnation of Cleopatra. Mehitabel maintained her zest for life, proclaiming “there’s a dance or two in the old dame yet.” Archy typed messages to his boss, Don Marquis, by diving headfirst onto the keys. The messages understandably all were in lower case and lacked apostrophes. That did not disturb the editors of the New York Sun, who were happy to publish Archy’s messages in their daily edition.

As to the future: I might follow up with a prequel to Under the Pong Pong Tree, but only if a readership emerges from the underbrush. Otherwise, I shall move in another direction – yet to be determined.

I am currently involved in the puzzling procedure called marketing. I won’t bore you with the details, but, if you write a book, you want it read. Of course, I also might call your attention to Boswell’s quote from Samuel Johnson: “No man but a blockhead ever wrote, except for money.” Undiscovered authors are advised to refrain from such flippancies until THEY beg you to sign a major contract. Until then, we must be content to write because we are unable to not write.

Here are excerpts of excellent reviews of my book, by Clarion and Blue Ink:

“The Japanese invasion of Singapore sets the backdrop for this World War II saga of loyalty, love, and the promise of liberation. Under the Pong Pong Tree by Hal Levey delves into the brutality of foreign occupation from a woman’s perspective, allowing a candid portrayal of a war victim to emerge from the pages of this gritty chronicle. …The prose is sensitive, knowledgeable, and empathetic, covering intriguing topics across an extensive time line.”
—Clarion Review 5 stars

“This utterly compelling historical novel revolves around several characters whose lives have been irrevocably changed and, for the most part, damaged, by the WWII Japanese invasion of Singapore….The plot moves quickly with continuing storylines of many characters, and the writing and editing is flawless. Under the Pong Pong Tree will be enjoyed by a wide readership, particularly those who appreciate a fast-paced, realistic tale of war, survival and, ultimately, redemption.”
—Blue Ink Starred Review